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The loneliness in the works of Emily Dickinson
Emily dickinsons writing
Poems by emily dickinson
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The Infinite Self!!!
An Analysis of Emily Dickinson Poems and Individual Inifinity
The individual self—mind, and imagination is infinite. Theses word echo off prominent transcendentalists lips throughout the ages. Emily Dickinson is another of these voices. “The brain—is wider than the Sky” she declares in a poem. In Dickinson’s poems The Brain—is wider than the Sky— and There is a solitude of space, she explores the infinity of human consciousness, society’s imposition on the individual, and what the individual self truly entails. Dickinson explores the unlimited human consciousness and power of mind and imagination in both of these poems. “That Dickinson lived what could be called ‘the life of the mind’ is concomitant with the extreme
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“Society shall be/Compared with that profounder site/ That polar privacy,” Dickinson observes with these lines society’s mal-acceptance of the idea of someone being themself and accepting themself. She states in few words that if one is to be true to oneself, often they become exorcised from the community in one way or another, therefore experiencing “polar privacy.” She excluded herself from society, but likewise, she may have felt excluded from society, both by choice, and by her observation of exclusion when she displayed her true self. “Her reclusion has been classified as agoraphobia. But to Dickinson, reclusion was a choice against the vanity and oppression of the society she sought to eschew. Her priority as a creative person was to safeguard her art and muse,” recognizes Hermitary in their article Emily Dickinson: Poet and Recluse. She withdrew from society around the age of thirty, in 1850. This withdrawal is not entirely explained, but she certainly was very focused on the individual self, and in many of her poems and letters seems to contest in certain ways the idea being able to be oneself and have good social standing at the same time. She also struggled with religion and faith throughout her life, especially more conventional religion. “Dickinson contests the pomposity, rigidity, and self-assurance of organized religion, preferring daily rituals at home and outdoors…insisting that heaven is not a trophy earned at life’s end but places encountered on life’s way, however impermanent and mere,” affirms Megan Craig in the chapter The Infinite Person: Levinas and Dickinson of Emily Dickinson and Philosophy. Dickinson was a radical thinker who preferred to be alone, seeing it not as reclusion, but as fully connecting with the world around
Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once.
Emily Dickinson was an intricate and contradictory figure who moved from a reverent faith in God to a deep suspicion of him in her works. (Sherwood 3) Through her own intentional choice she was, in her lifetime, considered peculiar. Despite different people and groups trying to influence her, she resisted making a public confession of faith to Christ and the Church. (Sherwood 10) She wanted to establish her own wanted to establish her own individuality and, in doing so, turned to poetry. (Benfey 27) Dickinson’s poems were a sort of channel for her feelings and an “exploration” of her faith (Benfey 27).
Over Reacting and Fate in Shakespeare's Romeo and Juliet. Romeo and Juliet were described as'star crossed lovers' at the beginning of the play. The term'star crossed' refers to the stars one is born under; with this crossed means not to be. So by the beginning of the play, this love was already doomed. This play also contains strong, very emotional characters that bring about giving poor advice to Romeo and Juliet and soon leads to the death of the two lovers.
This major event in her life was caused by writing poems. Another reason she might have been isolated from everyone was because she was at home taking care of her mother during a young age and while she was in college to top that off. During that time “her father had died in 1874 suddenly” (Online Literature) and that is when she started to isolate herself from society and everything else. “She stopped going out in public though she still kept up her social contacts”, she wanted to keep in touch with people at the same time to make poems. At the same time, she told everyone that she was not suffering from anything, and that she enjoyed and “fulfilled the contact in her world” (Cliffnotes). Dickinson became in this state of matter because of the influence and “correspondence with Higginson,” was probably why Dickinson isolated everyone out of her life. Dickinson’s “correspondence with Higginson probably also influenced her that her poems had no significant in or won’t bring the audience's attention,” with Higginson’s words stuck in her head, it influenced her to isolate herself from society. While she was writing poems Dickinson wanted to make her parents, society and her family aware of her work. When she wrote her poems she wanted to make everyone proud of her work that she has been doing, including her parents. Her parents are the ones that she really wanted to impress and be proud of her. After all the isolation, she came out and she resigned from making poems. Dickinson’s life was supported with everything from parents to everyone in
...eart would split, but because she is able to see nature through her imagination she is safe from those effects, shown when she says, “So safer-guess-with just my soul” (18) While Emerson uses only sight to form a connection with nature, Dickinson uses both sight and imagination to connect people’s souls to nature when she says, “…with just my soul open the window pane”(19); the eyes are said to be the windows that lead to one’s soul, so through this statement Dickinson shows that there is a correlation between imagination, sight, and soul because through all of them one is able to become one with nature. Through the very act of writing this poem Dickinson reveals that poetic writing is another form of reaching oneness with nature.
Although, Emily Dickinson physically isolated herself from the world she managed to maintain friendships by communicating through correspondence. Ironically, Dickinson’s poetry was collected and published after her death. Dickinson explores life and death in most of her poems by questioning the existence of God. Dickinson applies common human experiences as images to illustrate the connection from the personal level of the human being, to a universal level of faith and God. This can be seen in Dickinson’s Poem (I, 45).
In Dickinson, ‘’Who are you?’’ shows she is proud of being a nobody and not being in the "crowd". She explains this when she says, “Are you – nobody – too? Then there’s a pair of us! Don’t tell the story, don’t tell!
Another reason that she was affected by her life was that her mother was not “emotionally accessible”. She was not close to her mother and never shared any of her feelings with her, which most daughters feel they can. This might have caused Emily to be very weird and strange. The Dickinson children were also raised in the Christian tradition, and were expected to take up their father’s religious beliefs and values without any fighting or arguing. Emily did not like than she can not chose for herself her own beliefs and religion.
Dickinson’s Christian education affected her profoundly, and her desire for a human intuitive faith motivates and enlivens her poetry. Yet what she has faith in tends to be left undefined because she assumes that it is unknowable. There are many unknown subjects in her poetry among them: Death and the afterlife, God, nature, artistic and poetic inspiration, one’s own mind, and other human beings.
Vendler, Helen. Dickinson: Selected Poems and Commentaries. President and Fellows of Harvard College, 2010. 118-20. Google Books. Google. Web. 5 April. 2014. .
Dickinson, Emily. "The World is not Conclusion." Norton Anthology of English Literature. Ed. M.h. Abrams. New York: W.W. Norton and Company, Inc, 1993. 729.
There is one poem which is the real "onlie begetter" of my thoughts here about Dickinson; a poem I have mused over, repeated to myself, and taken into myself.
Dickinson was unique and the “exception” in creating a private relationship with her self and her soul. In “Emily Dickinson and Popular Culture”, David S. Reynolds, a new historicism critic, wrote that it 's no surprise that the majority of Dickinson 's poetry was produced between 1858-1866, “It was a period of extreme consciousness about proliferation of varied women 's role in American culture.” It was a time where women were actively searching for more “literary” ways of self expression” (Reynolds 25). Dickinson was able to express her ideas and beliefs as a woman, something that was scandalous during this time period.
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
Many of her poems were a reaction to the rejection of many publishers and other literary critics. This particular poem’s character comes from Dickinson’s reaction to Ralph Waldo Emerson’s statement that “poets are thus liberating gods.” Here she is challenging the established literati by questioning popular Emersonian views. In particular, this poem is a reaction to Emerson’s belief that “the poet is the sayer, the namer, and represents beauty.” Basically, it is a reaction to the idea that the poet is the creator of beautiful words, liberating the common people by giving them words they would not have access to.