Album Analysis/Review
When music was still new and developing, it was something that you could just dance along to, not worrying about the lyrics or the meaning of a musical piece. Today there are concept albums like The Antler’s Hospice, with a whole story behind it.
Hospice is an album that reflects the themes: loneliness, emotional abusive, love, and death. While It mainly narrates the tale of a deteriorating relationship that include a terminally ill patient and a hospice worker, it also tells a true story of The Antlers’ lead singer, Peter Silberman’s past abusive relationship, which then drove him to create this piece of art. The themes begin to emerge as you get to the second track, “Kettering”, where the hospice worker gets the confirmation that there was no helping his suffering and moribund girlfriend
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Go back to screaming and cursing, remind me again how everyone betrayed you. Sylvia, get your head out of the covers. Let me take your temperature, you can throw the thermometer right back at me, if that's what you want to do, okay?”
The patient (who now has a name, Sylvia) made an attempt to end her suffering by sticking her head in an oven, while her boyfriend tried to stop her and would take her yelling and struggling (which makes him feels isolated) over her attempted suicide. Sylvia continues to feel pain from not only her bone cancer, but from her emotionally abused past and present as told in the seventh track, “Two”,
“Daddy was an asshole, he fucked you up, built the gears in your head, now he greases them up. And no one paid attention when you just stopped eating. "Eighty-seven pounds!" and this all bears repeating.”
It is easily perceptible that Sylvia’s father was abusive, and “grinded her gears”, which is then revealed she is a victim of
Diane was a patient of Dr. Timothy Quill, who was diagnosed with acute myelomonocytic leukemia. Diane overcame alcoholism and had vaginal cancer in her youth. She had been under his care for a period of 8 years, during which an intimate doctor-patient bond had been established. It was Dr. Quill’s observation that “she was an incredibly clear, at times brutally honest, thinker and communicator.” This observation became especially cogent after Diane heard of her diagnosis. Dr. Quill informed her of the diagnosis, and of the possible treatments. This series of treatments entailed multiple chemotherapy sessions, followed by a bone marrow transplant, accompanied by an array of ancillary treatments. At the end of this series of treatments, the survival rate was 25%, and it was further complicated in Diane’s case by the absence of a closely matched bone-marrow donor. Diane chose not to receive treatment, desiring to spend whatever time she had left outside of the hospital. Dr. Quill met with her several times to ensure that she didn’t change her mind, and he had Diane meet with a psychologist with whom she had met before. Then Diane complicated the case by informing Dr. Quill that she be able to control the time of her death, avoiding the loss of dignity and discomfort which would precede her death. Dr. Quinn informed her of the Hemlock Society, and shortly afterwards, Diane called Dr. Quinn with a request for barbiturates, complaining of insomnia. Dr. Quinn gave her the prescription and informed her how to use them to sleep, and the amount necessary to commit suicide. Diane called all of her friends to say goodbye, including Dr. Quinn, and took her life two days after they met.
The negative attitude and bitterness makes Sylvia unreliable, she is prejudice against Miss Moore because she prevents Sylvia and the other children from having fun, which seems to be the only thing that matters to Sylvia. Sylvia states, “I’m really hating this nappy-head bitch and her goddamn college degree. I’d much rather go to the pool or to the show where it’s cool” (Bambara, 209). Sylvia is still young and naïve, so she doesn’t view getting an education as something she wants to do, she just wants to have fun and not learn anything but she eventually realizes that Miss Moore just wants her and the other children to
asked Sylvia she states "I'm mad, but I won't give her that satisfaction". The story takes
Sylvia’s being poor influences the way in which she sees other people and feels about them. Sylvia lives in the slums of New York; it is the only life she knows and can realistically relate to. She does not see herself as poor or underprivileged. Rather, she is content with her life, and therefore resistant to change. Sylvia always considered herself and her cousin as "the only ones just right" in the neighborhood, and when an educated woman, Miss Moore, moves into the neighborhood, Sylvia feels threatened. Ms. Moore is threatening to her because she wants Sylvia to look at her low social status as being a bad thing, and Sylvia "doesn’t feature that." This resistance to change leads Sylvia to be very defensive and in turn judgmental. Sylvia is quick to find fl...
