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the problematic of the american dream
detroying the american dream
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More than any other country, America defines itself by a collective dream: The dream of economic possibilities, and the achievement of the ever-dreamed professional career. The country is not only defined by its “unlimited” possibilities in general but also has a huge presence in TV series plots, where the idea of the “American Dream” is represented. Reversely, this critical examination discusses to which extent the American TV series Shameless presents the illusion of the American Dream illustrating the denial of poverty by centering on a discussion of Fiona and Lip in season 3 . The following paper argues that hard work is not the only key to fulfillment of the American Dream, thence Shameless illustrates that the poor and lower classes “deserve” their position in society. The American Dream, …show more content…
Look, you do not know a shit about promoting a club party” (06:50-07:03 Shameless, “The American Dream”) This scene describes an interpersonal conflict between Lip and Fiona, therefore “the process through which a person [...] frustrates another from obtaining the wanted result” ( Beheshtifar and Zare 401), which is visible through Lip’s lack of trust and the conflict between realistic- and non-realistic beliefs and goals. Thus, it is significant to know that the missing support and distrust towards each other leads to a situation, which is getting even worse. Later on, Lip takes up the dispute again. Lip: “So the ghetto girl thinks she can live the American Dream, huh?” Fiona: “Maybe it is my time, Lip.” Lip: “Doesn't work like that, sis. When you're poor, [the] only way to make money is to steal or scam it, [..]” (36:25-36:38 Shameless, “The American
The almighty American dream, commonly misconceived as the property of those who reap great materialistic wealth, has been analyzed and sought after through generations. However, this dream, “could come from anywhere and be anything you want in this country” (Goldberg), and the numerous success stories of impoverished beings proves this. This subjectiveness stems from the great diversity within human nature and the variation of goals and pleasures. The characters in novels such as The Glass Castle, To Kill a Mockingbird and the play, The Crucible, act to portray several attempts towards achieving this dream. Ultimately, the almighty American Dream manifests itself through the novels as the desire to accomplish stability and content within one’s
The Frontline documentary “Two American Families” produced by the Public Broadcasting Service (PBS), portrays the life of two typical middle class families living in Milwaukee, Wisconsin (Frontline Video, 2013). This follows the life of the Neumann family and the Stanley family as they pursue the ideal type of life, The American Dream from 1991 through 2011 (Frontline Video, 2013). Although, the pursuit for their fantasy quickly turned into a fight for economical struggle (Frontline Video, 2013). These struggles were all brought upon by the new shaping economy (Frontline Video, 2013).
The philosophy of the American Dream has been with Americans for centurie; James Truslow Adams says that, regardless of social class, "life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement” (Adams). Although this vision has never fully encompassed the entirety of America, it has been generally a positive ambition that all Americans should look past their circumstances and rely on only themselves to succeed at life. However, American capitalism and Marxist ideas have contradicted the traditional dream. Materialism is a simple concept, but its definition has been skewed over time. At ...
The idea of the American Dream is it began as an idea people could thrive from, but became detrimental through corruption. Society’s necessity for material goods and money for personal happiness distorts the American dream. One’s morals will be compromised once one decides to live a life for the sole purpose of following a corrupted ideal. In Hunter S. Thompson’s literary work, Fear and Loathing in Las Vegas, his viewpoint of the American Dream is expressed. Fear and Loathing in Las Vegas, written by Hunter S. Thompson, expresses the decline of society’s morals due to materialistic needs. Thompson proves through symbolism and characterization that society‘s corrupted perception of the American Dream provokes an individual’s morals to decline.
...many realities that exist within America's society and that most do not fit the typical American dream. Even those people that achieve some measure of success, as Ralph did, are often plagued by personal problems that outweigh any measure of wealth or reputation. The lie of the American dream is that it promises to fix humanity's problems with material gain – it promises happiness from things that are not capable of giving it. And so, followers are all left unfulfilled by the great American dream, left with a reality that is much different than what was so easily guaranteed. The reality that everyone experiences, whether it is the suburban soccer mom or the tired immigrant, is that the dream is mostly unachievable. The reality we think exists is only a myth – a true mythological reality.
The concept of the American dream has been related to everything from religious freedom to a nice home in the suburbs. It has inspired both deep satisfaction and disillusioned fury. The phrase elicits for most Americans a country where good things can happen. However, for many Americans, the dream is simply unattainable. In F. Scott Fitzgerald’s “Winter Dreams,” Dexter Green, a hardworking young man born into the middle class, becomes wrapped up in his pursuit to obtain wealth and status in his life. These thoughts and ideas represent Dexter’s fixation on his “winter dreams,” or, the idea of what the American Dream means to him: gaining enough wealth to eventually move up in social class and become somebody, someday. As Dexter attempts to work himself up the social ladder, he falls in love with Judy Jones, a shallow and selfish, rich woman. But to Dexter, Judy represents the very idea of the American Dream-- obtaining wealth and status. Dexter’s pursuit of Judy and essentially the American Dream becomes an obsession. In the end, Dexter is forced to accept the realization that his “winter dreams” are actually just empty wishes. By characterizing Judy as a superficial, materialistic woman, Fitzgerald criticizes the destructive nature of the American Dream.
