The Brute- Smirnov vs. Mrs. Popov
In the drama The Brute, Anton Checkov displays how men feel that women treat men, and in the same respect how women feel that men treat women. The portrayal of characters in this drama is somewhat humorous because regardless of the outward expression of the main characters, love is in the air and the expectations of men and women concerning each other are forced aside in the end.
To begin, Smirnov enters the play as being someone with complete disrespect for anyone of the opposite sex. He has absolutely no shame in speaking vulgar words such as "idiot" and "damn" or saying inappropriate phrases like "God damn it to hell" in front of a woman; Mrs. Popov in particular. Smirnov acts as if he is desensitized to love, compassion, emotion, and tenderness. It is obvious that Smirnov's actions are merely an "act" and not his true nature because even from the point of introduction to Mrs. Popov, Smirnov cannot help but make hidden compliments about her "schoolgirl dimples," or speak of "how charmante [she] look[s] in mourning" even through hi...
When we finally learn more of this mysterious character, it is not until four chapters later. Dostoevsky is oddly able to summarize the character of Smerdyakov in only five pages, whereas, with the characters of his brothers, he needs many more pages. In this way, the author is showing the mistreatment of this innocent boy by all who know him. Grigory is ashamed of him. He spreads the story of Smerdyakov's birth and ruins his reputation indefinitely. All three of the brothers treat Smerdyakov not as an equal, but as a servant. Despite his displays of intelligence, Smerdyakov is labeled and mocked by everyone. He is called a lackey, an ass, a sco...
In “Trifles” by Susan Glaspell and “A Dollhouse” by Henrik Ibsen, the authors use symbolism to shed light on the way woman were once looked down upon by men. In both plays the woman face similar derisive attitudes from the men in their lives. Women are treated as property, looked down upon and only useful in matters pertaining to cooking, taking care of children, housework and sexual objects. The women’s marriages, socioeconomic and social status are completely different, but both women reach their emotional breaking point, and grow so discontent with their situations they are willing to take drastic actions.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
We first meet Dmitri Gurov, a married middle aged man with children, who has been unfaithful to his wife many times. He has a great contempt for women and refers to them as “the lower race”. But strangely can’t get enough of them, “ It seemed to him that he had been so schooled by bitter experience that he might call them what he liked, and yet he could not get on for two days together without the lower race”. He is a player, a playboy. He doesn’t feel comfortable around men so he focuses his energies on the ladies, “In the society of men he was bored and not himself, with them he was cold and uncommunicative; but when he was in the company of women he felt free, and knew what to say to them and how to behave; and he was at ease with them even when he was silent”. He tells women what they want to hear so he can get them to bed, “ In his appearance, in his character, in his whole nature, there was something attractive and elusive which allured women and disposed then in his favour; he knew that, and some force seemed to draw him, too, to them.” This keeps life simple for him.
The play Blackrock, written by Nick Enright that was inspired by the murder of Leigh Leigh, which took place in Stockton in 1989. During this essay the following questions will be analysed, what stereotypes of women are depicted in the text, how do the male characters treat the female characters and how do the male characters talk about the female characters. These questions are all taken from the feminist perspective.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
Beton discovers men’s anger toward women by glancing through an apparently well-known Professor von X’s book titled The Mental, Moral, and Physical Inferiority of the Female Sex. The mere title makes her angry—outraged that the words could even form the title of a book, which, to Beton, is the natural response to “be[ing] told that one is naturally the inferior of a little man” (32). She does not know at first why men are so critical of women, but she does know that their arguments say more about them than they do about the women they write about. The books “had been written in the red light of emotion,” she says, “and not in the white light of truth” (33), meaning that the men Beton speaks of are responding to something—some feeling or condition that they, as a sex identifying with one another, are sensing, rather than merely expressing a natural fact as their rhetoric seems to suggest.
The Relationship between Cruelty and Masculinity Characters in Macbeth frequently dwell on issues of gender. Lady Macbeth manipulates her husband by questioning his manhood, wishes that she herself could be?unsexed,? and does not contradict Macbeth when he says that a woman like her should give birth only to boys. In the same manner that Lady Macbeth goads her husband on to murder, Macbeth provokes the murderers he hires to kill Banquo by questioning their manhood.... ...
Shakespeare’s tragic play Othello is an unfortunate example of gender bias, of sexism which takes advantage of women. The three women characters in the drama are all, in their own ways, victims of men’s skewed attitudes regarding women. Let us delve into this topic in this essay.
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
Shakespeare’s Taming of the Shrew and Ibsen’s A Doll’s House portray women in many ways. Both authors have strong feelings about women and weren’t afraid to express them in their writing. Shakespeare’s views about women differed greatly with those of Ibsen’s. Both Kate, from Taming of the Shrew, and Nora, from A Doll’s House, were mistreated by the men in their lives. Throughout this paper you will hear supporting details about how the two authors had contrasting ideas about the way men should treat women.
Dialogue would have to be the most unbelievable part of this play. As the play progress the dialogue changes from a respectful manner to yelling and mixed feelings coming from both of the character. For instance, in the early part of the play Mrs. Popov speaks to Mr. Smirnov with respect, ?You?ll receive you?re money the day after tomorrow,?(1096) she said with a respectful and polite tone. Later Mrs. Popov insulted and yells in this manner ?You?re nothing but a crude, bear! A brute! A monster!? (1101). At the end of play, she is confused for a moment, ?go away?.No, Get out, get out! I hate you! But- don?t go!?, but they end up in each other?s arms. The difference in the dialogue shows how love is having its effect on Mrs. Popov?s emotional control as her dialogue changes.