...siting F.A.O. Schwarz awakens in Sylvia an internal struggle she has never felt, and through criticizing Miss Moore, Sylvia distances herself from realizing her poverty. In her responses to the toys, their prices, and the unseen people who buy them, it is evident that Sylvia is confronting the truth of Miss Moore's lesson. As Sylvia begins to understand social inequality, the realization of her own disadvantage makes her angry. For Sylvia, achieving class consciousness is a painful enlightenment. For her to accept that she is underprivileged is shameful for her, and Sylvia would rather deny it than admit a wound to her pride: "ain't nobody gonna beat me at nuthin" (312).
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
Though there are several patients featured, the story centers around Cody Curtis, a woman who was diagnosed with liver cancer. At 56, she is a beautiful woman who doesn’t appear to be sick. She seems healthy and happy. However she is in constant pain and is suffering greatly. She is given a diagnosis of only six months left to live and sets a date to choose to die. She has complete control over when she will die. She can make peace with those around her and complete her life before she dies. She says that death with dignity won’t be easy, but it would be easier than the alternatives. However, she outlives her diagnosis and her quality of life continues to improve. When things take a turn for the worst, she decides to end her
Christina Robbins awakens screaming as she clinches the railing of her hospital bed while excruciating pain radiates through her weakened body. Christina’s husband and two teenage daughters sit on the couch in the corner of her dimmed hospital room. In just three months, Christina went from a completely healthy lawyer to lying in her deathbed needing 24 hour care. The cancer has now spread from her lungs throughout her body and within days would reach her brain. The doctors have tried to keep Christina’s pain under control, but with all the medicine the slightest touch feels like razor blades scraping her skin. Being a terminal patient is rather difficult to come to terms with, leaving unpaid bills behind, losing bodily control, and having family watch them die a slow painful death. Incidentally Christiana does not live in one of the four states that offer Physician Assisted Suicide. Physician Assisted Suicide should be legalized in all states because it is a freedom of choice, ceases one’s pain and suffering and decreases traditional suicide rates.
All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of a new life for musicians and African Americans.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
One of Sylvia's students is Joe Ferone. Joe is a rebel and a hoodlum. Joe barely ever comes to class. Sylvia really wants to help Joe. Sylvia tries to schedule after school sessions with Joe, but he never shows up. Towards the end of the story I get the feeling Sylvia was starting to fall in love with him.
To begin with, the reader gets a sense of Sylvia's personality in the beginning of the story as she talks about Miss Moore. Miss Moore is not the typical black woman in the neighborhood. She is well educated and speaks well. She has climbed up against the odds in a time where it was almost unheard of for a black woman to go to college. She is a role model for the children who encourages them to get more out of life. Sylvia's opinion of her is not one of fondness. She says that she hates Miss Moore as much as the "winos who pissed on our handball walls and stand up on our hallways and stairs so you couldn't halfway play hide and seek without a god damn mask”(357). By comparing the hatred with something she enjoys, we get to see what a child does in the slums for amusement. Sylvia feels t...
In itself, music has intrinsic value. From Ludwig Van Beethoven to Miles Davis, instrumental music can stand on its own legs, and have meaning that transcends grammatical meaning. However, the implementation of words that are either spoken or sung creates a new genre, and a different aesthetic. In a sense, this is literature juxtaposed over rhythm and melody. This has the effect of giving a more concrete meaning to the music, and more emotion to the words or lyrics. It is a matter of taste, and a subject of intense debate to try and say one style of music does this the best. Blues music, one of America’s greatest exports, is a contender for this title, and is also interesting in a linguistic sense.
Music are a few things we tend to hear every day. Whether or not it’s from our own ipods, in our cars, or background music to our lives. A song exists for pretty much every feeling and music will be thought of as extremely healing mechanism. Over the years there are various varieties of music that everyone embrace completely different beats, sounds, and evoke different emotions. Such varieties of music is hip hop and rap, alternative music, and rock and roll music. Music incorporates a long line and every single sound and sort of music is tangled together inside each other and influenced by each other. For these reasons, music not solely defines a sort of sound, however additionally recreates lifestyles and defines entire generations. The ability of music will be seen from all differing kinds of music.
In the 20th century, its formal use came to be, during World War I and II musicians started to play music in hospitals to raise the moral of the people. These people had notable physical and emotional responses to music, which led the doctors and nurses to hire more musicians. (1) In its early stages of this therapy music was used to promote the well-being of the individuals, create a positive outlook on what had happened, to foster emotional expression and support, express what they were feeling, build personal relationships, interact socially, and support other forms of learning. Even though these people got better, there was not enough evidence that these people were healed by music.