Many people are quick to judge others simply by appearance. People do not always understand others nor do people take the time or have the knowledge to get to know someone for who they are. Despite the flaws in physical appearance, people in the world are destined to see beyond their disability. Through the dynamic character in “Cathedral”, Raymond Carver demonstrates how the act of looking indeed requires physical vision but the act of being able to see requires deeper level of engagement. Carver justifies his point that having the power to see is a gift and he illustrates this point by showing how the narrator evolves during a special visit from a dear friend. The narrator comes to realize that there is a difference between being able to see and being able to understand deep meanings which is proven when the main character experiences an epiphany and changes his beliefs.
In the beginning of the story, the speaker makes it clear that he lacks interest in getting to know Robert, which is the speaker’s wife’s dear, old friend. The narrator feels this way mainly because he does not know him very well and also he thinks Robert does not have much to offer because he is blind. The narrator says, “My idea of blindness came from the movies. In the movies the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs.” (Carver 78). Not only does this show how the narrator frowns upon his new guest for being blind, but this also gives evidence of the narrator’s lack of knowledge regarding blind people. The narrator stereotypes Robert. He has preconceived notion about Robert that are predicated from pop culture ideas regarding the blind. The speaker also shows an attitude of witticism toward Robert when he says, ‘Mayb...
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...m, the speaker has difficulty in describing what he sees which proves the overall point that the ability to physically see isn’t always as valuable as being able to envision without seeing. After allowing the chance to get to know Robert, the narrator soon is able to accept him as a man rather than the stereotypical blind person he once saw him as. The speaker sees him with an even greater ability than he had previously imagined which was one that the narrator lacked himself. By experiencing his epiphany with Robert’s help, the narrator now understands the importance of not only being able to take your mind somewhere else but to respect the moments he once thought didn’t mean much such as his wife’s poems, the tapes, and even Robert. The narrator can see through closed eyes by looking at his own life itself in a different way by using his heart and his imagination.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason to why one should never judge someone of something beyond their controls. Also, helping someone, as Robert does for Bub can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective. This is proven through his epiphany during his portrayal of being blind. Although Bub is not physically blind, he interprets a shortage of observations. This shows that in many ways he is blinder than Robert. Robert is more open minded and willing to experience things, in contrast to Bub, who is narrow minded and has problems opening up his mind throughout the short story. Because the protagonist does not fully try to understand his wife, it makes him look like the blind person ironically though he can visually recognize her, proving that he does not truly know her inside and out. Knowing her personally is more of reality and the husband is blind to reality. Carver definitely analyzes the protagonist’s emotions through diction and visual aid throughout the story, providing great understanding of the meaning as a
The short story, “Cathedral,” by Raymond Carver, is about a blind man who changes the way the narrator views life by giving him some insight on how he sees things. The characters in this short story are constantly developing into better versions of themselves by sharing their insights with one another.
The speaker's prejudice was nearly overwhelming at the opening of the story. "His being blind bothered me," he said. "A blind man in my house was not something I looked forward to." He had never really come in personal contact with anyone before who was blind, and seemed to have no idea of what to expect. He admittedly gathered a stereotypical mind set about blind people from movies, assuming they "moved slowly and never laughed."
The narrator’s prejudice makes him emotionally blind. His inability to see past Robert’s disability stops him from seeing the reality of any relationship or person in the story. And while he admits some things are simply beyond his understanding, he is unaware he is so completely blind to the reality of the world.
As a result of his inability to relate with Robert, he thinks his behaviors are odd, and is unable to understand the relationship he has with his wife. His wife worked for this blind man many years ago, reading him reports and case studies, and organizing his "...little office" (Carver 98) in the county's social-service department. He remem¬ bers a story his wife told about the last day she worked for him. The blind man asked her if he could touch her face, and she agreed.
