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Art, architecture & religion in ancient egypt
Art, architecture & religion in ancient egypt
Ap art history egyptian art
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Ancient Egyptian art has been admired for many years for its strength and powerful beauty. The thought of how humans, at such a time, had the intelligence and manpower to create the things that they did is truly amazing. Nefertiti Bust has always been one of the many popular pieces, an icon of a woman’s beauty captured. Such as Khafre Enthroned is for its masculinity and powerful leadership. These two pieces of art are symbolic o their time. Similar in many ways, but various all at once. Nefertiti Bust a beautiful work of art of a Royal woman from the ancient Egyptian time is from around the time of c 1353-1336 BCE. Tutmose, a sculptor from that time, created this piece of art of the royal wife of Pharaoh Akhenaton with great effort and an extraordinary eye. She was discovered in 1912 inside of the workplace of Tutmose along with drawling’s and other items connected to the royal family. The artwork is of painted limestone, most likely because it was convenient at the location, sitting at nineteen to twenty inches tall and forty-four pounds. Head of a gorgeous woman with a long graceful neck, symbolizing pronounced pride. Wearing the cup crown (headdress) along with the matching colors of the collar, of blue, red, gold, and green. The beautiful repetitive pattern of her collar and headdress shows great detail and time Tutmose took in creating her portrait statue. Her noticeably missing left eye people wondering if this was on purpose, such as if she had lost her ye in real life, or …show more content…
It is unknown what had happen to her after Pharaoh Akhenaton, passed away. She might have ecame a pharoh herself to the same people or others; maybe she changed her name, or even died. Nefertiti and her husband were known through out history for creating a new form of woreship to the “Aten” or sun disk, called Atenism.
Looking at this Palette, it isn’t hard to see how the old Egyptian subjects were so entranced by their leaders and how that compares to our modern viewpoints. Where we view politicians and leaders as a wiry group, always keeping an eye on them lest today be the day they raise their daggers against us, the ancient Egyptians saw their leaders as infallible, godlike beings to be trusted, obeyed, and adored. Standing just over 2 feet tall and 1.4 feet wide, this Palette was carved out of a majestic shade of grey-green siltstone, almost shield-like in appearance. Both sides are exquisitely carved out, each one uniquely decorated but both sides containing a central serekh used to identify and in this case even confirm the subject as royalty. This serekh contains the symbols n’r and mr, which as you may have noticed, phonetically spell Narmer. These symbols are surrounded by two bovine heads, which could either represent the Goddess Hathor or Bat. The front s...
The Greeks named the city Hierakonpolis, or “City of the Falcon”, in reference to a local god. The falcon god was the predecessor of Horus, the god of order and symbol of Egypt’s kings. Nekhen’s rulers received both ideological and political power through their link with, or personification of, Horus. A statue of Horus placed upon a pole, guarded a large and colorful shrine in the middle of Nekhen where worshippers deposited their sacrificial offerings. The ideological power exuded by Nekhen made it an important spiritual destination. Political power was also expressed in the tombs of the elites and rulers. Tomb 100, located in a cemetery outside of Nekhen, is a royal tomb with painted walls that show how the occupant fought against chaos and upheld the ideals of Horus. Palettes found in Nekhen, similar to the Narmer palette, illustrated the military prowess of rulers and were likely tools of propaganda used to proclaim superior political power over rival
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Egypt is most often known for mummies, pyramids and other famous monuments such as the Sphinx at Giza. Egypt also made a name in art for its paintings, sculptures and the construction of its pyramids. All of these things were customarily created for the pharaohs and the worship of their gods and goddesses. Egyptian religion is polytheistic and their gods were anthropomorphic, meaning they had many gods that could take on both human and animal forms, including the feline. These animals were very well treated and worshiped just like a god or goddess. One of the most important animals considered divine in Ancient Egypt was none other than the feline. Egypt worshiped cats as gods and goddesses, mummified them to join their masters after death and even depicted them in statues and art (Ions, 126).
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
The figures, both seated and standing are depicted according to traditional Egyptian conventions. Nebamun is painted as the largest figure in the painting because he is the most significant . He is standing in perfect balance with a youthful, well proportioned and defined body. The artist has painted Nebamun in a way that emphasises what the Egyptians believed to be the most important parts of a man’s body. Teeter expands upon this.
