Tennessee Williams uses clothing to characterise in A Streetcar Named Desire, whereas Atwood uses it to define in The Handmaid’s Tale. Clothing is an instrument used by many authors and playwrights to communicate different themes and motifs explored in texts. In The Handmaid’s Tale, author Margaret Atwood uses clothing as a tool to describe a world where a patriarchal, dystopian society forbids individual identity. Similarly, dramatist Tennessee Williams published A Streetcar Named Desire in 1947, which explores the battle between fantasy and reality, as well as the dependency on men. The objective of clothing in A Streetcar Named Desire and The Handmaid’s Tale overlap in some areas as well as contrast. Both writers achieve the aim of accentuating characteristics through clothing. However, in The Handmaid’s Tale, clothing appears to define and confine characters; whereas idiosyncratic features of characters are emphasised and highlighted to create identity and personality through the use of clothing in A Streetcar Named Desire. Williams uses costume, colour and context to exhibit the development, or deterioration, of characters. Her “white suit” and “fluffy bodice” draw a picture of a reputable woman. Typically, these colours are used to portray innocence and purity, to illustrate a woman of dignity and class; her attire suggests that she is a typical “southern belle”, emblematic of the 1950s. This view is broken into pieces in scene 9 when she changes into a “scarlet satin robe” that is undoubtedly worn with the ostentatious aim of promiscuity. The development then takes a backwards turn back to “soft” colours which is echoed by the “rapid, feverish…Varsouviana tune” which suggest that her vulnerability is a result of constant r... ... middle of paper ... ...o they are and restrict them from making any decisions, all the while falsely believing this is “freedom from” or “protection” from the cruel dangers of a utopian society. Here, Atwood echoes the theme of patriarchal leaders subjugating women by using them as political instruments to assert power over the dystopian society. To conclude, both writers extensively use clothing to elaborate on different themes and motifs explored in texts. Both writers use clothing as a tool to comment on characters and both use clothing to characterise. Williams uses clothing to highlight features of characters, where as Atwood uses clothing to command and dictate character, rather than highlight or emphasising. In addition, Atwood seems to categorise and confine the personalities, where as Williams demonstrates who characters are rather than forcing them to be something they’re not.
The woman in Alice Walker’s The Color Purple and the woman in Tennessee Williams’ A Streetcar Named Desire both struggle with discrimination. Celie, a passive young woman, finds herself in mistreatment and isolation, leading to emotional numbness, in addition to a society in which females are deemed second-rate furthermore subservient to the males surrounding them. Like Celie, Blanche DuBois, a desperate woman, who finds herself dependent on men, is also caught in a battle between survival and sexism during the transformation from the old to the new coming South.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Women were only second-class citizens. They were supposed to stay home cook, clean, achieve motherhood and please their husbands. The constitution did not allow women to vote until the 19th amendment in 1971 due to gender discrimination. Deeper in the chapter it discusses the glass ceiling. Women by law have equal opportunities, but most business owners, which are men, will not even take them serious. Women also encounter sexual harassment and some men expect them to do certain things in order for them to succeed in that particular workplace. The society did not allow women to pursue a real education or get a real job. Women have always been the submissive person by default, and men have always been the stronger one, and the protector. Since the dawn of time, the world has seen a woman as a trophy for a man’s arm and a sexual desire for a man’s
During the time period Tennessee Williams, author of the play A Streetcar Named Desire, lived in, men were typically portrayed as leaders of the household. Through Williams' usage of dialogue, specific descriptions of each characters, as well as sound, he illustrates to readers of today's society how differently a man and woman coexisted in the mid-1900s, compared to today. Through the eyes of a topical/historical theorist, who stresses the relationships between the story and the time period it takes place, the distinction between today's society and that of five decades past, can be observed with depth and precision.
Gender inequality has existed all around the world for many centuries. Women were seen as property of men and their purpose of existence was to provide for the men in their lives. Men would play the role of being the breadwinners, whereas women played the role of being the caregiver of the family and household and must obey the men around her. The Handmaid’s Tale, written by Margaret Atwood portrays how women in society are controlled and demeaned by men, and how men feel they are more superior over women.
Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped.
