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Impact of realism to literature
An essay on the elements of realism and the impact it has on the literary movement
Realism literature essays
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From the broken-down district of Palermo in Buenos Aires 1899, a literary star is born, Jorge Luis Borges. Under the pressure and teachings from his well-educated father, Borges learned English before Spanish and realized his destiny as a shining diamond in the rough within the world of literature. He intertwined reality and imagination, creating unique works of art and granting him the title of “the most foremost contemporary Spanish-American writer”. His influences ranged from people in his life, to his own age and stage in life, to authors he never knew. The themes of his writings touched many people, in the ordinariness and their extravagance, making them classics among other pieces of contemporary literature.
He started his quest for knowledge at the College de Genève, where he earned his B.A and learned to speak French and German. Borges then moved to Spain and became absorbed in the “Ultraist Movement” that supported wild metaphors in the attempt to create true poetry, separated from reality. He loved this movement so fiercely that he brought it back to Argentina. The people there began to sing his praises over the poems he had written including “Fervour of Buenos Aires”. Despite his little mountain of success he, unhappily, had to take a job in the Buenos Aires Library. For the most part, things were going well for Borges in this stage of his life, but, tragedy struck in 1938 when his father died and Borges suffered a blood poisoned head wound. This injury, however, proved to be a blessing in disguise. It allowed him to go into a dream-like state and produce some of the best works of literature the world has ever read such as Fictions” and “The Aleph and Other Stories”. (Rodriguez- Monegal, Britannica Biographies)
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... E. P Dutton, a Division of Sequoia-Elsevier, 1977. Print
Borges, Jorge Luis. Collected Fictions. Trans. Andrew Hurley. New York: The Penguin Group, 1998. Print
Ortega, Julio. “Beyond the Labyrinth: The first comprehensive biography of Jorge Luis Borges offers a nuanced view of the elusive man of letters”. Boston. 1 Aug. 2004. Web. March 15, 2011.
Rodriguez-Monegal, Emir. “Borges, Jorge Luis”. Britannica Biographies. 1, Oct. 2010. History Reference Center. Web. 9, March. 2011.
Shenker, Israel. “Borges, a Blind Writer With Insight”. Interview with Jorge Luis Borges. 6, April. 1971. The New York Times. Web. 10, March. 2011.
Dirda, Michael. “Borges: A Life”. Washington Post. 8, Aug. 2004. Page BW15. Web. 10, March. 2011.
*Michael Dirda wrote his article based on a book that Edwin Williamson wrote entitled, “Borges: A Life”, published by Viking.
Bode, Carl. Emerson. McGraw-Hill Encyclopedia of World Biography Vol III. New York: McGraw-Hill Inc., 1973. 572-574.
1696, Specimen Historiae Arcanae, sive anecdotae de vita Alexandri VI Papae by Leibnitz wrote of the shamefulness, treachery, and cruelty exhibited by the Borgias.
In his excerpt of Tlon, Borges speaks about the discovery of a nation called Uqbar and exhibits much interest in it. He attempts to conduct research on it, however, fails miserably and can only find a single encyclopedia that mentions it existence. Some years later, Borges comes across an encyclopedia called the first encyclopedia of Tlon. He becomes fascinated with Tlon and concludes that it was nothing more than a concoction of intellectuals who simply made up this planet and decided to write about it. Ironically, as the years pass, Borges comes across more and more information regarding Tlon and soon discovers that the rest of the world is being informed of the planet and its operations. Schools are teaching the language, history, and ways of Tlon, and yet, no one even has proof of its existence. What lays most perplexing is that people becomes so engulfed in this fictional planet that they forget the reality in which they live and begin to adopt the ways of Tlon, and in a sense our world-as Borges fears-is in danger of becoming Tlon. As a result of this awakening, Borges retreats within himself because this new world is unintelligible and believes that every reality is an absolute truth. No sciences are allowed on Tlon, not even reasoning for in order to reason one must be able to connect one event to the next, and that sort of linking is not allowed on Tlon-only independent acts occur-one never causing the next. ...
