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LGBT oppression today
LGBT oppression today
Impacts of homosexual behavior
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In order to climb up the ladder of society, people oppress those characteristics that lead them to failure. During the 1950’s and 1960’s, homosexuality was seeing as a mental disease of the human race. Homosexuals did not fit in the schema of the American family. Tennessee Williams, in his play “The Cat on the Hot Tin Roof”, shows the effects of society´s views on homosexuals through the main character Brick. In addition to Williams´ play, the theatrical work, “Doubt” by John Shanley, also depicts the struggles that an African American kid undergoes in order to suppress his sexuality. Both plays show two characters in different social classes and from different races trying to survive the denial of society towards their sexual orientation. Through their oppression by male hegemony and with the help of the maternal figure in each play, both Brick and Donald struggle to overcome their fear of acceptance.
The patriarchal figures in both plays are portrayed as omnipotent. In other words, both male figures belief that their rules must be obeyed and the expectations they have for their children must be exceeded. Tennessee Williams, depicts Big Daddy as the leader of Brick´s family. Big Daddy is described as an old aristocratic man, living in a mansion. Big Daddy represents the successful American men during the 1950´s a man of power and family priorities. Although this patriarchal figure shows his love for his family through materialism, he also portrays a dominating face through his actions towards his son.
By making unrealistic expectations towards, Brick, Big Daddy shows his denial to his son’s homosexual identity. He shows the expectations he has for Brick both in his career and sexually. When having a conversation with Bric...
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...ol. Through her actions, Mrs. Muller demonstrates that in comparison to her husband she is willing to be side by side with her son. She shows the portrayal of a comprehensive mother in a society where homosexuality was not accepted.
Through the actions of the male hegemony and the mother figure, both plays show the different perspectives both sexes have towards homosexuality. The patriarchal figures, show an intolerant and abusive perspective whereas the mother figures show a more understanding way of coping with the identities of their sons. By seeing the reactions of both males and females, it is to say that the maternal figures of the play show a more comprehensive attitude towards the struggles that the male protagonist undergo. Both plays are related to today´s society, because there are still families in which homosexuality is not accepted. People are still
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
Each play represents the issues faced by each gender during the time period in which it was written. However, many of the issues are similar in each time period, as well as throughout most of history. These issues will likely continue to affect both women and men for a long time in the future.
Usually in novels grappling with identity crisis, there is a downfall like for Brick’s struggle to be true to his sexual identity in Tennessee Williams’s play, Cat on a Hot Tin Roof. It was in a time when America did not tolerate same sex relationships, so each character acted in accordance with the sexual identity given to their genders. For Seymour, he is heavily praised like some kind of God for his...
He is a angry young African American man who grew up in south-side Chicago, surrounded by the harsh reality of poverty: in spirit, in education, and of truth. Thus, Bigger is an example of a boy deprived of a father (figure), a boy with an underprivileged education, and the product of a lower and unemployed class. Granted, Bigger got a job through a relationship but there is an obstacle. He is envious of the color of the skin and the privilege that his employer has. Being that, his character of anger transformed into Animosity; that Animosity was released. As a result, Bigger’s story ends in prison like the majority of people placed in his situation. His obstacle of anger prevented what could have been opportunity, of no longer being the employee but working hard enough to become the
...ed. He had to cover his eyes and his mother and sister dress out of respect. To understand Bigger is to understand his mindset, and I agree with the critic when he goes to explain there is nothing to do with the environment but the way that you react with being in that environment. Biggers hardship truly made it easier to understand the way that a black male thinks while not have a male role model or support from your mother in these times encouraging him to be the best man that he can but being hard on him to be the man that she believed that men of Biggers race she be, act and the thing that Bigger does. Everything has a reason but once you’re pushed to the edge there is nothing left to do but jump of move aside and let the other person fall. In this case Bigger fell because his mind wasn’t strong enough to understand that he could go about things differently.
