According to Ty Kiisel, writer for Forbes magazine, “It’s not what you know, it’s who you know” (Kiisel). In the book Ragged Dick by Horatio Alger, Alger portrays a young New York boot black in the 1860s. Dick rises to become the embodiment of the American Dream through, as Kiisel notes, who he knows. Ragged Dick builds many relationships with upper-class men, fellow boot blacks, and even builds connections within himself, all while keeping his morality in check. The relationships that Ragged Dick forms are what make him achieve the American Dream.
The first relationships with the upper-class that Ragged Dick builds are with Mr. Whitney and his nephew Frank. “I may be rash in trusting a boy of whom I know nothing, but I like your looks…” says Mr. Whitney (Alger 23). Dick’s appearance at the time could not be called proper by any means; he truly lives up to the name Ragged. Whitney talks more about his inner features rather than his physical ones; he could see Dicks accountability and honesty. Before he lets Dick give his nephew a tour he lets him take a bath, gives him a new suit, and even grants him five dollars. Mr. Whitney leaves Dick with some advice, “your future position depends mainly upon yourself” (79). The next person of the upper-class Dick becomes acquainted with is Mr. Grayson. The day before he acquires the suit from Mr. Whitney, Mr. Grayson employs Dick to shine his shoes; he doesn’t have time to wait till Dick gets back with his change. When Dick comes by to drop off Mr. Grayson’s change the next day, dressed in his new suit, he is invited to attend Mr. Grayson’s Sunday school class where Mr. Grayson would “do what he can to help [Dick]” (102). Dick probably would not have gotten the invitation to Su...
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..., fellow boot blacks, and himself. He proved that who you know, and how well they know you, truly makes a drastic impact on how people succeed in America. In this sense, Ty Kiisel is right, but it also took a smidge of prior insight of Dick to acquire the right connections. Ragged Dick always keeps a keen eye on his morality, never letting it pull him into the wrong crowd.
Works Cited
Alger, Horatio. Ragged Dick, Or, Street Life in New York with the Bootblacks. Boston: Loring, 1868. Print.
Kiisel, Ty. "It's Not What You Know, It's Who You Know?" Forbes. Forbes Magazine, 02 May 2012. Web. 03 Mar. 2014.
Carnegie, Andrew. The Gospel of Wealth. 391st ed. Vol. 148. N.p.: North American Review, 1889. Print.
Overvold, Mark C. "Morality, Self-Interest, and Reasons for Being Moral." Philosophy and Phenomenological Research 44.4 (1984): 493-507. JSTOR. Web. 6 Mar. 2014.
One of Horatio Alger’s books was called Ragged Dick or Street Life in New York, this book featured a young boot black named Dick Hunter and his friend Henry Fosdick. Dick in the beginning is living on the street and is never sure where he will sleep from one night to the next. He is fairly happy but wishes to be respectable. One day he offers Mr. Whitney, a businessman, to show his nephew, Frank, around New York City because Mr. Whitney is too busy to do it himself. After this day Dick’s life begins to change from a boot black with an uncertain life to a clerk who rents a room and earns ten dollars a week.
By structuring his novel where time is out of joint, Dick is able to illustrate that one’s perception of reality is entirely based on what one believes to be fact. This point is illustrated through Ragle Gumm, who, “from his years of active military life” in the beginning of the story, “prided himself on his physical agility” (Dick 100). It is not until time is mended again toward the end of the book that he realizes that it had been, in fact, his father that had served in the war. This demonstrates how one’s firm belief can turn into a reality, as it did for Ragle Gumm for the two and a half years he lived in the fabricated city of Old Town.
The utilization of imagery has dependably been a common path for authors to convey essential issues to general society. It is not remarkable to peruse a straightforward youngsters' story and find hidden political or good messages, for instance, Horatio Alger's novel Ragged Dick. This story was composed after the Civil War, when America encountered a time of immense modern development. The free enterprise hard working attitude had turned into an all inclusive thought in the North, and accordingly the Government consented to stay bankrupt issues, taking after the modern arrangement of "free enterprise." This enlarged the hole between the rich and poor people, making it troublesome for a less lucky individual to work his way up in the public
When first describing Dick and Perry, Capote describes dick as “an athlete constructed on a welterweight scale. The tattooed face of a cat, blue and grinning, covered his right hand…More markings…ornamented his arms and torso.” The metaphor comparing Dick to a welterweight athlete gives the perception that Dick is a mean looking guy. Basically, what a stereotypical criminal looks like; and that is exactly what Dick is. At the end of the passage, after describing Dick’s car colli...
A homeless, fourteen year old named Richard becomes a male Cinderella. His tale from rags to riches excites readers to read more. In the book Ragged Dick, Richard (Dick) lives as a homeless boy as usual during the time. His story of adventures are of him going through situations and getting into fights that he should not be. The transition from being a slum child to a proper gentleman is shown in the text. However, Dick was not such a hero. He was sorta a mooch. He would take the credit of what a Hero would have done. On a special day a man named, Mr. Whitney, basically grants Dick with a life of riches. The new suit, from the old clothes he was wearing allowed him to become a proper gentleman. Mr. Whitney, calls him Aladdin. For being clever
This shows that Dick was a good person he did not kill the Clutters in cold blood.
