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past portrayals of youth in media
past portrayals of youth in media
analysis of the breakfast club
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In The Breakfast Club, the character of Allison Reynolds is known as the basket-case. Dose the director John Hughes agree that the character of Allison Reynolds fits the stereotype of a basket-case, or is Hughes challenging that Allison might not fit into the stereotype at all? Throughout the film, the character of Allison dose and says things that might make her seem like a basket-case to the viewers,however,someone paying attention to the little details will notice something different about Allison Reynolds aka the basket-case. We are first introduced to Allison in the beginning, when she is dropped off by her father, who seems to speed away without saying goodbye. Allison is shown wearing all black and an oversized brown jacket. She then begins walking in to the school. Allison is the last out of the breakfast club to enter the library. She heads all the way to the back, and faces the opposite direction. When assistant principal Vernon walks in, she ignores him. Allison begins chewing on her nails loudly, and all of them turn to watch her. Bender looks at her for a moment before saying "if you keep eating your hand you won't be hungry for lunch."[Breakfast Club].She responds by spitting her nails at him. He then says, "I've seen you before, ya know." .When Bender takes the screw out of the door, Allison is also watching him with the others. Assistant Principal Vernon walks in once more, questioning them about why it's closed. When he asks 'Who closed that door?' Allison squeals and bangs her head against the desk. Bender says to Vernon "she doesn't talk. When the door is closed, Allison passes the time by wrapping a string around her finger, to make it purple. Reynolds then passes time by drawing a picture of a bridge. Allison...
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...blem. Director John Hughes is able to fit the characters in their stereotypes by their actions and way of dress. For example, Allison Reynolds proves to be the basket case when she begins chewing her nails loudly and not caring who sees or when she puts sugar sticks on her sandwich. However in the end Hughes challenges the stereotype of Allison being a basket-case, by revealing that Allison has a difficult time making friends in school. By using verbal and nonverbal language the character of Allison Reynolds is able to give the audience a look at her life and emotions. This shows that there’s nothing truly wrong at the end of the day besides the fact that she’s lonely and wants attention.
Works Cited
The Breakfast Club. Dir. John Hughes. Perf. Molly Ringwald,Ally Sheedy, Emilo Estevezand,Anthony Michael Hall and Judd Nelson. Universal Pictures, 1985. Film.
A Raisin in the Sun. Dir. Daniel Petrie. Perf. Sidney Poitier, Claudia McNeil, Ruby Dee and John Fiedler. Columbia Pictures, 1961.
Crash. Dir. Paul Haggis. Perf. Don Cheadle, Sandra Bullock, Thandie Newton . Lions Gate Entertainment, 2005. DVD.
Hedwig and the Angry Inch. Dir. John C. Mitchell. Perf. John Cameron Mitchell, Miriam Shor and Stephen Trask. 2001. DVD.
Forrest Gump. Dir. Robert Zemeckis. Screenplay by Eric Roth. Perf. Tom Hanks and Mykelti Williamson. Paramount, 1994. Film.
Rebel Without a Cause. Dir. Nicholas Ray. Perf. James Dean, Natalie Wood, Sal Mineo, and Jim
A Few Good Men. Dir. Rob Reiner. Perf. Jack Nicholson, Tom Cruise, and Demi Moore. Columbia Pictures, 1992. Film.
O Brother, Where Art Thou. Dir. Ethan Coen and Joel Coen. Perf. George Clooney, John
The first character that intrigued me, probably because I could relate to him the most was Andrew, the "jock." A jock is the group of people that are athletically inclined and are usually part of a sports team. When all the students were confessing what they had done he seemed the most regretful of his actions. Andrew being a great wrestler at school saw an unsuspecting teammate that was much smaller than he was and decided to jump on him and start beating up on him. What made his case so extreme was that not only did beat up on his teammate but he taped his butt cheeks together. The perception that I, as well as the members of the breakfast club, had of Andrew was that he couldn't think for himself. He also thought the same thing because he said that he felt pressured by his dad to do something mischievous because he (his dad) used to get into mischievous acts often while he was in high school. So while he was looking at his smaller teammate he said that all he could here was his father telling him about being a winner and doing so many unnecessary things just because he was an exceptional athlete. When Andrew told his story it seemed that all the other people were going to cry because they could see that he regretted doing what he did.
John Hughes’ 1985 film, The Breakfast Club, gives countless examples of the principles of interpersonal communication. Five high school students: Allison, a weirdo, Brian, a nerd, John, a criminal, Claire, a prom queen, and Andrew, a jock, are forced to spend the day in Saturday detention. By the end of the day, they find that they have more in common than they ever realized.
Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Perf. Jim Carrey, Kate Winslet. Focus Features, 2004. DVD.
The Joy Luck Club. Dir. By Wayne Wang. Perf. Ming-NaWen, Tamlyn Tomita, Lauren Tom, Rosalind Chao, Tsai Chin, France Nguyen, Lisa Lu, and Kieu Chinh. Hollywood Pictures. Film.
The Breakfast Club is about 5 high school students enduring detention on a Saturday. You first see the in groups and outgroups. An in group are people who belong to the same group as you, while the out group are people who belong to a different group as you. This was shown right off the bat in
Breakfast Club film contained a wide variety of behavior and stereotypes. Each person had their on personality and taste at the beginning of the film. I believe that communication played the biggest part in the movie. It shows the way that people from totally different backgrounds can communicate and even agree on issues. The various types of communication and behaviors within the film will be discussed.
Pretty Woman. Dir. Garry Marshall. Perf. Richard Gere, Julia Roberts, and Ralph Bellamy. Buena Vista Pictures., 1990.
At first glance, Amanda Wingfield from Tennessee Williams’s The Glass Menagerie seems like a selfish women stuck in her past. In some ways this observation is correct; however, she is much more than that. Her kind and caring nature, and her insatiable love for her children has been overshadowed by her brash and insensitive dialogue. Her character is extremely complex and each one her actions reveals more of her overwhelming personality. Amanda loves her children and tries her best to make sure they do not follow in her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success; she is also pushing them away. Amanda Wingfield is a kind women stuck the wrong place and time; she