'Tender Mercies,'; written by Horton Foote, is a screenplay, which presents to the reader ordinary people, who are trying to live decently in an unpredictable and violent world. The reader comes to be aware of many dramatic scenes where the central characters have come to experience many complex but yet fascinating situations in their lives. Reading this screenplay the reader will come to acknowledge one of the centralized themes in 'Tender Mercies,'; which is the theme of redemption. For those who are unaware of the word, redemption as it applies to the screenplay 'Tender Mercies'; is the literary word meaning to be saved or saving someone from an experience or a situation. The reader can observe this redemption at various times through many characters, such as: Mac, Rosa Lee, Sunny, and Dixie. Each one of these characters has been redeemed by other characters or has been the redeemer of other characters. Thus, in the paragraphs to proceed, the reader will be introduced to these exact characters and to the situations from which these characters were redeemed from or whom they had redeemed. Alongside, the reader will also come to recognize how this theme provides the clearest reason why 'Tender Mercies'; is neither a Tragedy nor Pathos. As mentioned above, one of the centralized themes in 'Tender Mercies'; is the theme of redemption and that it can be seen through many characters, of whom is Mac. In the beginning of this screenplay, Mac is viewed as a person with a drinkin...
“Servant trouble…political worries…almost neurosis…drinking increased…arguments with Scottie…quarrel with Hemingway…quarrel with Bunny Wilson…quarrel with Gerald Murphy…breakdown of car…tight at Eddie Poe’s…sick again…first borrowing from mother…sick… ‘The Fire’…Zelda weakens and goes to Hopkins…one servant and eating out.” (Mayfield 207)
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
Have you ever experienced a day where nothing goes right? The story “A&P” written by John Updike is one of a teenage boy named Sammy who quits his job in hope of impressing some girls --- only to find they neither cared nor listened. “Miss Brill” written by Katherine Mansfield is a story about an elderly woman named Miss Brill who goes to the park to observe people; her evening is ruined when some kids make fun of the way she 's dressed. Miss Brill and Sammy started their day motivated, as the stories went on their moods shifted because their actions were affected by other people 's opinions. But sad endings don 't always have to be sad, there 's a lot a reader can learn from them. Sad endings are more memorable than other endings because there is a feeling of uneasiness left for the reader. It is also more realistic that people don’t have a perfect day or the hero gets what they wanted. Updike and Mansfield use sad endings to further the theme of disappointment.
In both “Roger Malvin's Burial” and “The Minister's Black Veil,” Nathaniel Hawthorne centralizes the themes of sin, guilt, and repentance. Both are very much set in terms of what defines sin and, in turn, what would constitute action leaving an opening for forgiveness, and both leave many a question unanswered in the story being told. The main question for us becomes, then, one of applicability. Does either story hold a message, if so, what? In considering the two, it may be that they do indeed hold a message, but maybe that message is not one that Hawthorne himself could ever have intended. In this paper I will deal with the themes of guilt, sin, repentance and how Hawthorne developed them in both stories.
Through O’Connor’s religious background, the audience must closely analyze the true message of her story through her symbolism. Her shocking and grotesque ending of the short story challenges individuals by questioning what is good and what is evil. O’Connor’s symbolism found in her setting and main characters truly embody her view of modern society. She uses these elements as a representation for the realistic paths individuals struggle to choose between: the path involved in sin concerning money, good looks, and pride or the path towards God concerning morals, values, and respect for humanity.
...ror of Pecola’s first sexual experience: her father rapes her), and a difficult marriage situation (caused by his own drunkenness). The “bads” certainly outweigh the “goods” in his situation. Thus, the reader ought not to feel sympathy for Cholly. But, Morrison presents information about Cholly in such a way that mandates sympathy from her reader. This depiction of Cholly as a man of freedom and the victim of awful happenings is wrong because it evokes sympathy for a man who does not deserve it. He deserves the reader’s hate, but Morrison prevents Cholly covered with a blanket of undeserved, inescapable sympathy. Morrison creates undeserved sympathy from the reader using language and her depiction of Cholly acting within the bounds of his character. This ultimately generates a reader who becomes soft on crime and led by emotions manipulated by the authority of text.
At the outset, Atwood gives the reader an exceedingly basic outline of a story with characters John and Mary in plotline A. As we move along to the subsequent plots she adds more detail and depth to the characters and their stories, although she refers back with “If you want a happy ending, try A” (p.327), while alluding that other endings may not be as happy, although possibly not as dull and foreseeable as they were in plot A. Each successive plot is a new telling of the same basic story line; labeled alphabetically A-F; the different plots describe how the character’s lives are lived with all stories ending as they did in A. The stories tell of love gained or of love lost; love given but not reciprocated. The characters experience heartache, suicide, sadness, humiliation, crimes of passion, even happiness; ultimately all ending in death regardless of “the stretch in between”. (p.329)
sport then others have to use it to be able to keep up, otherwise they
Of the more than twenty million Americans who are running today, most who start do so for the wrong reasons, with the wrong attitude, and tend to lose interest after a few weeks or months. Many quit. This is usually because they become concerned with superficial goals such as time and distance and never discover the more profound mental benefits that running offers. (Lilliefors 15)
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
Such a series of tragic events has a great toll among the two main characters (Cox ) . For a vicious, careless indivi...
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
The character from “The Story of an Hour”, Mrs. Mallard, find out her husband has been involved in an accident and although the news saddens her she is also quite optimistic of what is yet to come. In Comparison, the character from “The Yellow Wall-paper”,
The moral of the nightingale’s death and Jesus’ crucifixion is one of love, pain and sacrifice. Wilde’s use of biblical symbols and themes make his story comparable to the death of Jesus Christ who dies for his love for Jerusalem. The parallels of these stories are found from beginning to end and one who is familiar with the story of Jesus will undoubtedly recognize it, at least in part, in “The Nightingale and the Rose.” The emphasis on the painful sacrifice is very prominent in both stories and the final lessons learned from each one, coincide greatly with one
The human experience is riddled with unpalatable truths that we discover as we journey through life. Influencing our values and attitudes by deliberately challenging the reader with humanity’s unpalatable truths, Ian McEwan prompts the reader to consider our own moral compass through the character of Briony Tallis. During the course of ‘Atonement’, McEwan demonstrates that actions and words inevitably have consequences on not only the individual but also those surrounding them. Throughout the three fundamental stages of Briony’s complicated life, her coming of age story has developed in the unpalatable obstacle of atoning for her mistakes. In misunderstanding, Briony appears naive; she thinks she can control aspects of her own world, acting