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Main theme in a streetcar named desire
Main theme in a streetcar named desire
Main theme in a streetcar named desire
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Tennessee Williams' A Streetcar Named Desire
The play, ‘A street car named desire’ was written by an author named
Tennessee Williams. His real name was Thomas Lanier. He assumed the
name ‘Tennessee’ in 1938 because he said, “the Williams fought the
Indians for Tennessee.” Tennessee was born on March 26th 1911 in
Columbus Mississippi. When he was a teenager he realised the life of a
young writer was going to be something similar to the defence of the
stockade against a band of peasants. A description reminiscent of
Blanches battles with Stanley in the street car named desire is what
Tennessee was trying to refer to his own life.
The play was set in New Orleans which is named Elysian Fields and runs
between the L&N tracks and the river. Elysian Fields is quite a poor
and run down area but unlike most other American cities, it has a
raffish charm. The houses mostly have a white frame, have a weathered
grey colour with rickety outside stairs
In scene 1-3 it is all about Blanche getting used to New Orleans. She
finds it difficult to like and fit in because it is much different to
where she lived before (Belle Reve). This is because Belle Reve was a
very upper-class area where as New Orleans is more average, run down
and has a mixed community.
Blanche doesn’t like New Orleans or where Stella is living. She is
very snobbish and thinks it is a dump. “I thought you would never come
back to this horrible place.” this shows that Blanche does not approve
of, or likes where Stella is living. Blanche is also implying that she
is more superior by the way she is talking.
“ I didn’t mean to say that I meant to be nice about it and say – Oh.
” this shows that Blanche knows it is a horrible place, but she didn’t
want to be rude, so she was meant to say “ Oh ” to make it sound as if
she likes the place that Stella and Stanley are living in.
In scene 2 Stanley starts demonstrating his dislikes for Blanche. He
does this because he thinks Blanche sold Belle Reve and kept the money
for herself. “I think you have been swindled.”
In scene 2 there is an argument between Stanley and Blanche about
Belle Reve. Stanley is angry because he wants proof on paper that
Belle Reve was not sold by Blanche for herself. Blanche ends up wining
the argument by proving Stanley wrong about Belle Reve, that it was
infact lost and not sold by Blanche.
When discussing the notion that “Love can often lead to the creation of an ‘Outsider’." there are cases in our literary examples that would agree with the statement, and some that would not. Outsiders in Much Ado About Nothing, Pride and Prejudice and A Streetcar Named Desire are created by both love and other themes, whether it be class, power, disinterest or a scandal.
In the play A Streetcar Named Desire, Tennessee Williams uses his brilliant writing to bring life to his characters in the story. I will be composing a character sketch on Stanley, one of the main actors in the play. I will focus on evaluating Stanley's ever changing character traits in the role he plays. They consist of different moods that he demonstrates during the play: his aggressiveness, his love for Stella and also his rudeness and cruelty towards Blanche.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
A Streetcar named Desire was written by Tennessee Williams, during the restless years following World War II. The play was based on the life of a woman named Blanche Dubois. Blanche was a fragile and neurotic woman, desperate for a place to call her own. She had been exiled from her hometown Laurel, Mississippi after seducing a seventeen year old boy. After this incident, she decided to move to New Orleans with her sister Stella. She claimed she had to move, in result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Her sisters husband, Stanley Kowalski is very suspicious seeing that Blanche seems like an ambitious woman. Therefore, he decides to investigate her. He wanted to make sure Blanche didn’t sell the plantation for her own good. As he begins to find out more about her past, all of Blanches lies catch up to her. Soon, her circumstances become unbearable.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
During the late nineteen-forties, it was common for playwrights such as Tennessee Williams to use symbolism as an approach to convey personal thoughts, through the attitudes of the characters and the setting. Williams' actors have used symbolism to disguise the actuality of their thoughts and to accommodate the needs of their conservative audience. A Streetcar Named 'Desire' has a few complicated character traits and themes. Therefore, they have to be symbolised using figures or images to express abstract and mystical ideas, so that the viewers can remain clueless. Williams not only depicts a clear personality of the actors
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
she was told "to take a streetcar named Desire, and then to transfer to one
In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.
In the play written by Tennessee Williams, "A Streetcar Named Desire", the use of his remarkable writing tactics and motifs are used to develop the main character Blanche throughout the play. As the play progresses, we gradually gain knowledge pertaining to Blanche and the type of individual she actually is in juxtapose to the facade she puts on. With clever usage of motifs such as lighting and flirtation, we can draw countless conclusions about Blanche throughout the play. Using the fore mentioned motifs we can contemplate that Blanche is developed into a deceiving, narcissistic and seductive being because of the use of motifs Williams amalgamated throughout the play.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.