Tennessee Williams was born on March 26, 1911. He was the second child of Edwina and Cornelius Coffin Williams. His father was a shoe salesman who spent most of his time away from home. Edwina was a “southern belle” she was snobbish and her behavior was neurotic. As a child, Williams suffered from diphtheria which almost ended his life. Williams attended Soldan High School, a setting he referred to in The Glass Menagerie. Later, he attended University City High School. He then attended the University of Missouri. (Tennessee)
In the book, The Glass Menagerie, the main characters want to leave behind what they are
The topic of homosexuality has always been one approached with caution due to its taboo nature derived from its deviation from the heterosexual norm. Traditionally, and across several cultures, homosexuality has been successfully discussed through normalizing the behaviour through heterosexual representation. Gender reversal or amplification of feminine qualities of male characters have often been means by which authors are able to subtly introduce the foreign idea of homosexuality and equate it to its more formal and accepted counterpart, heterosexuality. The works of Shakespeare and Li Yu have assisted in exposing homosexual relationships while still maintaining them under the heterosexual norm, whether it be through direct or metaphorical representations.
To sum it up both of these plays share the same broad message conveyed throughout the entire play. Which includes, women have the capabilities to do more than they show and are allowed to do. As well as the relationship men and women share is not constant, or the same, there are many different views on the relationship they share and many different variations that change as time progresses. Furthermore the rights of women also change with much time, and hard work by many women who have worked hard for their rights and future rights of all women. Some of this can lead to these two plays, giving new, bold ideas that were frightening for many during their times but helped for the push for a better tomorrow.
are two main plots in the play, both based upon the theme of love. The
Imagine for a moment it is your big sister's 17th birthday. She is out with her friends celebrating, and your parents are at the mall with your little brother doing some last minute birthday shopping, leaving you home alone. You then hear a knock on the front door. When you getthere, nobody is there, just an anonymous note taped to the door that says Happy Birthday, along with a hundred dollar bill. You've been dying to get that new video game, and your sister will never know. You are faced with a tough decision, but not a very uncommon one. In both Fences, by August Wilson, and A Raisin in the Sun, by Lorraine Hansbury, tough decisions have to be made about getting money from someone else's misfortune. But money's that important right?
By the end of the play Mrs. Hale and Mrs. Peters found the dead canary in Mrs. Wright’s sewing kit. The canary had marks around its neck inferring that it had been strangled just like Mr. Wright, but they faced a dilemma on whether or not to turn in the evidence. In the end they decided to withhold the evidence from their husbands. By keeping this evidence from their husbands the two women chose to defend not only Mrs. Wright, but all women during this time period. They felt that the prejudices and discriminatory acts of men during this time period towards women were not acceptable. Men of this time belittled their wives and these women tried to challenge that philosophy. Mrs. Peters and Mrs. Hale help show the audience what women in this time period had to endure in order to get back their freedom.
Tennessee Williams play The Glass Menagerie relives the horrors of the Great Depression and the effects it had on many people's lives. The story is in many ways about the life of Tennessee Williams himself, as well as a play of fiction that he wrote. However, the story is based on Tennessee and his family's struggle to emotionally deal with the harsh realities that followed the crash of 1929 (807).
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
The action seen in Cat on a Hot Tin Roof all occurs in a hot bedroom in a wealthy home on the Mississippi Delta, and, as such, the southern flair that was characteristic of the 1950s—which is when the play is set—acts as a constant backdrop for the onstage events. The curtain first opens on Margaret complaining and nagging her drunken and apathetic husband, Brick. She dislikes her rowdy nieces and nephews sharing the house with them. She wails about the fluctuating prospects of inheritance that may or may not be provided by her near-dead father-in-law. She whines about not having a baby of her own, which she wholeheartedly blames on the fact that Brick has been refusing to sleep with her. The entire first act really reads as a long, extended monologue being given by Margaret with short interruptions by mainly Brick and two other characters who peek their heads in for a moment: Margaret and Brick’s sister-in-law, Mae, and Brick’s mother, Big Mama. Over the course of her diatribe, we learn that the family has gathered together for Big Daddy’s birthday, that Big Daddy is dying of cancer—though both Big Mama and Bid Daddy himself have yet to know this fact—that Margaret is terribly insecure about her inability to have a c...