Alger, Horatio. “From Ragged Dick.” Rereading America: Cultural Contexts for Critical Thinking and Writing. Colombo, Gary, Robert Cullen, and Bonnie Lisle. 9th ed. Boston: Bedford of St. Martin's, 2013. 252. Print.
The whole “robbery” was planned by Dick, the drive was planned by Dick, and even the cover up process was his idea. Although he wasn’t the one who pulled the trigger, Dick is equally responsible for the Clutter family murder as Perry. It would take a horrible person to murder a family, but it takes a vial beast to plan, examine, organize, and operate the murder. Dick grew up with loving parents who were no poorer than any other family in the neighborhood. According to both him and his parents, he was a good kid who did well in school and lettered in nine sports. Similar to Perry, he feels cheated in life and is willing to do anything he must to get what he deserves. Along with this, he has zero insight on how to life a normal life. Dick is the type of person to act on his impulses. He 's likes to have a good time and live in the moment. His aspirations are easy money and easy women. With this, he seems to have no ability to weigh the consequences of his actions, and he will do whatever it takes to get his way. This type of momentary reaction is prone to lead a life of “poor decision.” If he’s in need of money, he will write a few bad checks or maybe steal from a store. If this jig wasn’t plentiful enough, he hitches a ride with a stranger to basically rob and kill everyone in the car. Dick was known for being a terrible person as one man stated, “Dick Hickock! Don 't talk to me about
...d by a difference in wealth. The difficulty to provide for a family, much less make more money to rise above the working class, caused children born into working class families to feel like they were “stuck” because they did not have the extra time or money to devote to an education. Instead of being able to learn and grow during childhood, children in the working class focused on the survival of themselves and their family. This contrasts the middle class where children had the possibility to earn an education before working in the future. Horatio Alger argued that anyone can change their situation by a little extra work and by improving their behavior, but Ragged Dick was an unrealistic character. Children born into poverty often faced a cycle, where guidance and luck could not even help the escape the working class because they were committed to their families.
Admitting to only befriending Perry because “he had beaten a colored man to death” (Capote 109) is evidence of the perverted mind of Dick, which discredits any notion of having good intentions behind any of his actions. Capote included this confession because if his judgment of character is based solely off of the ability to commit heinous crimes then there is not a whole lot of good light being shed upon his own character. Furthermore, Dick goes on to attack Perry in his mind thinking there’s “something wrong with Little Perry” (108). Since Capote has already attempted to establish a general liking and sympathy towards Perry, he hopes the reader will be close-minded towards Dick and dislike him more for being so rude.
Carnegie’s essay contains explanations of three common methods by which wealth is distributed and his own opinions on the effects of each. After reading the entire essay, readers can see his overall appeals to logos; having wealth does not make anyone rich, but using that wealth for the greater good does. He does not force his opinions onto the reader, but is effectively convincing of why his beliefs make sense. Andrew Carnegie’s simple explanations intertwined with small, but powerful appeals to ethos and pathos become incorporated into his overall appeal to logos in his definition of what it means for one to truly be rich.
Horatio Alger's “Ragged Dick” is a story which expresses the morals found within a fourteen year old homeless boy. This young boy is quite different because of the morals and actions he showcases to others. Unlike other homeless individuals, Ragged Dick is a boy who puts forth honesty while acting in courteous ways which represent a true level of dignity. Although Ragged Dick is such a prideful and respectful young boy, he is also known as a “spendthrift.” Spendthrifts are individuals who are careless with their actions in terms of their spending as they have little no regard for their money. One example of this can be seen as we read, “Dick's appearance as he stood beside the box was rather peculiar. His pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which were gone except two, out of which peeped a shirt which looked as if it had been worn a month. To complete his costume he wore a coat too long for him, dating back, if one might judge from its general appearance, to a remote antiquity” (Alger).
A society naturally breaks up into various social groups over time. Members of lower statuses constantly suppose that their problems will be resolved if they gain enough wealth to reach the upper class. Many interpret the American Dream as being this passage to high social status and, once reaching that point, not having to concern about money at all. Though, the American Dream involves more than the social and economic standings of an individual. The dream involves attaining a balance between the spiritual strength and the physical strength of an individual. Jay Gatsby, of F. Scott Fitzgerald's The Great Gatsby, fails to reach his ultimate dream of love for Daisy in that he chooses to pursue it by engaging in a lifestyle of high class.
...failed in his duty to redistribute his surplus wealth to his community, and that the State should heavily tax the remaining estate. This belief that men of wealth were responsible for bridging the widening gap between the well-to-do and those hoping to do well led Carnegie to publish The Gospel of Wealth.
John Steinbeck, in his essay America and Americans, uses many contradictions to explain his views on the American Dream. I have witnessed and experienced many of these contradictions in my life. Through my experiences, I have learned to believe that the American dream is no more than just a dream.