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“Reconstruction of society” as the central theme in Dalit Literature; A Focus on Omprakash Valmiki’s Joothan; A Dalit’s Life
Dr. Shakeela Noorbaha
Dept of English
ANU College of Architecture & Planning noorbasha.shakeela@gmail.com There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune. -Shakespeare
Dalit literature as a new genre in Indian English literature plays a significant role and gave a new dimension to Indian English fiction. The literal meaning of the word ‘Dalit’ is one who has been oppressed, exploited, insulted, humiliated and thrown outside the pale of civic society and treated as untouchables
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The central theme of all these writings is ‘to bring total revolution in the society’ and ‘to reconstruction of the society’. Dalit literature exists from long back i.e before Kabir and Ravidass. Great people like Dr. Ambedkar, Plule, Periyar,Swami Achhutananda and Adi Hindu Mahasabha brought consciousness in Dalit people through their literary production. Their goal is reconstruction of Dalit identity in India. The Dalit writers themselves being the victims, used literature as a vehicle to spread the Ambedkar’s ideology. Dalit literature includes all genres like short stories, novels, poetry,critical essays, plays , autobiographies etc. These piece of works help to bring the awareness that caste is the root cause of social discrimination and helps to reconstruct themselves from this …show more content…
It is an autobiographical novel which highlights his life and experiences as a Dalit. He says that the only way to overcome these situations is through education. Education helps to re-construct the society. The present selected novel Joothan : A Dalit’s Life is one such work from Dalit Literature first published in Hindi in 1997. The author describes from his past experience that the Dalits were no allowed to fight for education because their ordained job was to sweep the roads, clean the cattle barns, get shit of the floor, dispose of dead animals, perform other physical labour for upper caste people etc. The story Joothan is description about poor living chuhra community. Here both the human beings and animals like pigs live
In the novel, action speaks louder than characters. Each character in the novel represents the dark reality of the society. Locution and the composition of provocative verses leave gaps, which should be filled up by the readers. The character of Lakshmi is the epitome for many unknown and unnoticed Lakshmies, who are the victims of Trafficking and Sexual Slavery world-wide. Through Lakshmi’s stream of Consciousness the readers get conscious about the atrocities done to poor children and women for the sake of money.
Reading this story, we can see how this caste system in India has changed very little from the time it was written. Dhowli is a woman who became a widow, resulting in her identity as an Untouchable. This class of people were seen as unwanted, polluted, and the outcast people of society. One touch from an Untouchable would cause a person to become polluted, even if it was drinking form the same cup. A young boy from a higher class fell in love with Dhowli, ignoring her social status. This shows readers how society was beginning to change in this time period of the short story. Since then, Untouchables have been giving many more rights as they earn a higher education or even a higher position in the caste system. However, they are seen as the lowest humans in the caste system still today. Dhowli overcame the challenges of her social status in the environment she lived in. She finds a way to turn around the reality of life for Untouchables as she lives off of the environment by making them pay her for pleasure, rather than her begging them for money. The short story of "Dhowli" brought a new look on Untouchables as they might find themselves in a world with more opportunities and chances to make a difference for their status in caste
In India the caste system had 4 main classes and then the ‘Untouchables’. The untouchables weren’t usually allowed out during the day, and weren’t to be seen by anyone. Their duties included sweeping streets and cleaning latrines. On the bottom of the class system there were ‘Sundras’ who were servants and laborers. Above them was the ‘Vaisgas’ which included farmers and merchants. The second to
Aravind Adiga’s debut novel The White Tiger highlights his views of the injustice and poverty present in India’s class system. He does this through the perspective of Balram Halwai, a fictional village boy from Laxmangarh. In this epistolary novel, Balram narrates his life in the form of a seven-part letter addressed to Wen Jiabao, the premier of China. He describes how he escaped his caste, which was thought to be impossible, and became a successful entrepreneur after killing his own master. The inequality between rich and poor is an important motive of the story. This paper will go in depth into the representation of the poor, the motivation for it and the effects it has on the interpretation of the story.
