The Caucasian Chalk Circle - Plot Notes. Scene 1 Representatives from two kolchos villages meet to decide who should have control of a valley that was taken from the Galinsk kolchos by the Rosa Luxemburg kolchos during the war. They argue it out and finally agree on a proposal from the agronomist in favour of the Rosa Luxemburg keeping the valley as they could put it to better use. A singer is invited to perform a story to help them with their problem. This is called "The Chalk Circle" and starts in scene two. Scene 2 The singer introduces the governor, Georgi Abashvili and his family and entourage. We also meet Prince Kazbeki outside the church. Everyone goes into the church. When they return Prince Kazbeki has set up an ambush to capture the governor who is killed. The governor's wife runs away leaving behind her son. In the mean time we meet Grusha Vachnadze, a kitchen maid, and Simon Chachava, a soldier of the palace guard. Simon proposes to Grusha, who accepts, and but he then has to leave with the governors wife to protect her. Grusha sees that the child, Michael Abashvili, has been left behind, and, against her better judgement, takes him away with her to protect him. Scene 3 The singer tells us that Grusha is heading to the northern mountains with the child. She tries to buy her way onto a caravansary with two rich ladies by pretending to be rich herself, but the gives herself away by making up some beds. She is forced to run away to avoid the police. The singer tells us that Grusha is being followed by the Prince's Ironshirts. The Ironshirts are loud and crude, particularly the corporal. Grusha leaves Michael on the doorstep of a peasant woman's house. The peasant woma... ... middle of paper ... ...ds before he was killed. Halfway through the trial Azdak loses interest and sees an old couple who want to divorce. Before he signs their divorce papers he goes back to Grusha's trial. He uses the test of the chalk circle, which involves standing the child in the middle of a circle and each woman trying to pull him out. Grusha lets go, the trial is repeated and she lets go again crying that she doesn't want to hurt him. Azdak gives Michael to Grusha and sends Natella away, declaring that her money will go to build a park for the children. Azdak signs a divorce for Grusha and her husband instead of the old couple and then steps down from his position as judge. Simon agrees to stay with Grusha and Michael and Azdak disappears. The singer declares that the moral of the story is that everything should go to those that are good for them.Document1
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
she originally planned, getting anxious to finally be free from the horrible city, she stays
She used The Misfit as her last resort to go to Tennessee. When leaving to go on the road, she sneaks her cat Pitty Sing, fearing "she may miss him too much". She could have her cat with someone. After The Misfit starts killing the family, she proceeds to beg for him to spare her life. This show that she is willing to live alone as long as she 's spared.
On their final day in the house she completes her plan by stripping all that she could of the rest of the wallpaper from the walls. Her intention was to bring a sense of shock to her husband. This seems to be her way of punishing him for the part he played in trapping her in the room with this hideous wallpaper. I think it goes further than just the room to make a statement of how she feels trapped in her entire life with her husband. She is “freeing” the woman who is trapped...
comes to attack them in order to even the score for the killing of her son. Then she leaves taking
Even though this meant that she would not be able to see or interact with her children for all that time. The pain that she feels is evident when she says, “ At last I heard the merry laugh of children, and presently two sweet little faces were looking up at me, as though they knew I were there, and were conscious of the joy that imparted. How I longed to tell them I was there”(97). She tolerated being locked away in an enclosed dark space for 7 long years in order to free her children from the current master that owned them as slaves, showing how having someone to put ahead of yourself makes you stronger and more resilient as a
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
... she calls her husband “that man” (608), implying that she no longer recognizes him, and says that she “had to creep over him every time”, clearly not comprehending the absurdity of crawling repeatedly around the room and over her husband’s unconscious body.
She not only lost a newfound love, but she was also being torn away from her father, mother, and sister. However, her troubles had only just begun. Kieu and Scholar Ma left for his home—a brothel he owns and operates alongside a woman named Dame Tu. Kieu was shocked to find out how little she knew about the man she married. After learning of Kieu’s misfortune and the reason she is there, Dame Tu allowed Kieu to live in the brothel, but not be obligated to host guests (Thong 66). After many meaningless, dreary days, a man visited the brothel that appeared to be taken with Kieu (Thong 68). He offered to come under cover of night and rescue her. He came to her as promised, put her on her own horse, and they rode away. Soon into the ride, he abandoned her, and she was left lost and alone. A band of men on horses surrounded her and dragged her back to the brothel (Thong 70). It was then Kieu realized she was set up by Dame Tu, and the man never had any pure interest in her at all. Dame Tu brutally beat Kieu upon her return (Thong 70). Kieu’s heart was broken once again over her twisted fate. After her attempt to run away, Kieu was no longer allowed the privilege of not welcoming guests. Dame Tu taught her the ways to charm and ensnare men,
The narrator was forced by her husband, John, to stay in a room all day and rest, he thought that he was doing her good by restricting her activities. In reality he was only doing more harm to his wife and making her go more insane. The narrator told John about the wallpaper and even though John knew that the wallpaper was bothering her he didn’t do anything about it. At the end of the story the narrator locks herself in the nursery and starts stripping the wallpaper off to free the woman, she even tries to capture the woman in the yellow wallpaper. “I want to astonish him. I've got a rope up here that even Jennie did not find. If that woman does get out, and tries to get away, I can tie her!”(Gilman Pg. 9) this quote shows that the narrator is trying to capture the woman in the yellow wallpaper to prove to her husband that the women is indeed real. The narrator’s husband comes in and sees what she’s doing and then he faints, the narrator creeps
Because of the life that Christine leads, the role of mother and daughter are switched and Rayona often finds herself watching out for her mom. When Ray comes home from school, she would often learn that her mother had gone out to party. Times like this meant that Rayona had to care for herself. It is not uncommon for one to stay out late; but when it is the parent who is doing so, one must question the responsibility of the person. When Christine leaves the hospital, Rayona shows up and helps prevent a potential disaster. She realizes what her mother plans to do, and that her mom will not crash the car with her on board. While Christine is not very reliable, she has no wish to hurt Rayona either; Ray's prediction was correct. As a child, Rayona must fulfill more obligations than a normal teen. Over the time that leads to her abandonment, Rayona begins to feel displaced from her mother. Christine's increasing self concern causes Rayona to feel her mom is ignoring her, when that is not true at all.
... Jane tears down the wallpaper and separates from her alter ego as a result obtaining her freedom.
...s that her family will come to her and beg her to return home. When she realizes that they are not going to do this, she will run back to them, and life will go on as she has always known it.
From the very beginning of the narrator's vacation, the surroundings seem not right. There is "something queer" about the mansion where she resides it becomes obvious that her attempt to rest from her untold illness will not follow as planned. The house is an "ancestral" and "hereditary estate...long untenanted" invoking fanciful gothic images of a "haunted house" (3). The house they choose to reside in for the three...
she gets ready to go to her parents house but Manak asks her not to,