..., (First volume of trilogy, Inteligencia sentiente), Madrid: Alianza Editorial/Sociedad de Estudios y Publicaciones, 1980, p. 82-83. (Hereafter, IRE; unless otherwise indicated, all translations of Zubiri are by the author).
In conclusion, Ficciones, a collection of short stories written by Jorge Luis Borges, contains several references to fantastic themes. This especially occurs within the short work, “The South,” in which a man by the name of Juan Dahlmann experiences a whimsical death that portrays his deepest regret: not following his ancestral history to become a cultural gaucho. Borges uses characterization and the implementation of his true reality to depict the ultimate idea that nothing is eternal and one must chase their dreams in order to live a satisfying life and die without being regretful.
Webster Garrett, Erin. "Biblioteca Virtual Miguel De Cervantes." Biblioteca Virtual Miguel De Cervantes. N.p., n.d. Web. 10 May 2014.
Don Quixote, written around four hundred years ago, has endured the test of time to become one of the world’s finest examples of literature; one of the first true novels ever written. It’s uncommonness lies in the fact that it encompasses many different aspects of writing that spans the spectrum. From light-hearted, comical exchanges between Don Quixote and Sancho Panza to descriptions so strong that produce tangible images, the book remains steadfast in any reader’s mind.
Each of us human is alone in our hearts. It is the only place that we are afraid of letting anybody in. We rarely break through the ultimate solitude, but only to reach out to the miracles beyond our world of living, to find out that the strength of love and hope have not abandoned us. Writing about the spectacularity event of life, Marquez could not help stepping in between the magical world and the reality to tell us a tale about “The handsomest drowned man in the world”- the tale of a coastal village interrupted by a man washed up to the shore.
"Garcia Marquez - Papers: "One Hundred Years and Chronicle"" Garcia Marquez - Papers: "One Hundred Years and Chronicle" N.p., n.d. Web. 27 Apr. 2014.
Swanson, Philip. "The Critical Reception of Garciá Márquez." The Cambridge Companion to Gabriel Garciá Márquez. New York: Cambridge UP, 2010. 25-40. Print.
...taphorical Beer-goggles. We believe what we want to believe. We accept what is comfortable as is, and anything else we disregard as false and or imaginary. Borges' stories are masterfully written to capture this particular aspect of the human character. whether it be a simple defense mechanism, a genius cerebral accomplishment passed down through evolution, or our greatest weakness, a self-induced, self-created mental heroin, or an odd combination of the three, it reflects our dreams, and gives us a sense of reality acceptable to us. And, thus, we can move in this world each day, we get out of bed, dress ourselves, carry on what is now a pathetic excuse for existence, because we have those dreams, that will come true, that will bring satisfaction and a sense of accomplishment. What privilege we have, to, at any time, be able to substitute our Hell for our Heaven...
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
Gillespie, Kathleen " A literary Legend Speaks ? Carlos Fuentes at the Askwith Education Forum" 1 de Diciembre de 2003
García, Márquez Gabriel. Chronicle of a Death Foretold. Gregory Rabassa New York: Knopf, 1983. Print.
Miguel de Cervantes' greatest literary work, Don Quixote, maintains an enduring, if somewhat stereotypical image in the popular culture: the tale of the obsessed knight and his clownish squire who embark on a faith-driven, adventure-seeking quest. However, although this simple premise has survived since the novel's inception, and spawned such universally known concepts or images as quixotic idealism and charging headlong at a group of "giants" which are actually windmills, Cervantes' motivation for writing Don Quixote remains an untold story. Looking at late fifteenth- and early sixteenth-century Spain from the viewpoint of a Renaissance man, Cervantes came to dislike many aspects of the age in which he lived, and decided to satirize what he saw as its failings; however, throughout the writing of what would become his most famous work, Cervantes was torn by a philosophical conflict which pervaded the Renaissance and its intellectuals--the clash of faith and reason.