Both stories are considered to be fictional representations of the American dream—moral decay in America and the fa...
4. This is the virtuoso of "Mad Men," its sensational reenactment of the distinction between the fantasy of dashing legends and their wonderful spouses, living in style among delightful, worshiping kids, and the considerably messier reality of attempting to assume a foreordained part without a natural relationship to your environment or to yourself. While "Mad Men" spoilers regularly denounce its unfilled sheen all, guaranteeing that it has no spirit, obviously that is the point. The American dream itself is a precisely bundled, cruel
The film American Winter is a documentary based in Portland, Oregon. It followed several families on their struggle through hard times that lead to each family facing a different problematic outcome. Some families lost their jobs, others lost their homes, and all fought to feed their families. The film went against the grain of the image that many people associate lower class and poor families with. Each family was making ends meet, living fairly comfortably until a rough patch hit, and were then struggling to keep the electricity on in their homes, if they still had them. American Winter generally focused on the failures of the families, and left some questions unanswered; however, the film still portrayed an accurate depiction of poverty in today’s world by showing the lack of the “American dream”, the dwindling aspect of meritocracy, and the challenges of poverty on both parents and children.
There are some well-known examples of everyday people, such as Oprah Winfrey, who became wealthy and successful through hard work, giving credence to the idea that in America everyone has the opportunity to become anything they want to be by putting forth an honest effort. Although most people will find living an American Dream of riches to be out of reach, everyone has a dream of succeeding, and that is what unites us and makes our nation strong. Our common dream that anything is possible is the Spirit of America.
In bell hooks’ “Seeing and Making Culture: Representing the Poor”, she discusses the portrayal and misrepresentation of poverty in our society and the methods behind the dilemma. In this excerpt, retrieved from her book Outlaw Culture: Resisting Representations (1994), hooks focuses on the negative effects of contemporary popular culture and its contribution to the negative societal views on poverty.
As you can see, T.C. Boyle’s The Tortilla Curtain introduces us to two completely opposite couples whose backgrounds correspond with their different beliefs and values of what the overly sought out American dream is. While immigrants seek out basic necessities in order to thrive and survive in America, many citizens to the states live overly shallow and superficial lifestyles, where what they already have never truly satisfies them. Both the Rincóns and the Mossbachers have their own image of the American dream and eventually realize that their dreams were nothing but false impressions. Delaney and Kyra Mossbacher are an unpleasant illustration of the American Dream, whereas Cándidó and América Rincón are a tragic example of how people struggle to gain that ultimate dream.
People will journey far and wide, traverse the entire continent, suffer all manner of pain and suffering, if they believe that, in the end, they will be rewarded. That is why it comes as no surprise when people from other countries struggle to get to America, believing the ancient tale of "the American Dream", convinced that they will finally make it big in this land of riches. But they find out it is not like that.
She talks about the ethos used in these television shows to make the working class feel lower than they actually are. Then she uses pathos to strength her argument about the television. This is understood by, “Yet it is clear that humor masks the longing to change their lot, desire to ‘move on up’ expressed in the theme song of the sitcom The Jefferson” (Hooks 434). She used this to express peoples feeling about their economic status. They are never really satisfied with the amount of money they have. They are always looking to get more or find a way to get another object. Therefore, when people watch these television shows, they think they have a clear picture of what the poor or working class looks like, but in reality they do not. They show the working class a people that has situations thrown at them all the time or have a situation in their family that just keeps them down. This situations are not always true. Sometimes there is just not a job out there for a person in the economy. She expresses the view of poverty when she writes, “Poverty in their minds and in our society as a whole, is seen as s synonymous with depravity, lack, and worthlessness” (Hooks 434). This statements creates a question in the person mind. Is the definition of poverty that I always though was correct been wrong this entire time? Hooks knows that when a person ask this question, it is a loaded question. She
Due to continuous changes in the concept of the American Dream throughout its prolonged existence, it is difficult to have one sole definition. The American Dream has always been a major concept that stems off of many ideas such as liberty, prosperity, equality, and opportunity, which still exists, to some degree, in our vision of the Dream today. America has always been known as the “land of opportunity” and has always emphasized the importance of future generations surpassing the success of their previous ones. But just because our present concept of the Dream may seem to overlap past concepts, it does not mean the Dream has remained what it was in the past. Actually, it is an entirely new image, morphed by social, political, and economic issues. What has it become? A society corrupted by materialism and deteriorated by the failing economy, leaving younger Americans hopeless and older Americans fearful of America’s future. It’s alarming that Americans are constantly taking their rights and freedom for granted, always wanting more than they can get– and quite honestly, what they can get is not even that much to begin with. As our economy collapses into chaotic hardships and our desires override our moral obligations, the American Dream has ultimately become the American Nightmare.