The Awakening: Concepts of Morality
The novel The Awakening, of which the author is Kate Chopin, drags its readers down into a poor mentality. The reader is shown how morals are scarcely used in common ordinance by Mrs. Pontellier. The reader is thrown from one incident of insubordination in a quarrel with Mr. Pontellier into her neglect for her children and then is heaved into Mrs. Pontellier’s obsessive nature as an adulteress.
Any insight into Mrs. Pontellier’s too-free-spirited nature would have one’s insides turn opposite of God’s Will. From the beginning of the book, the reader sees that Mrs. Pontellier is irrational, self-obsessed, and perhaps intolerable. This image is brought on by her insistent attitude that she must have everything in the manner that she desires. Her insubordination in this society would have the denizens of the time returning quite spiteful glances at Mrs. Pontellier. A quote to help one picture the ill-willed persistence carried by Mrs. Pontellier was mentioned when the book summarizes her emotions: “She perceived that her will had blazed up, stubborn and resistant. She could not at that moment have done other than denied and resisted (P.31).” Her insistent attitude also made her self-righteous and neglectful of other persons.
In other ways, Mrs. Pontellier’s morality led to a dreadful deceit of her own children. Her self-righteous mindset was damaging to her children’s vitality. The ways that she treated the children were full of neglect. As in a certain night, Mr. Pontellier returned home from work to find that one of his children had a fever. Mrs. Pontellier refused to look at the child because she stated that “He had gone to bed perfectly well . . . and nothing had ailed him all day (P.5).” Mr. Pontellier knew that his child had a fever, but could do nothing about it, and was left to ponder that his wife was a habitual neglecter of their children. He told her this and she did nothing. As a neutral detail, Mr. Pontellier had no idea what his beloved wife had on her mind.
In Mrs. Pontellier’s mind hovered the ever-present thought of another man, other than her husband. During most of the story, the man that Mrs. Pontellier fancied was Robert. Robert was an intriguing man that she met during the summers that were spent at Grand Isle. She had always been fond of the man, but he showed her little interest out of respect for her marriage.
	Huck’s attitude for Jim is racist which is seen when he decides to play a trick on Jim during their voyage. After Huck plays his trick his attitude toward Jim begins to change, "It was fifteen minutes before I could work myself up to go and humble myself to a nigger; but I done it, and I warn't ever sorry for it afterward, neither" (Twain 72). The dialogue throughout the book between Huck and Jim illustrates that Jim is more than property and that he is a human being with feelings, and hopes for a better future.
Pontellier does not doubt nor desire for something beyond society’s standard for women. Leonce Pontellier, Edna’s husband, is about fifteen years older than Edna; this age divide causes a drift in what principles Leonce feels that Edna must adhere to. He maintains his belief that Edna should follow a pattern of behavior that is in conformity with what society expects of a mother-woman. A mother-woman, was defined to be one “who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals…” (Chopin 16). This principle definition of a ‘mother-woman’ was expected to be followed by the women of the late 18th century; and was viewed as an ‘unwritten law’, or simply a regulation known to obey but not question. At first, Edna does not object to this expected behavior as Leonce’s wife. She fulfills her domestic duties without complaining and she stays loyal to her husband. Mrs. Pontellier never protests or confronts any inward doubt or apprehensions she may have imagined. Instead, Edna conforms by being quiet, reserved and calm; she suppresses her own feelings to try and please society and its strict standards. Yet, all this external conformity and compliance forces Edna to question her role in the society. Is this all she can expect in
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
The largest debate as to why the novel is a racist work is because of the use of the "N-word." Although there is an abundance of evidence pointing towards the theory that Mark Twain was a racist, therefore making the book itself a reflection of his ideologies, Huckleberry Finn is created as a form of social commentary, on the racism of the time period. As reflected in the essays in Satire or Evasion?, the perspectives on the views of racism in Huckleberry Finn vary widely (Arac 113) and it can be concluded that “there is no single ‘black’ position on Huckleberry Finn any more than there is a monolithic white one” (Leonard
Edna Pontellier, the protagonist of Kate Chopin’s The Awakening (1899) who would not allow anyone to possess her, is an example of how the cult of domesticity, prevalent in the nineteenth century, oppressed women as passionless mothers who worship their husbands. While Edna isolates herself from her husband, Leonce, she also isolates herself from her children and, thus, from motherhood. However, Chopin utilizes the motherhood metaphor to illustrate Edna’s own rebirth as she awakens throughout the novel. Exploring Chopin’s tale through feminist literary theory and the cult of domesticity, the metaphor of motherhood through Edna’s own maternity as well as her metaphorical rebirth becomes apparent.
