The Chrysanthemum Vow Comparison

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Pu Songling was a Qing Dynasty Chinese writer in the early eighteenth century who is renowned for being the author of Strange Tales from a Chinese Studio. This publication contains about five hundred zhiguai and chuanqi genre short tales delivering implicit messages and lessons that serve to criticize societal and moral issues. In contrast to Pu Songling, whose tales were focused on the everyday lives of commoners and thus aimed towards commoners, Ueda Akinari’s tales from Tales of Moonlight and Rain, inspired by his faith and belief in the supernatural from his childhood, are catered to a smaller, more educated, and more literate audience. Pu’s story, “Friendship Beyond the Grave,” and Ueda’s “The Chrysanthemum Vow” have quite little alike in terms of plot, and the darker mood of “The Chrysanthemum Vow” very clearly contrasts the lighter, happier mood present through most of “Friendship Beyond the Grave.” Upon closer reading, however, there is a link between the stories, in that the theme of undying friendship and loyalty is incorporated , albeit in different ways, in both narratives. This paper serves to identify the differences in each author’s usage of friendship, analyze the way in which the concepts of …show more content…

Their relationship is much more intimate than what you’d find in Pu’s work: Samon “cared for the man [Soemon] devotedly” (55), coming every single day to look after him, and ultimately even pledged their brotherhood as their friendship progressed. Unlike Pu, Ueda is not using his works to deliver any messages to criticize society or teach any lessons about morality; he is writing for the art—the beauty that is literature. And in Japanese literature at the time, the elements of literature are used to make the characters feel powerful emotions and invoke a deep emotional response in the reader as

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