In Williams’ A Streetcar Named Desire, its form of a Southern Gothic enables the playwright to base the play on sexual identity and judgement and the female characters all experience their struggle to liberate from their current position. For example, Blanche is notably known for her situation – The ‘polka dot’ which recurs throughout the play as a testimony to Blanche’s past. The playwright presents these situations using the play’s structure of a recurring cycle of a daily life of the characters. Unlike Alfieri in A View from the Bridge, A Streetcar Named Desire has no narrator and mostly focuses on the characters to establish Williams’ point of view. Perhaps, t...
In the play A Streetcar Named Desire author Tennessee Williams writes about Blanche DuBois, a woman who is seeking help from her older sister Stella Kowalski. Blanche comes to stay with Stella and her husband Stanley after finding out that Blanche and Stella’s childhood home had been taken from under them. The play goes on to show the dramatic downfall of what is Blanche DuBois. Throughout the play we see her slowly break down till finally she is pushed over the edge. William's uses a great deal of allusion to convey a real meaning to why characters do what they do. It’s not just an example, each allusion has a deeper meaning to the character it’s associated with. Blanche DuBois is the character used associated with allusion. Williams uses allusion with Blanche to present how she masks her true identity to the real world, saying she’s a pure southern belle when really she is truly a lost lonely soul.
Tennessee Williams is known to be a Southern playwright of American drama. Williams knew how to show haunting elements like psychological drama, loneliness, and inexcusable violence in his plays. Critics say Williams often depicted women who were suffering from critical downfalls due to his sister Rose Williams. Rose was always fighting with a mental health condition known as schizophrenia all her life. The character Laura in The Glass Menagerie is always compared to Rose, because they were both socially awkward and very quiet girls. This may be true, but one can look at Blanche DuBois from A Street Car Named Desire shadows his sister’s life and characteristics more than Laura did. In the obituary of Rose Williams that was written by Philip Hoare, he says, “She grew up outgoing, using make-up earlier than other girls, and was remembered as “very pretty and a bit standoffish” (Hoare). This parallel sounds remarkably like Blanche and does not sound like Laura’s characteristics. Laura never wore make up and her personality did not keep others distant. She was distant to others, because of her disability. Also Roses down fall is very similar to Blanche DuBois down fall in the play and end result. Laura never has a down fall in The Glass Menagerie. Laura seems to have hope in the end of the play. Laura was a tribute to show Rose’s innocence, but Blanche was to show Rose’s true colors. Tennessee Williams uses elements of appearance, age, gentleman callers, sexuality, and the fear of homosexuality to show his sisters down fall in the character Blanche DuBois in A Streetcar Named Desire.
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
“I don 't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don 't tell the truth, I tell what ought to be the truth. And it that 's sinful, then let me be damned for it!” (Goodread, quotes). This quote comes directly from one of Tennessee William’s most famous novel, A Street Car Named Desire representing William’s way of life. Tennessee Williams is the pen name for Thomas Lanier Williams, born March 26, 1911 in Columbus, Mississippi. He had a troubling boyhood; His father worked as a traveling salesman which required for him to be constant traveling around the world. Because of this,
In the play written by Tennessee Williams, "A Streetcar Named Desire", the use of his remarkable writing tactics and motifs are used to develop the main character Blanche throughout the play. As the play progresses, we gradually gain knowledge pertaining to Blanche and the type of individual she actually is in juxtapose to the facade she puts on. With clever usage of motifs such as lighting and flirtation, we can draw countless conclusions about Blanche throughout the play. Using the fore mentioned motifs we can contemplate that Blanche is developed into a deceiving, narcissistic and seductive being because of the use of motifs Williams amalgamated throughout the play.
Women have always been essential to society. Fifty to seventy years ago, a woman was no more than a house wife, caregiver, and at their husbands beck and call. Women had no personal opinion, no voice, and no freedom. They were suppressed by the sociable beliefs of man. A woman’s respectable place was always behind the masculine frame of a man. In the past a woman’s inferiority was not voluntary but instilled by elder women, and/or force. Many, would like to know why? Why was a woman such a threat to a man? Was it just about man’s ability to control, and overpower a woman, or was there a serious threat? Well, everyone has there own opinion about the cause of the past oppression of woman, it is currently still a popular argument today.