Racism, a major issue in society for hundreds of years, even after the abolition of slavery, still affects millions of people. African Americans today still sensitivities towards racism, and the reading of Huckleberry Finn demonstrates the pertinence of racism today similarly to two hundred years ago. When reading novels containing nineteenth century racism, African American readers are exposed to the torments their ancestors were put through, and the novel can have a positive or negative effect in that the reader may enjoy the learning of their history but may also feel humiliated in relation to their classmates of other races. In the literary novel, Adventures of Huckleberry Finn, by Mark Twain, the apparent racism in the book affects
Friedrich Nietzsche’s “On the Genealogy of Morality” includes his theory on man’s development of “bad conscience.” Nietzsche believes that when transitioning from a free-roaming individual to a member of a community, man had to suppress his “will to power,” his natural “instinct of freedom”(59). The governing community threatened its members with punishment for violation of its laws, its “morality of customs,” thereby creating a uniform and predictable man (36). With fear of punishment curtailing his behavior, man was no longer allowed the freedom to indulge his every instinct. He turned his aggressive focus inward, became ashamed of his natural animal instincts, judged himself as inherently evil, and developed a bad conscience (46). Throughout the work, Nietzsche uses decidedly negative terms to describe “bad conscience,” calling it ugly (59), a sickness (60), or an illness (56); leading some to assume that he views “bad conscience” as a bad thing. However, Nietzsche hints at a different view when calling bad conscience a “sickness rather like pregnancy” (60). This analogy equates the pain and suffering of a pregnant woman to the suffering of man when his instincts are repressed. Therefore, just as the pain of pregnancy gives birth to something joyful, Nietzsche’s analogy implies that the negative state of bad conscience may also “give birth” to something positive. Nietzsche hopes for the birth of the “sovereign individual” – a man who is autonomous, not indebted to the morality of custom, and who has regained his free will. An examination of Nietzsche’s theory on the evolution of man’s bad conscience will reveal: even though bad conscience has caused man to turn against himself and has resulted in the stagnation of his will, Ni...
Mustapha Mond is the most powerful character in Brave New World by Aldous Huxley. Mond keeps scientific and historic documents from reaching the people. Mond believes that science, religion, and art threaten Brave New World if let out, but religion would be bane of Brave New World.
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Kate Chopin's The Awakening is a terrific read and I am hardly able to put it down! I am up to chapter XV and many of the characters are developing in very interesting ways. Edna is unfulfilled as a wife and mother even though she and her husband are financially well off. Her husband, Leonce Pontellier, is a good husband and father but he has only been paying attention to his own interests. At this point he is unaware of the fact that his wife's needs are not being met. Robert and the other characters are equally intriguing but something else has piqued my interest. Some of Chopin's characters are not fully developed. I know that these are important characters because they are representative of specific things; they are metaphoric characters. In particular, I've noticed the lovers and the lady in black. I'm fascinated by the fact that both the lovers and the lady in black are completely oblivious to the rest of the world. They are also in direct contrast with each another. For this week's reader response I am taking a different approach. Rather than analyzing the main characters, I will examine the lovers and the lady in black.
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
Madness is subjective, especially so in a time period where women’s emotions and thoughts were brushed off as unimportant. In The Awakening, Kate Chopin explores the inner life of a woman, lost in the patriarchal world and without anyone who truly understands her. Edna Pontellier’s supposed madness plays a large part in her characterization as a woman who has lost her way. However, Edna’s madness is not truly madness; it stems from a neglectful husband, crushing responsibility to society, and a sense of the complete isolation.
This entire novel is about an identity crisis. At the start of the novel, Edna Pontellier is a wife who barely accepts the constraints
In actuality, she was defiant, and ate macaroons secretly when her husband had forbidden her to do so. She was quite wise and resourceful. While her husband was gravely ill she forged her father’s signature and borrowed money without her father or husband’s permission to do so and then boastfully related the story of doing so to her friend, Mrs. Linde. She was proud of the sacrifices she made for her husband, but her perceptions of what her husband truly thought of her would become clear. She had realized that the childlike and submissive role she was playing for her husband was no longer a role she wanted to play. She defied the normal roles of the nineteenth century and chose to find her true self, leaving her husband and children
The first point of the novel from which most controversy stems is the inclusion of the word “nigger”. The inclusion of the word in The Adventures of Huckleberry Finn is unnecessary and offensive. Initially, critics of the novel disliked Twain’s use of vernacular because it was “vulgar and unpleasant”, disturbing genteel white Americans, not because the word “nigger” was found to be offensive (Kaye 3). Fostering an uncomfortable atmosphere for black students, critics believe that primarily white educators allow the novel because they prefer Twain’s depiction of subservient blacks (Kaye 4). Due to the prolific use of the “n-word” throughout the novel, the NAACP believes the story causes damage to black students’ self-esteem (Powell 3). Critics argue Twain’s use of a...