Responsibility and Duty as they Relate to The Awakening
Most cultures put heavy emphasis upon responsibility and duty. The culture portrayed in Kate Chopin's book The Awakening visibly reflects a similar emphasis. The main character finds herself wanting to stray from her responsibilities and embrace her intense desire for personal fulfillment. Edna's choice to escape shows two elements: rebellion to the suppression of her adventurous spirit and the lack of "fulfillment" in her relationship. Although she embraces her new found freedoms, she commits suicide at the denouement of the book due to her frustration with the world around her.
Many philosophers have dealt with the question of whether to live a life of servitude or to pursue ones greater happiness. Immanuel Kant stipulates that the more people cultivate their reason, the less likely they are to find happiness. Kate Chopin's character Edna tries her entire life to fit in the prescribed mold of the women of her time. She invests so much time into duty and responsibility that she loses any happiness that she could hope to achieve. With time, Kant noted, the person who devotes their life to reason finds themselves needing a release, in the end despising reason, and eventually pursuing only their true happiness.
After being "reasonable" for the twenty-eight years of her life, Edna breaks down. She wants to pursue love and disregard her duty to her husband and children. She falls in what she considers "girlish" love with the character Robert. She proclaims to him:
"I love you . . . only you; no one but you. If was you who awoke me last summer out of a life-long, stupid dream . . .Oh! I have suffered! Now you are here we shall love each other. Nothing else in the world is of any consequence."
In keeping with Kant's philosophy, Edna's life has been riddled with reason and duty, essentially giving herself away to the people around her. This devotion to responsibility causes her to break away from her common behavioral pattern and moves her to focus on finding her inherent happiness.
Ayn Rand objectivism states that a person should live life by pursuing their abilities and engaging in trade of equal value with others. Further her philosophy states that working for another's good or sacrificing your self for another's happiness goes against the very nature of existence.
Edna was not engaged in the pursuit of her finest abilities. She lived her life for others, not for herself.
In Kate Chopin's, The Awakening, Edna Pontellier came in contact with many different people during a summer at Grand Isle. Some had little influence on her life while others had everything to do with the way she lived the rest of her life. The influences and actions of Robert Lebrun on Edna led to her realization that she could never get what she wanted, which in turn caused her to take her own life.
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Kate Chopin uses characterization to help you understand the character of Edna on how she empowers and improves the quality of life. Edna becomes an independent women as a whole and enjoys her new found freedom. For example, Chopin uses the following quote to show you how she begins enjoying her new found freedom.”The race horse was a friend and intimate association of her
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Throughout The Awakening, a novel by Kate Chopin, the main character, Edna Pontellier showed signs of a growing depression. There are certain events that hasten this, events which eventually lead her to suicide.
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight.." On such days Edna "found it good to be alone and unmolested." Yet on other days, she is molested by despondencies so severe that "...
The society of Grand Isle places many expectations on its women to belong to men and be subordinate to their children. Edna Pontellier's society, therefore, abounds with "mother-women," who "idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves as individuals" (689). The characters of Adele Ratignolle and Mademoiselle Reisz represent what society views as the suitable and unsuitable women figures. Mademoiselle Ratignolle is the ideal Grand Isle woman, a home-loving mother and a good wife. Mademoiselle Reisz is the old, unmarried, childless, musician who devoted her life to music instead of a man. Edna switches between the two identities until she awakens to the fact that she needs to be an individual, but encounters resistance from society. This begins the process of her awakening.
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
In Kate Chopin's The Awakening, the principal character, Edna decides to kill herself rather than to live a lie. It seemed to Kate that the time of her own death was the only thing remaining under her control since society had already decided the rest of her life for her. Edna was a woman of the wrong times; she wanted her independence and she wanted to be with her lover, Robert. This type of behavior would never be accepted by the society of her time. Edna's relationship with Robert, and her rejection of the role dictated to her by society, resulted in her perceiving suicide to be the only solution to her problems.
...ory in such a way that Edna has come to know herself, her true self, and does not need to continue living and searching.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.