The Awakening
In the book The Awakening, by Kate Chopin, Edna Pontellier is an unhappy, married, mother who finds an outlet from her life through a welcoming ocean.
"A certain ungovernable dread hung about her when in water, unless there was a hand nearby that might reach out and reassure her."(p.27) Edna is frightened by the ocean and very overwhelmed by its massive strength. Then she learns to swim and becomes fascinated by what was once an intimidator. "How easy it is!" It is nothing."(p.27) Edna is very pleased with this new found joy; Edna is estatic over conquering her fear. "She could have shouted for joy, she did shout for joy."(p.27) Edna feels happy with herself for the first time in many years. "She felt like some new-born creature, opening its eyes in a familiar world it had never known."(p.115)
Edna begins swimming regularly and thoroughly enjoys it. "Edna plunged and swam about with an abandon thrilled and invigorated her."(p.49) "She remained a long time in the water."(p.49) Swimming, for Edna, provides a much needed recess from her home life and the typical role of a woman and a wife in the 19th century. "I have a notion to go down to the beach and take a good wash and even a little swim," "before dinner? The water is too cold. Don't think of it." "Well I might go down and try-dip my toes in."(p.114)
Edna is growing very fond of the ocean and so adorns her swims. No one will keep her from this new pleasure that brings such satisfaction to her life. Edna feels free for the first time since her childhood. She loves so much this mysterious new being that is so wonderful to her. The ocean proves to be a place where she can transcend her life into the life of who she wants to be. "The touch of the sea is sensuous unfolding the body in its soft, close embrace."(p.115) Edna feels closer to the sea than anyone she has ever known. "She thought of Leonce and the children. They were a part of her life, but they need not have thought they could posses her."(p.116)
Edna is slowly beginning to awaken from the marriage and life that has held her comatose for so long. She realizes why she is unhappy and looks to the sea for commiseration and answers, but finds none. Edna can only continue her love affair with the ocean and appreciate her newly-discovered soulmate.
The passage of The Awakening which truly marks Edna Pontellier’s new manner of thought regarding her life revolves around her remembrance of a day of her childhood in Kentucky. She describes the scene to Madame Ratigonelle as the two women sit on the beach one summer day. The passage opens with a description of the sea and the sky on that particular day. This day and its components are expressed in lethargic terms such as “idly” and “motionless” and suggested a scene of calm sleep. Such a depiction establishes an image of serenity and tranquility, in other words the calm before the storm which derives from Edna’s “awakening.”
As her interest in the ocean rises and the fear lowers, Edna begins to feel a sensual connection to the sea and its wonders. As Edna is progressing in her life, her senses begin to come alive out of curiosity and desire to understand this mystery of nature. Edna is first drawn to the ocean and the sight "made a delicious picture that I wanted to just sit and look at." (16) The two combined senses of taste and sight seem to pull Edna in the direction of her fear. As she creeps closer to t...
She loves to have her “senses stirred,” and her imaginative desires enact these sensations for her when the objects of the desires themselves cannot. Consequently, Edna realizes early in her own life that she is not satisfied with her role as a mother enslaved to humdrum domestic life with a husband to match. However, she does not consciously realize and choose to pursue her own desire for an exciting, passionate, courageous lover until after the novel opens upon one summer vacation at Grand Isle.
“A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” implies the tremendous joy that encourages her to shout, as well as underscores the significance of the experience in terms of the greater awakening, for the experience actually does provide Edna with the ability to control her own body and soul for the first time. Her “daring and reckless” behavior, her overestimation of strength, and the desire to “swim far out, where no woman had swum before” all suggest the tragic conclusion that awaits Edna. Whether her awakening leads her to want too much, or her desires are not fully compatible with the society in which she lives, she goes too far in her awakening. Amazed at the ease of her new power, she specifically does not join the other groups of people in the water, but rather goes off to swim alone. Indeed, her own awakening ultimately ends up being solitary, particularly in her refusals to join in social expectations. Here, the water presents her with space and solitude, with the “unlimited in which to lose herself.
