Teatro Campensino
Teatro Campensino can be described as an artistic outreach program with political ramifications, the actors are farm workers that find it necessary to spread their message throughout villages composed primarily of poor, Mexican farm workers. The group performs skits that attack "white-washed Mexicans", the Vietnam War, and racism. In "Los Vendidos", director and writer Luis Valdez tackles issues that have plagued Mexican- American history. In fact, by analyzing his play one can deduce several social stigmas and draw parallels to the actual history through the character skits in the play. Furthermore, in order to analyze this play one must delve into the setting, name, characters, and the social ramifications of their situations in order to fully incorporate the scope that this play affects.
The name of the play itself has social and political ramifications, that is it reflects the Mexican situation throughout history. Furthermore, the literal meaning of the title is quite ambivilous, "venderse" means to sellout, to betray, or to give away. This can be applied to how Mexicans are treated by Americans and other Mexicans. For instance, Mexicans have been discriminated against for generations, ever since the Spanish conquest. They have been "repatriated" into Mexico during the 1930s, and they have never received the same political or social programs that Anglo- Americans have, such as schools. However, it has also become evident that Mexicans have discriminated against each other throughout the years for various reasons. One of the most prevalent was the schism in the Mexican community between the "American- born of Mexican Parents…", "…those born and raised in Mexico…", and "…the largest group were those born in the United States whose parental lineage ran back to the original settlers and the early immigrants of the Southwest." (Morin qtd. in Vargas 305). The Old Mexicans, those that were living in the present day United States were somewhat assimilated and accepted by Anglo- Americans because they were a good source of labor. However, the migratory patterns of Mexican immigrants, legal and illegal, allowed the farm owners greater accessibility to a cheap labor force. In fact, the migrations sent the wage of a farmhand to the basement and the Old Mexicans resented this phenomenon.
Another way in which this play explores the social and political history of the Mexican-American is through the analysis of the set. For instance, in the window "Honest Sanchos Used Mexicans" indicates that the stereotypical Mexicans "sold" in the store are accurate representations of all Mexicans.
At the end of article they describe the pain Joaquín Murieta endured for being a honest and innocent man: “His soul swelled beyond its former boundaries, and the barriers of honor, rocked into atoms by the strong passion which shook his heart like an earthquake, crumbled and fell” (1). At the current time it didn 't matter if you were honest or not with law. If you weren 't white in 1850, you were considered an outsider. Since Joaquín Murieta was Mexican, he was not persecuted because of his transgression but because he was Mexican. The writer wanted to give you an idea of what it felt to be a Mexican and the mistreatment they got from the white
To understand folk medicine, we must first understand how folk medicine came about in the Appalachian region. According to Mathews, the Appalachian area, especially Virginia and North Carolina, was one of the first areas of America to be colonized by Great Britain(Euro-Americans). With a thriving population of Native American and African-American culture, folk medicine was able to flourish in the region due to sharing of remedies, herbs, and...
Literary magazines were not remotely interested in publishing Gilb’s stories, which focus primarily on the professional and personal struggles of working-class Mexican Americans. But his unapologetic stories about working-class Mexican Americans have made him a voice of his people (Reid130). Gilb’s short stories are set vividly in cites of the desert Southwest and usually feature a Hispanic protagonist who is good-hearted but often irresponsible and is forever one pink slip or automotive breakdown away from disaster (Reid130).
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
...cept of model Mexican Americans being traded, bartered, bought and sold for a price, as depicted in the play, is an accurate portrayal of what has taken place in Mexican American history. Mexican Americans have been accustomed to such inhumane acts and they continue to be looked upon as "Mexican" though their rights as citizens just as valid as the rights of any immigrant to this country. "Los Vendidos," or the sell-outs, had to familiarize themselves with the notion of selling short their heritage in order to establish a new heritage in this new land.
Then, in the play, Wilson looks at the unpleasant expense and widespread meanings of the violent urban environment in which numerous African Americans existed th...
The fundamental conflict that led to their arrest and unfair trial was a clash between Mexican-Americans and the dominant White American culture. Acting as a host, El Pachuco is the spirit of the ideal, defiant Pachuco and serves as Henry’s Reyna’s alter ego throughout the play, intermingling past Mexican culture with the current Zoot Suit culture. El Pachuco serves as a corrective to illustrate the heavy biases that the court and media displayed throughout the 1940s against Chicano people. Through his constant interjections during the courtroom scene, and his final confrontation with the reporter at the conclusion of the play, he points out the injustices that Mexican-Americans had to endure. El Pachuco highlights each point in which the court discriminates or treats the Zoot Suiters unfairly.
The Chicana/o identity has developed through the history of Mexican-Americans living in the United States. Chicana/o identity is multi-layered and self-identified. Although, it does not have a set definition, I will highlight examples of different forms of representations that helped claimed this identity. Through various examples of Denise A. Segura and Beatriz M. Pesquera article “Beyond Indifference and Antipathy”, “Chicana Identity Matters” article by Deena J. Gonzalez, “Chicano Teatro” article by Jorge A. Huerta, “Their Dogs Came With Them” novel by Helena María Viramontes, and Murals by Judith Baca and David Alfaro Siqueiros, they will illuminate the historic struggle that creates and defines Chicana/o identity. The Chicana/o term has been very complex throughout time as a form of identity. However, Mexican-Americans were given this long history of misrepresentation as being dumb, lazy, inferior, servile, sexualized and/or criminal. One example of it would be the creation of Olvera Street in Los Angeles. In I will argue that through numerous forms of representations, Chicana/o identity is multi-dimensional and has developed through Mexican-Americans life experiences and the influence from the larger white U.S society. Lastly, I will demonstrate this by including the representations of gender, race, citizenship, and class to expose the self-identified Chicana/o identity.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
In fact, Native American medicine men belief is firmly grounded in age-old traditions, legends and teachings. Healing and medical powers have existed since the very beginning of time according to Native American stories. Consequently they have handed down the tribe's antediluvian legends, which i...
Many people didn’t believe in medicine at all. The most commonly used treatment was prayer. Ordinary people relied on methods their parents and grandparents used, such as lucky charms, magic spells and herbal cures. Some of the herbal cures were quite useful.
Baca asks “Do they come on horses with rifles, and say, ese gringo, gimme’ your job?” (3) The answer is no; for the most part Mexican immigrants take jobs that many Americans don’t want. Most people that cross the border do so to provide for their family, or to have a better life. As a result, they take jobs that pay them pretty much nothing. He later states that Americans should actually look at the bigger picture. Mexicans need the jobs to feed and provide for their children. Baca’s use of imagery, and symbolism paint the picture of American hypocrisy on Mexicans taking away American jobs. Baca mocks the racist commentary made by Americans to help the reader rethink the situation to show how ludicrous this misconception is.
The author of this short story, Sandra Cisneros used this myth to make herself different from other American writers. She used ideas from things and stories she heard growing up as a Mexican-American woman, living in a house full of boys that got all of the attention (Mathias). Cisneros also grew up in the 19...
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
Sandra Cisneros’s “Never Marry a Mexican” introduces readers to Clemencia. Cisneros eludes Clemencia as a woman who appears proud of her Mexican heritage, yet knows not how the slanderous phrase “Never marry a Mexican” uttered from her well-meaning mother’s trusty lips about Clemencia’s own Mexican father negatively foreshadows her seedy life and gloomy world perspective later down her destructive journey of adulthood.