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what does the blues reveal about african american Culture
blues in african american culture
cultural implications in sonnys blues
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Blues is a popular music style even today. It is popular because of its characteristic style that later developed other styles and subsets of the primitive blues style and its ability to appeal to a larger audience; therefore, placing the music style into the light of mainstream society. Amiri Baraka, in his work Blues People, says that the blues is a product of the “Negro’s American Experience.” In addition, he adds that the blues “developed as a response to the Negro’s adaption to and adoption of America; it was also a music that arose due to Negro’s peculiar position in this country.” It would be difficult to argue that the blues are not a product of the African American experience. While there are instances where white American individuals
Blues music is popular because of the characteristics it contains, for example, the musical form of the style. The simple but “expressive ‘microtonal’ pitch inflections, a three-line textual stanza of the form AAB, and a 12-measure form.” The pitch inflections or expressive notes are called “blue notes.” These notes were not found in the Western major and minor scale systems but did derive from the African musical practice. The form of the blues music was distinct from Western music because of the incorporation of African American musical practices; therefore, validating Amiri Baraka’s assessment of blues being the product of African American experiences and
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
...racteristics of and approaches to African and African-American music. Gates advocates a deep examination of the music—a literary-style analysis exploring layers of meaning within music, intertextualities, and modes of expression.
The book, The Spirituals and the Blues, by James H. Cone, illustrates how the slave spirituals and the blues reflected the struggle for black survival under the harsh reality of slavery and segregation. The spirituals are historical songs which speak out about the rupture of black lives in a religious sense, telling us about people in a land of bondage, and what they did to stay united and somehow fight back. The blues are somewhat different from in the spirituals in that they depict the secular aspect of black life during times of oppression and the capacity to survive. James H. Cone’s portrayal of how the spirituals and the blues aided blacks through times of hardship and adversity has very few flaws and informs the reader greatly about the importance of music in the lives of African-Americans. The author aims to both examine the spirituals and blues as cultural expressions of black people and to reflect on both the theological and sociological implications of these songs.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
The "Sonny's Blues" If you were not able to talk to anyone, nor did people want to listen to what you had to say, would that affect you? In the short story, "Sonny's Blues" by James Baldwin, Baldwin writes about two brothers, Sonny and the narrator, who lose communication between one another because Sonny goes to prison. The narrator, having to make a promise to their mother before her death, was to take care and watch over his young brother Sonny no matter what. This turned out not to be the case and the narrator did not pay much attention to his brother's goals as well as doings. By the end of the story, the audience realizes that the only place where the narrator can understand and feel for his brother is at the place where Sonny finds his passion, the jazz club.
If we look more closer, the Blues Aesthetic is not only a musical genre or works of art. The Blues Aesthetic is much more, it is a psychological procedure of expressing hardships through African-American art works in order to state liberation and “justice for all”. Just like Langston Hughes once said, negro artist are not just “artist,” but they are colored artist because the art that is portrayed by the African-Americans is a cultural statement. The musical art from B.B. King and the visual art from Aaron Douglas both are part of the Blues Aesthetic because they both make a cultural statement through their individual works of art.
Perhaps the blues was representation of optimism and faith for the entire city of Harlem and all of African-American descent. Music is portrayed fluently and abundantly throughout the entire story of “Sonny’s Blues”. Despite the fact that Sonny frequently plays the piano, there is always a juke box playing, the “humming an old church song”, a “jangling beat of a tambourine”, a tune being whistled, or a revival meeting with the singing of religious words (Baldwin 293-307). The repetition of music in the short story is a realistic portrayal of how regular the blues, musically and emotionally, was present in an African-American’s life during the era of racial discrimination. Flibbert explains that the rooted, burdensome emotion felt by African Americans is difficult to put to words, other than describing it as the blues. He best defines the blues as “a mental and emotional state arising from recognition of limitation imposed-in the case of African-Americans-by racial barriers to the community” (Flibbert). Though a definite definition exists, the blues cannot simply be construed. To cope with this unexplainable feeling of blue, the African-American folk genre of jazz music was created. Finally, the blues was something African-Americans owned and that the white man could not strip them of. Though music appears to show up at the most troublesome times in “Sonny’s Blues”, it brings along “a glimmer of life within the
While reading “Sonny’s Blues” by James Baldwin theme, symbolism, and motifs were discovered throughout the entire short story. Sonny one of the two main characters, is dealing with a drug addiction and is now following his dreams of becoming a jazz musician. The narrator, whose name was never given, does his best to keep the promise he made his mother years ago, to be his brother’s keeper.
For Stanley, the blues tell the stories of the African-American community. Some of the stories talk about the harshness of their lives, but they also talk about the good times they had. [People] play the blues to get rid of the blues not to get them." (Lamb, 1). When people play or even listen to the blues, they are letting all of their worries go. They are not worrying about their job, the bills, or their kids. They are just trying to enjoy the moment when the blues are playing. The blues are some people's release from the stresses of their lives.
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
...ey cannot deny that the Blues has influenced different genres from the cotton fields to the Rock-and-Roll Hall of Fame.
Goldman, Suzy B. "James Baldwin's "Sonny's Blues": A Message in Music." Negro American Literature Forum 3rd ser. 8 (1974): 231-33. St. Louis University. Web. Apr.-May 2014.
The blues, a uniquely American art form, was born on the dusty street corners of the Deep South in the late 1800s. An evolution of West African music brought to the United States by slaves, created the blues which was a way for black people in the south to express their hardships, heartbreaks, religion, passion, and politics that they experienced in their day-to-day lives. The majority of blues songs were never written down, let alone recorded, but instead, were passed on from one musician to another and played on a variety of instruments including a number of stringed instruments, harmonicas, and horns. Once blues songs began to be officially recorded in the 1920s, the most frequently found instruments were guitars and pianos. However, the basic 12-bar style and three.-chord progression have remained the same throughout the years and continue to be key components of the blues.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf