A Search For A Self
Finding a self-identity is often a sign of maturing and growing up. This becomes the main issue in Toni Morrison’s novel The Bluest Eyes. Pecola Breedlove, Cholly Breedlove, and Pauline Breedlove are such characters that search for their identity through others that has influenced them and by the lifestyles that they have. First, Pecola Breedlove struggles to get accepted into society due to the beauty factor that the norm has. Cholly Breedlove, her father, is a drunk who has problems that he takes out of Pecola sexually and Pauline physically.
When looking at the characteristics of Pecola and Claudia, Pecola is always obsessed with becoming white and having blue eyes while Claudia doesn't nderstand why the appearance of white girls are so desirable. For example, Pecola is constantly drinking milk from a Shirley Temple cup at the MacTeer's house because she is obsessed with its blue eyes and pale skin. Pecola wants these Caucasian features because she believes it will make her more likable. In Claudia's
...ace” (Claudia 19). She worshipped Shirley temple so much until she desired to be like her. “We knew she was fond of the Shirley Temple cup and took every opportunity to drink milk out of it just to handle and see sweet Shirley’s face” (Claudia 23). One doll, one mindset, one imagination, the minute Pecola laid her eyes on that doll, she knew exactly what she wanted.
Toni Morrison's critique of the visual system within popular American culture and her rejection of white-defined female beauty are reflected in her first novel. Morrison's The Bluest Eye reveals the crippling effects of white standards of female beauty on a young black girl, Pecola Breedlove. This is done through the constant references to blue eyes and the comparison to vision as a whole; the way the characters view themselves, others and the world as a whole. This allegorical novel can be said to make statements not just on perceptions of beauty in general, but specifically the racially charged beauty ideals of America in the 1940’s. In one way or another, almost all of the characters are preoccupied with defining or examining beauty during the course of The Bluest Eye.
A paradigm as defined in the dictionary is an example serving as a model. In his book, 7 habits of highly effective teens , Sean Covey compares paradigms to glasses and says that if the paradigm, or perception, is incomplete it is like wearing the wrong prescription. One example Covey gave is:
Posted by Nicole Smith, Jan 15, 2012PoetryNo CommentsPrint
Pages: 1 2
While her mother repeatedly engaged with the notion of white superiority and neglected herself and her daughter as well as engaged in self-hatred, her case pales in comparison to that of her daughter. Pecola represents the most complex case of the destructive idealization of white culture and subsequent denial and obliteration of black identity and is the tragic symbol in Morrison’s attempt to detail this legacy of racism. By the end of the novel, she exchanged her mind for the blue eyes she thought would make her loved and is even further ostracized by the community that failed to see its part in what happened. The inherent sense of being ugly and unworthy is a main part
Morrison discloses discrimination within the black culture and reveals the hidden truth about intraracial discrimination, “In the Bluest Eye, Morrison took a different approach to the traditional white-versus-black racism. She acknowledged that most people are unaware of the racism that exists within a culture and often the racism that exists within themselves” (Coady). In the bluest eye Morrison shows intraracial discrimination at various places, where people of the same race discriminate each other on the base of their skin color. Pecola is one of the victims who struggle in intraracial discriminate society, “Pecola 's desire then reveals not only her culture 's racism; it reveals her culture 's method of perpetuating racism” (Lynn Scott). Morrison shows that people with light skin feel proud on their color and try to preserve it by marrying to light skin people and if they cannot find any, then they marry within the family. Morrison shows it by describing Soaphead family’s’ background that “they married “up,” lightening the family complexion and thinning out the family features” and “some distant and some not distant relatives married each other” (Morrison 168). This represents that how much preference people give to light skin color that they perpetuate it by doing intermarriages. Some cultures still believe in this skin color perpetuate concept. They feel superior to others who have dark skin color and believe that they got light skin as a gift from
According to Victoria Moran, “As a society, we need to get lots more flexible about what constitutes beauty. It isn’t a particular hair color or a particular body type; it’s the woman who grew the hair and lives in the body.” Society as a whole can be very judgmental and condemning. Interestingly, society has created its own standards of what is considered beautiful. Some people have such a great desire to be accepted into society that they will go through drastic measures in order to fit in. Society’s definition of beauty has the ability to negatively influence the actions taken by adolescents. In Toni Morrison’s The Bluest Eye, Pecola’s self-hatred towards her appearance is portrayed by the harsh society that surrounds her.
Pecola eventually moves back in with her family. Life there is not pleasant. Her father is an alcoholic, her mother is distant, and the two of them often fight. Pecola's older brother, Samuel, often runs away from home. Pecola also runs away but into her own fantasies: she dreams of having the bluest eyes in the world. Pecola's life away from her family is no better. She is often picked on and called ugly by those around her. Claudia and Frieda realize that the entire neighborhood agrees with Pecola that Caucasian features are beautiful.
Bluest Eye
Pecola, an eleven-year-old black girl, is the protagonist of The Bluest Eye. Her family lives in grinding poverty in Lorain, Ohio. By 1941, her parents' marriage had turned bitter and violent. Cholly, her father, is an alcoholic and Pauline, her mother, prefers to retreat into the fantasy world of the movie theater. Surrounded by a culture that equates beauty with whiteness, Pecola becomes convinced that she is ugly because she has African features and dark skin.