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The Characters of For Whom the Southern Belle Tolls
For Whom the Southern Belle Tolls is Christopher Durang's hilarious 1994 parody of The Glass Menagerie, a 1945 play by Tennessee Williams. In both plays, the main characters must deal with several serious problems, including isolation, fear of the outside world, and the need for understanding. Whereas the characters in The Glass Menagerie handle their problems in a relatively serious manner, those in For Whom the Southern Belle Tolls take a more farcical approach. For Whom the Southern Belle Tolls offers an alternate view of the situations in The Glass Menagerie, and it comments on how the American society has changed since the 1940s. Durang's parody accomplishes its humor by developing extreme versions of the characters in The Glass Menagerie through magnification of their faults and idiosyncrasies: Laura's shyness toward the world, Amanda's lack of understanding for her children, Tom's anger with his family, and Jim's partial deafness (however minor in Williams' play).
It is more difficult to sympathize with Lawrence in For Whom the Southern Belle Tolls than with Laura in The Glass Menagerie because he is so much more irritating and pathetic than his female counterpart. Laura is a young woman who suffers from extreme shyness and self-consciousness because she has a slightly malformed leg and needs to wear a leg brace; consequently, she is afraid to talk to new people and enter new situations. Laura's psychological problems are amplified in Lawrence, who fakes several ailments, including asthma, eczema, and a crippled leg. He never leaves the safety of his house, and his only friends are his glass swizzle sticks, which he gives such names as "Q-tip" (1942), "Ther...
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...children's; in addition, Durang adds two homosexual characters: Tom and Ginny. This is evidence that For Whom the Belle Tolls does more than just provide a humorous approach to the situations in The Glass Menagerie: it shows how the American society and family have changed since Williams wrote his play. According to Durang, people have become more open with their personal feelings and sexuality, but they have also become more self-centered. Works Cited Durang, Christopher. For Whom the Southern Belle Tolls. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1937-1948. Williams, Tennessee. "The Glass Menagerie." Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1704-1750.
Nero was born in 37AD (Dennison, 2012), with the name, Lucius Domitus Ahenobarbus. When he was two his mother was banished by emperor Caligula to Pontian Island. Nero lost his inheritance one year later when his father, Gnaeus Domitus Ahenbarbus, died. When emperor Caligula died, emperor Claudius, a milder emperor, was on the throne. This meant that Agripinna, Neros Mother and Claudius’s neice, was recalled from exile and that Nero was given a good education, being tutored
The Glass Menagerie is a play about the character Tom trying to escape his living situation that traps him. He is doing to best to cope with his dependent, demanding mother Amanda and take care of his quiet sister Laura. Amanda and Laura solely depend on Tom’s income from his warehouse job, but Tom is desperately wanting to leave both his mother and sister to lead his own adventurous life. Laura is mainly embodied by her precious glass menagerie and Jim O’Connor’s nickname for her, “Blue Roses.” Her livelihood revolves around taking care of her glass animals and protecting them, and in doing so, she isolates herself from the normal world around her. In Tennessee William’s play The Glass Menagerie, symbolism is use to uncover the unearthly beauty and delicacy of Laura and to portray Tom’s need to escape from his oppressive responsibilities.
In Tennessee William's play, The Glass Menagerie, the character of Laura is like a fragile piece of glass. The play is based around a fragile family and their difficulties coping with life.
Comer, R. J. (2000). Abnormal psychology. (4th ed.) New York: W. H. Freeman & Company.
Nero was the fifth and final Roman Emperor of the Julio-Claudian dynasty. His full name was Lucius Domitius Ahenobarbus, but when he was adopted by his great uncle Claudius and became his heir to be the next Roman Emperor hi name changed to Nero Claudius Ceasar Augustus Germanicus. He succeeded to the throne on 13 October, 54, after Claudius’s death. “During his rule from 54 to 68 Nero focused much of his attention on diplomacy, trade, and increasing cultural-capital of the empire.” His rule as Emperor was often associated with tyranny and extravagance. He was obsessed with retaining his title as Emperor, and would not hesitate to execute or ruthlessly kill anyone who he saw as a threat or opposition against him. He stamped out all conspiracies against him. He even killed his own mother.
Emperor Nero, infamously known as one of the most malevolent, oppressive, and tyrannical leader throughout history, was the last ruler of the Julio-Claudian Dynasty. He was born outside Rome in Antium and his mother married his great uncle, Emperor Claudius, in order for her son to be the next Emperor of Rome. It wasn’t apparent that her son was to become one of the most feared and cruel leaders in Roman history from 54 CE to 68 CE. By examining his achievements and failures as an emperor, his influences and changes over the entire economic, political and social spectrum are revealed.
While Suetonius’s scriptures of Nero may pose a risk of bias, similar perversions were discussed within Edward Champlin’s ‘Nero Reconsidered’. Champlin discuses Nero’s descent into debauchery and malfeasance; how his personal exploits gradually began to corrupt his political and military affairs (Champlin, 1990). Nero began alienating and persecuting much of the elite for higher interests in personal concerns, as well as neglecting military advances and affairs completely. Nero’s exorbitant personal affairs and expenditures left the treasury thoroughly exhausted. His period was riddled with deflation as shortage of money began to emerge (Champlin, 1990). Nero’s adolescence and unruly upbringing was largely contributory to his inadequacy during his years as Roman Emperor. While Nero contributed significantly to the city, his reign demonstrated the unravelling of the Roman
for his country, but he used a much more powerful weapon at which he held great skill:
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
The Glass Menagerie, by Tennessee Williams, is a prime example of a classic drama, infusing powerful themes with compelling characters to draw the reader in and allow them to connect. William’s character Laura plays a large part in accomplishing this, particularly in Scene VII, when she converses with Jim. This scene is especially important to the story as a whole, and helps develop Laura’s character and the theme of conformity. This theme, that to be accepted by society one must conform, is prevalent throughout the story, but centers around this portion of the play specifically. The conversation between Laura and Jim is a pivotal part of the drama that is very impactive and provides substance for the theme and character development in the rest of the drama.
Tennessee Williams play The Glass Menagerie relives the horrors of the Great Depression and the effects it had on many people's lives. The story is in many ways about the life of Tennessee Williams himself, as well as a play of fiction that he wrote. However, the story is based on Tennessee and his family's struggle to emotionally deal with the harsh realities that followed the crash of 1929 (807).
In 1950s America, the fields of psychology and psychoanalysis were beginning to be reexamined and expanded as more cases of mental distress and disorders were uncovered that no one knew how to treat. These cases could often related back to one main theme, which was unhappiness in one aspect of an individual’s life. This problem area could be home life, work, social status, or a number of other areas. No matter what the root of the problem, the issue always caused a person to feel inconsequential and their minds would spiral down a negative path until they were no longer, by society’s terms, sane. Existentialists, those who believe individuals should be responsible for developing how they want and when they want, viewed these allegedly crazy people as developing at their own pace. They did not believe, however, that these people were discovering the meaning of their life as they were, more often than not, unhappy with their lives. The existentialists believed that when one does not aim for a specific goal or yearn to find meaning in their life, they are not living their life the way it was intended. The existential view emphasized a person or individual being responsible for determining their development on their own terms and discovering the meaning in life. When the mind gets in the way, in cases such as psychopathy, it does not allow for the individual to discover the true meaning of their own life as their judgment may become clouded by their current state of mind. The mind has a great deal of power in the matter of deciding whether a person will succeed on the existential path or if they will go down the path of psychopathy. This power can do a person a lot of good but it may also cause them a lot of stress and harm ...