Martin Luther King was assassinated in 1968; the Sugar Hill Gang released its wildly successful hip-hop single, “Rapper’s Delight,” eleven years later in 1979. This period of time, bookended by the thirst for equality of the Civil Rights Movement and the social conservatism of the 1980s, was the first example of a fundamentally transformed America for its black youth. At the core of the nascent years of the “Post-Soul Generation,” as author Nelson George refers to the post-Civil Rights African American, raged a fundamental identity crisis that required African Americans to reconcile a history of marginalization and second-class citizenship with a newly instilled sense of equality. As the blood of fallen Civil Rights leaders finally dried in the early 1970s, the focus shifted from a decade of social progress to the how this progress would be understood; “[no] smarter or more worthy than their parents,” the African American of the Post-Soul era was however “poised for frustrations more nuanced than African Americans had ever confronted.” No longer fighting chiefly for political agency or social equality, African Americans strove toward gaining a deeper inclusion into the once racially restricted privilege and culture of the white middle-class. Yet by the end of the 1970s, the black desire for higher social integration produced a fundamental schism across the Post-Soul generation. “The new black middle-class,” writes George, “[were] products of tokenism, affirmative action, and their own hard work,” whose surface equality overshadowed (but did not obscure) the still relevant construct of black inequality in America. Conversely, black poverty rates still remained sky high as ghetto culture, drug culture, and gang violence bec... ... middle of paper ... ...nt to an African American child than Roosevelt or Kennedy. Hip-hop culture began to embrace other subversive forms of expression, such as graffiti, whose popularity soared in the mid 70s throughout the South Bronx . After a decade spent trying to gain favor with a supposedly “superior” white middle class, African Americans turned to hip-hop as a direct response to this apparent white incompatibility with black culture. No longer unequal, by the end o the 70s it had become clear that there was no reason to mold the black racial identity in an easily digestible package for America’s white middle class. This method of forgetting, which resulted in yet another decade of black marginalization, was thus largely rejected, as the America’s African American urban youth turned to hip-hop to remember, preserve, and create a new telling of the black historical identity.
On April 4, 1968 America experienced the tragic loss of one of its greatest social leaders, Martin Luther King, Jr. He was a pivotal leader in the civil rights movement who permeated American history as a man who maintained the importance of nonviolent social change. He fought racism within the public domain by pursuing school integration and basic civil rights for the African-American community. Thirty-one years after his death, America is forced to evaluate the exact implications of his legacy on modern society's attitudes towards race and race relations. Did the civil rights movement really promote positive changes in race relations? How far has American society really come?
...nd provided Black Amer¬ica with tal¬en¬ted con¬tem¬por¬ary lead¬ers who voiced the struggle they were facing. Its major impact comes from the fact that it has encour¬aged a pro¬found Nation¬al¬ism in Black America.” Today’s Hip-hop & Rap artist promote the culture with guns, dope, violence and sexism instead the manhood and womanhood, support of the struggles, prisoners, and good entertainment from the roots of Afro centric culture. There may be a few that still install Black Nationalism into today’s society, like Jay-Z and P. Diddy who have built empires that will lead others to want to succeed and follow their the success route. In today’s society the youth lacks the encouragement to stand up for their rights and decides to fight to get their points across. They don’t think about the self-determination, self-defense or self-respect its all about actions, no unity.
Historians offer different perceptions of the significance of Martin Luther King and the 1963 March on Washington. Without examining this event within its historical context the media publicity and iconic ‘I Have a Dream’ speech can easily overshadow progress that was already underway in America. It was insisted by prominent civil rights activist Ella Baker, ‘the movement made Martin rather than Martin making the movement.’ What is important not to overlook is the significant change that took place in the United States during the previous 100 years. Such that, many influential figures in support of racial equality opposed the March. The Civil Rights Act proposed by President Kennedy in 1963 was already in the legislative process. Furthermore the Federal Government was now reasserting power over the entire of the United States by enforcing a policy of desegregation. It is important to note that these changes all took place less than one hundred years after the Thirteenth Amendment in 1965 abolished slavery, and the Fourteenth amendment in 1968 acknowledged the rights of former slaves to be acknowledged as U.S citizens. With this level of progress Kennedy was against the March going ahead due to the argument that it was limited in what it could achieve. Today, King’s 1963 Speech is viewed as one of the most iconic speeches in history. However, was it a key turning point in African Americans achieving racial equality? Federal endorsement would suggest yes after decades of southern states being able to subvert the Federal law designed to break down segregation. This support built upon the corner stones of the Thirteenth and Fourteenth amendments in the nineteenth century. Therefore looking at the national status of black Americans fro...
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Kelley, Robin. “Looking to Get Paid: How Some Black Youth Put Culture to Work.” Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America. Boston: Beacon Press, 1998. 43-77. Print.
In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction.
Before the Civil Rights Movement, which took place from 1955-1968, African-Americans had a difficult time establishing an identity and their rights. However, for many African-Americans, the Civil Rights Movement developed a purpose for one’s life and progressed African-Americans’ status and rights in society. Although some people may argue that the Civil Rights Movement was not productive and only caused conflict and havoc, due to the majority of African-Americans still employed in low-level jobs and many towns affected by the Civil Rights Movement being torn apart and degraded, those effects were only temporary and tangible to others. The Movement had a much more profound effect of giving one a purpose or “spark” in life, which later led to African-Americans demanding more rights and equal status in society.
Throughout history, African Americans have encountered an overwhelming amount of obstacles for justice and equality. You can see instances of these obstacles especially during the 1800’s where there were various forms of segregation and racism such as the Knights of the Ku Klux Klan terrorism, Jim- Crow laws, voting restrictions. These negative forces asserted by societal racism were present both pre and post slavery. Although blacks were often seen as being a core foundation for the creation of society and what it is today, they never were given credit for their work although forced. This was due to the various laws and social morals that were sustained for over 100 years throughout the United States. However, what the world didn’t know was that African Americans were a strong ethnic group and these oppressions and suffrage enabled African Americans for greatness. It forced African Americans to constantly have to explore alternative routes of intellectuality, autonomy and other opportunities to achieve the “American Dream” especially after the 13th, 14th, and 15th amendments were passed after the Civil War.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
The 20th century was a definitive time period for the Black civil rights movement. An era where the status quo was blatant hatred and oppression of African Americans, a time when a black son would watch his father suffer the indignity of being called a “boy” by a young white kid and say nothing in reply but “yes sir”. Where a Black person can be whipped or lynched for anything as little as not getting off the sidewalk when approaching a white person, for looking into their eyes, or worse, “for committing the unpardonable crime of attempting to vote.” In the midst of the racial crises and fight for social equality were Malcolm X and Martin Luther King Jr. who despite their difference in philosophies were “icons of social justice movement both in the United States and around the world” .
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Whenever people discuss race relations today and the effect of the Civil Rights Movement of the 1950s and 1960s, they remember the work of Dr. Martin Luther King, Jr. He was and continues to be one of the most i...