The word ‘Dalit’ encompasses communities known as untouchables, usually refers to that portion of the population falling outside the pale of ‘Indian caste society’. The term is an ancient Marathi words that may be define as ‘ground’ or ‘broken to pieces’. It has been said that the word was use in nineteen century by revolutionist thinker ‘Mahatma JyotibaPhule’, who used it to describe the appalling condition of the untouchables at the same time, it has been argued that Dr. Ambedkar first used the term ‘Broken men’ in his ‘The Untouchables’ published in 1948, to refer the original anceslaters of the untouchables for reasons which must have been self-evident. The concept ‘Dalit Identity’ has emerged as an avoidable phenomenon in intellectual and political sphere of this country due to the emergence of movement of the oppressed people. Walter Fernandes in his edited work understands the emergence of Dalit identity. His Contributions analyze the struggle of Dalit in different parts of India. Dr. B.R. Ambedkar chooses the term ‘broken men’ an English translation of ‘Dalit’, to refer to the original ancestors of the untouchables. The Dalit panthers revived the term and in their 1973 manifesto expanded its referents to include the schedule castes, schedule tribes, neo Budhists , the working people , the
It is a literary genre that focuses on the psychological and moral growth of the protagonist. Growing up as a boy from the Parayar caste, in the milieu of Christian, Hindu and Muslim communities, K.A. Gunasekaran narrates the familiar tale of caste oppression and prejudice prevalent in the villages of Tamil Nadu. As the narrative unfolds, the reader is shown how the ‘low’ caste negotiates differently with the three religious communities. The deep pain of the Paraya surfaces through the risible anecdotes that ridicule the grievously unjust practices of the ‘upper’ castes. The book emphasizes the fact that Indian villages are doubly caste-conscious and cruel, and that Dalit emancipation rests in better education for the community. Gunasekaran writes in an earthy and colloquial style to capture the innocence, cruelty and drama of a South Indian
Of the themes which dominate the representative writings of the forth world literatures include the theme of resistance, rebellion, opposition, assertion, challenge, sacrifice, suffering and displacement. All these general ideas are interconnected with the common concept of ‘freedom’ and an aspiration for which is truly a driving force for the indigenous people. In this paper an attempt has been made to look into the theme of resistance and how it contributes to the development of the spirit of self-determinism as it is reflected and re-presented in the Fourth World literatures with special reference to dalits’ writings in India in order to appreciate and advance the common cause of freedom in the larger interest of Humanity.
Indian literature in English which is accessible to us in the West, still has its roots in colonial literature and the tensions between East and West. A European naturalism is often present; a concern to posit India as an arena within which Western readers can identify realities is inherent within much of this writing. The following are three examples of the progression of post-Independence literature.
The God of Small Things, the Booker prize winning Novel by Arundhati Roy, is a powerful predicament of a powerlessness of the people so called citizen of India. The novel presents an excellent and deep study and understanding, sociological and psychological, of various social groups and social sections of the society. Roy has succeeded to a great extent to make those voices speak which silenced in the actual and practical, welfare, democratic, socialistic and liberal society in India. Multiple Voices of the various downtrodden sections of Indian society articulate their whims, wishes, aspiration silently. Various groups such as dalits (untouchables), l...
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
Though globalised and at the pinnacle of technological success, the world fails to respect the fellow human as a living creature. People have started respecting others for money, power and caste. Humanity and brotherhood are at the verge of extinction. Loss of humanity is going to be the identity of mankind, who lost their conscience in the darkness of discriminations like caste, religion, language and race. The issue is discussed elaborately by Bama in Sangati, who in the preface of her novel declares, “Sangati, which has as its theme the growth, decline, culture, and liveliness of Dalit women, changed me as well. Even in times of trouble, boredom, and depression, the urge grew to demolish the troubles and to live happily. To bounce like a ball that has been hit became my deepest desire, and not to curl up and collapse because of the blow”
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Dalit literature contests written histories where the entire life and cultural heritage of these specific set of people have been neglected. Only a literature of their own can express the real life experiences and their history. The movement which began with Mahatma Jyotirao Phule and Dr. Ambedkar with the message, “Don’t let your pen be restricted to your own questions” (Nimbalkar 32 - 33) is genuinely carried out by Dalit writers, to awake, to emancipate and to make them realize that every human being is equal. In course of this development, Dalit authors’ pen not only restricted to mere proclamations of equality, liberty and fraternity but also tries to make Dalits proud of their origin by highlighting positive aspects of their culture and acknowledging various Dalit art-forms. The two biographical novels taken for this paper, Kalyan Rao’s Untouchable Spring from Telagu and Dr. Narendra Jadhav’s Outcaste - A Memoir from Marathi, are faithful to these aspects.
My primary concern is to bring out the Voices of Subjugation and Hegemony in the works of Omprakash Valmiki, Sharan Kumar Limbale, Bhama and Baby Kamble. Dalit literature has occupied a significant role in the world literature. It has clearly exposed the torments faced dalits by so called upper caste people in the society. Dalits have undergone pain, humiliation, discrimination, subjugation and hegemonic control because of foolish customs laid by chaturvarna system in Hindu relilgion. Chaturvarna functioned on the basis of dividing people on caste and their occupation. The Chaturvarna system has caused discrimination among human beings because it has created a society that is based on cast hierarchy. The people who are in
Aravind Adiga in his debut novel The White Tiger, which won the Britain’s esteemed Booker Prize in 2008, highlights the suffering of a subaltern protagonist in the twenty first century known as materialism era. Through his subaltern protagonist Balram Halwai, he highlights the suffering of lower class people. This novel creates two different India in one “an India of Light and an India of Darkness” (Adiga, p. 14). The first one represents the prosperous India where everyone is able to dream a healthy and comfortable life. The life of this “Shining India” reflects through giant shopping malls, flyovers, fast and furious life style, neon lights, modern vehicles and a lot of opportunities which creates hallucination that India is competing with western countries and not far behind from them. But, on the other side, the life nurtures with poverty, scarcity of foods, life taking diseases, inferiority, unemployment, exploitation and humiliation, homelessness and environmental degradation in India of darkness.