The usage of first person point of view traps the reader within the mind of a character who is closed off and narrow-minded for the duration of the story in such a way that it “tell 's nothing, but shows everything (Messer)” at the same time. In this way, the reader goes through the series of realizations with the narrator which convey the message of blindness in correlation with true sight and a spiritual awakening. For instance, the narrator can only feel pity for Robert’s wife, Beulah, because he was never able to see her. He imagined that Robert 's wife “could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes” (Mays). However, none of this really matted to Robert, and the narrator finds it utterly pathetic. Yet, the narrator never really understands the fact that he does not really know his own wife, regardless of the fact that he can physically see her. Additionally, within the first paragraph, Carver uses demonstratives and possessives to draw the reader close to the Narrator of the story while also constructing a psychological distance between the narrator and other characters in the story (Peterson). In this paragraph, Carver uses the demonstrative “this” as a word to indicate distance, metaphorically, between the narrator and Robert (Peterson). In particular the sentence, “This blind man, an old friend of my wife 's, he was on his way to spend the night (Mays 33)” demonstrates the use of this as a specific person while showing the distance and dislike the narrator has of Robert. As a result, the narrators prejudice is presented to the reader in a way that shows his blindness as
From the beginning of the story, and throughout most of it until the end, the narrator makes comments about his dislike for blind people. He is unwilling to meet Robert, his wife’s friend of 10 years because he can’t see. The narrator is so fixed on his physical handicap that it makes him unable to try and get to know Robert’s character at all. His
The limitations that were holding the narrator back were abolished through a process from which a blind man, in some sense, cured a physically healthy man. The blind man cured the narrator of these limitations, and opened him up to a whole world of new possibilities. Robert enabled the narrator to view the world in a whole new way, a way without the heavy weights of prejudice, jealousy, and insecurity holding him down. The blind man shows the narrator how to see.
I believe that if it weren’t for Robert’s visit and presence, the narrator more than likely wouldn’t have had this kind of experience. Maybe, the narrator wouldn’t have changed his mind of thinking and feeling at that moment. Who knows if he did change for the long run, but maybe it was a much-needed moment that he was eager to have, for himself, for his relationship sake. To realize that there is much more to seeing then what he just sees in front of him, because Robert taught him that even though you have your vision, some can still be blind to
Raymond Carver utilizes his character of the husband, who is also the narrator, in his short story "Cathedral." From the beginning of the story the narrator has a negative personality. He lacks compassion, has a narrow mind, is detached emotionally from others, and is jealous of his wife's friendship with a blind man named Robert. He never connects with anyone emotionally until the end of this story.
The narrator does not address Robert by his full name, he address him “this” blind man instead of a blind man. Carver allows the reader to make the assumption that “this” blind man is of great importance to the narrator. “This” also conveys a direct relationship between the narrator and Robert even though they have never met, it also has a slight hint of arrogance to it (Peterson).The narrator has a pessimistic view of Robert before he ever has a chance to have a discussion with Robert. The narrator’s education on blindness “came from movies” (32) and he stereotypes all blind citizens as someone who “moved slowly and never laughed” (32). The narrator has a negative view of himself and it rubs off on him before his initial meeting with Robert. The narrator clearly is was passionately in love with his wife early in their relationship and she clearly loved him. The narrator is very protective of her and no amount of money could part them from love. The narrator backs this up by saying “She didn’t have any money. The man she was going to marry at the end of the summer was in officers’ training school. He didn’t have any money, either. But she was in love with the guy, and he was in ...
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
The blind man is invited to stay with the Carver’s by Raymond’s wife for he has just been through the death of his own wife and is now alone. Even this being the case, Raymond Carver’s distaste for the blind man is evident from the first paragraph on. “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me.” (506) Carver’s distaste for Robert is blatantly apparent even subsequent to his arrival at their home. It also becomes quite clear that his wife disapproves of his attitude toward Robert and fails to see how he could be so self-centered. “My wife finally took her eyes off the blind man and looked at me. I had the feeling she didn’t like what she saw. I shrugged” (509)
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.