Women of the blues brought the black culture to a new chapter of recognition. They made blues as a popular music, and gave an opportunity to black culture to be accepted and also gave the people a chance to do something (a job) beyond the scope of plantation. They brought the blues to a performance stage and make it more universal so they can fit in not just to black listeners but also the white. Although on their first performance their blues were not considered as the real blues, because blues was considered to be man culture and in order to be able to sing the blues, a man should experience a journey mostly a bitter journey. Actually the women also experienced a journey and it was not a merely sweet and easy journey. Women had to sing from one club to another, from one city to another, they were live on the road. Living such life was not easy at all; women also had to deal with the dark side of an entertainment world.
Singers like Bessie Smith and Ma Rainey were the pioneers and inspirations to other black singer not just women but also men, they were also an inspiration in a state that they managed to get a better life. They transformed blues into a pop culture, which eventually opened an opportunity for black culture to emerged and recognized. They brought blues into a stage of professionalism, which later also gave the opportunity to the men blues to take part, and emerged to the music business. Blues was no longer merely a personal expression but also a way of earning a living. Blues was now offered a job beyond the plantation and a glamour life that were not possible before. Their blues were considered as country blues because it was different from the classic blues in the sense of the style. They performed accompanied by a jazz band in the clubs. It shown a togetherness and was different from a solitary performance usually did by men at that time, as historian Giles Oakley said that the blues women: frequently worked with jazz bands which, in contrast to the greater isolation of the male country blues singers, provided a visible display of togetherness. For the new and struggling migrants desperately trying to create a new community in the cities, the singer and the band represented a shared communal feeling (http://www.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
Like the Blues women, Simone expands ideas pertaining to self-expression, identity and beauty as they relate to black women. She does this by embracing what is definitively African American and connecting that to a historical context. By doing so, she is the embodiment of a political statement. Her journey, which began like many entertainers, detoured and then collided with one of the most pivotal periods in American history.... ... middle of paper ...
According to Knight a contributor to The Scribner Encyclopedia of American Lives, Thematic Series: The 1960s. “By the standards of the South in the 1950s, it was unusual for a white girl to take an interest in ‘black music,’”(508) The reason why this is so compelling is because it happened during the civil rights movement, in which non-caucasian ethnicities, mostly black were protesting to be treated as equals in American.The country blues sound that Janis had created not only showed creative strength, but also created more support for the African american culture. To conservative America, this meant that the inner mixing of cultures within society was certain, and that the control that they once had would be
Although folk music played a big role in most of these artists’ performances, folk links back to the blues, and is similar...
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
The evolvement of jazz throughout the years has been an interesting one. Blues and Ragtime are just two simple innovations that has allowed for many variations in the jazz genre. Both of these genres have their similarities and differences in how they influenced jazz music through: improvisation, syncopation, and experimentation.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Being a resident of South Carolina, African-American Culture was chosen as part of the applied learning project for the Intercultural Nursing class, because African-Americans make up more than a quarter of this state’s population. According to the 2010 United States Census Bureau, the total population for South Carolina (S.C.) is 4,625,364, with 27.9% being of African-American descent. The purpose of this paper is to develop an understanding and sensitivity to issues and cultural variances or phenomena that are unique to the African-American Culture. Another goal is to identify nursing interventions that are important for the nurse to consider in caring for this population. These phenomena’s include variances in social organization, communication, space, perception of time, environmental control, and biological variations associated with the African-American culture. (Giger, 2013 and South Carolina minority, n.d.)
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
In From Slavery to Freedom (2007), it was said that “the transition from slavery to freedom represents one of the major themes in the history of African Diaspora in the Americas” (para. 1). African American history plays an important role in American history not only because the Civil Rights Movement, but because of the strength and courage of Afro-Americans struggling to live a good life in America. Afro-Americans have been present in this country since the early 1600’s, and have been making history since. We as Americans have studied American history all throughout school, and took one Month out of the year to studied African American history. Of course we learn some things about the important people and events in African American history, but some of the most important things remain untold which will take more than a month to learn about.
They were a mixture of story telling and talking with a definite call and response. Religious music was very important in forming blues music. Because most blacks went to Christian churches from an early age and were exposed to Christian hymns. Ragtime was an influence that came later and is a faster blues played with the piano and someone singing which was usually played in bars called barrel houses.
The blues, a uniquely American art form, was born on the dusty street corners of the Deep South in the late 1800s. An evolution of West African music brought to the United States by slaves, created the blues which was a way for black people in the south to express their hardships, heartbreaks, religion, passion, and politics that they experienced in their day-to-day lives. The majority of blues songs were never written down, let alone recorded, but instead, were passed on from one musician to another and played on a variety of instruments including a number of stringed instruments, harmonicas, and horns. Once blues songs began to be officially recorded in the 1920s, the most frequently found instruments were guitars and pianos. However, the basic 12-bar style and three.-chord progression have remained the same throughout the years and continue to be key components of the blues.
Blues is a popular music style even today. It is popular because of its characteristic style that later developed other styles and subsets of the primitive blues style and its ability to appeal to a larger audience; therefore, placing the music style into the light of mainstream society. Amiri Baraka, in his work Blues People, says that the blues is a product of the “Negro’s American Experience.” In addition, he adds that the blues “developed as a response to the Negro’s adaption to and adoption of America; it was also a music that arose due to Negro’s peculiar position in this country.” It would be difficult to argue that the blues are not a product of the African American experience. While there are instances where white American individuals