Something I noticed after viewing several pieces of ancient Egyptian art is that a great deal of it is religious. It only takes a basic knowledge and understanding of the ancient Egyptians’ religion to know that they have numerous gods and goddesses. They are not exclusive in this way, as there are many other cultures and faiths which have multiple deities. However, the manner in which they portray their many gods through their art is very distinguishable and well-known. This could also be because of the style they use. The use of animals is one of the features that make a...
Neith is represented in the balance of worldly events. The goddess is portrayed as the creator and also as the one that brings death. Also, Neith is involved with the chaos and is the one that is also responsible for peace. The goddess Neith brings both extremes to achieve a balance. The role of Neith among the ancient Egyptians is viewed as the goddess of war, especially in the Ptolemaic Dynasty, the one that ruled Egypt just before the onset of the Roman Empire took over. Neith is the belief of many Egyptians, which is an active member of creation, giving birth to Ra, the one that completed the duty of creation, in fact, they believe Neith is present during creation and to the extent that Neith was a creator of some sort.
Sculptures were one of the most important things in the Egyptian world. They were important because they had a very important function in the tombs as substitute for the mummification. These were made out of wood, clay, and other different materials, but the majority of the statues were made of stone. Some examples that are in the textbook of the sculptures are Khafe, and the seated scribe. Khafe was an enthroned divine ruler with a perfect body. The pose he is making is of complete stillness which showed off the body, this sculpture was made out of the stone called diorite which is a dark stone, it was hard to get as they had brought it 400 miles from the Nile River. The Seated Scribe was characterized as the portrait of the Egyptian god-kings didn’t extend to the portrayal of non-elite individuals. He had signs that he was aging which is a sign that is inappropriate for an Egyptian to age they should stay nice and young looking like Khafre did but the seated scribe was different then him. He seemed to be more relaxed and not worried about what he looked like but how he lived his life. The painting I thought was the most interesting was Goats treading seed and cattle fording a canal because it was showing how they used the Nile River for the passage to the afterlife and how they were combined with stereotypical poses for the human and aminals with unconventional postures and such detail to the
Many people are familiar with the pyramids and tombs of Ancient Egypt, yet not as many know about the different types of art created by the lower classes. Documentaries, movies, and television shows rarely mention the more standard art that was created, that didn’t take years of hard labor to create. This art can be compared to the drawings that many people make today, as a hobby to do in their freetime. The only difference is that the Egyptians made art for more practical purposes, and rarely for fun. You would likely find a lot of these pieces in plebian burial sites, or packed away in museum storage. Though they lack the renown of the pyramids and tombs, the different styles and types of art created by the Ancient Egyptians have just as much value as the larger accomplishments, but for different reasons.
The Egyptians were big lovers of all beauty and fashion. They were such lovers of beauty that some of their names were based on the word ‘nefer’, which means beautiful. Examples of such were Nefert, Nefertiti, and Nefertari. The goddess associated with adornment was “Hathor the Golden”, who is seen as the ideal of beauty in love and poetry of the time.
Scholars, artists, and educators have always been great admirers of ancient Egyptian art; however, the notion that art is just made to function as art was non-existent in ancient Egypt times. Every artifact that has been found was created for a purpose and to serve as something figuratively or symbolically within the ancient Egyptian culture. Specifically, the treasures that are frequently found within an Egyptian tomb are the most elaborate and meaningful. The ancient Egyptians had an intricate tradition of burial customs that they believed were required to ensure their reincarnation after death. The ancient Egyptians had a very complex polytheistic religion that played an enormous importance within their culture. They developed funerary concepts based off of their polytheistic beliefs. Everything the ancient Egyptians had done in their lives dictates whether or not they will achieve the ability to become reincarnated. To help reinsure that they reach the afterlife; they surround themselves with objects that help them on their journey after death.
Queen Nefertiti lives up to her name by being known for her beauty, leading to the creation of her bust. The life of Queen Nefertiti is an Egyptian mystery. She is the wife of Pharaoh Akhenaten, who reigns in the 14th century B.C. There is almost no information about the Queen’s life. Researchers were not able to identify Nefertiti’s ancestors either. Some researchers believe that Nefertiti is from Egypt, while others believe she is of Syrian descent. Egyptologists believe that she is the daughter of the Courier, Ay. The Bust of Nefertiti is still one of the most iconic masterpieces from Ancient
Fischer, Henry George. Egyptian Women of the Old Kingdom and the Heracleopolitan Period. The Metropolitan Museum of Art, New York, New York. 1989