In Creole society, women are dominated by men, but at least the freer attitude toward sexuality allows a woman opportunities for romance which are lacking in Anglo-Saxon culture. But sexual freedom is of little interest to Edna unless it can be used as a means of asserting her overall freedom as a human being. Learning to swim is thus important to her, because it allows her to have more control over the circumstances of her own life through the overcoming of the dread of water and the fear of death which it symbolizes. Again, the process through which Edna attains liberation and, in the author's words, begins to "do as she likes and to feel as she likes," is a gradual one. From stat...
With her mind already gone, Edna's body begins to swim out into the sea, not caring about what lies ahead: "She did not look back now, but went on and on, thinking of the blue-grass meadow that she had traversed when a little child, believing that it had no beginning and no end." (109)
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
	Edna Pontellier, the main character of the novel, struggles all summer at Grand Isle to learn to swim. She has been assisted by many people but was always too afraid to swim on her own. One Saturday night, after attending an evening in the hall, Edna swims out for the first time by herself into the inviting ocean. Realizing how easy it is and due to her "excited fancy," (Chopin, 30) she accidentally swims out very far. At that moment, "a quick vision of death smote her soul, and for a second of time appalled and enfeebled her senses." (Chopin, 30) For the first time she comes face to face with death. Those are the events described by the book. The movie, on the other hand, only shows Edna swimming out, struggling a little, and returning to shore. In addition, the movie doesn’t mention the strength and joy Edna feels after this experience. She states that she "never was so exhausted in [her] life. But it isn’t unpleasant…it is like a night in a dream." (Chopin, 31)
...nt for personal independence. It is only through the futile attempts to investigate which option (convention or passion) is best that Edna realizes there is no appropriate choice to be made. Edna recognizes, through her awakening, the existence of two entirely unlike female models of society. Neither of the models fit her, and thus, she stands in societal purgatory waiting, in vain, for some sort of epiphany as to which model is best for her. She cannot fully connect with either female model, nor can she remove connections that bind her to each. She is unwilling to compromise. Through her stubborn frigidity, Edna chooses a non-choice, to surrender to the author of her awakening: the sea. From the sea, Edna learns of her independence. Into the sea, Edna surrenders society’s undesired requirement of action. The sea becomes both the giver of life and provider of death.
We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight.." On such days Edna "found it good to be alone and unmolested." Yet on other days, she is molested by despondencies so severe that "...
The society of Grand Isle places many expectations on its women to belong to men and be subordinate to their children. Edna Pontellier's society, therefore, abounds with "mother-women," who "idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves as individuals" (689). The characters of Adele Ratignolle and Mademoiselle Reisz represent what society views as the suitable and unsuitable women figures. Mademoiselle Ratignolle is the ideal Grand Isle woman, a home-loving mother and a good wife. Mademoiselle Reisz is the old, unmarried, childless, musician who devoted her life to music instead of a man. Edna switches between the two identities until she awakens to the fact that she needs to be an individual, but encounters resistance from society. This begins the process of her awakening.
...instead, she chooses to succumb to death (Boren 181). On the other hand, choosing the solitude of the sea is a triumph of Edna’s artistic soul. In life, there is no real solitude; Edna fearlessly swims out to face the solitude of death.
The book begins and ends with Edna and her attraction to the water. Throughout the story, water plays a symbolic part in the unfolding of Edna and her relationship to Robert and also her awakening to a new outlook on life along with an independence that takes her away from her family and the socially constraining life in which she no longer can see herself a part of. Edna and Robert are at the beach enjoying each others company. They quickly return to the cottage where Leonce is, and he talks to them. They have had a good time down by the water and Leonce, being the proper business man that he is, does not understand why Robert would rather spend his time chatting with his wife than attending to other things.
Throughout the story the ocean represented Edna's constant struggle for self-realization and independence. From her first flow of emotion on the beach to her last breath of life in the sea, the ocean beckons her. The voice of the sea lures her onward in her journey toward liberation and empowerment.
During the summer of Edna's awakening, the sea's influence increases as she learns how to swim, an event which holds much more significance that her fellow vacationers realize. “To her friends, she has accomplished a simple feat; to Edna, she has accomplished a miracle” (Showalter 114). She has found a peace and tranquility in swimming which gives her the feeling of freedom. The narrator tells us that as she swims, "she seem[s] to be reaching out for the unlimited in which to lose herself" (Chopin 74). She sees the freedom t...