Ryan Prater
World Religions, Vickery, Per 7
Primary Source Essay
21 January, 2104
Religions have utilized art and song along with scripture to profess their faith. Taoism, also known as Daoism in modern times, uses these arts to give insight to their beliefs. Taosims goal is to become harmonious with nature. The Tao is the “way” to becoming one with the overall essence of the universe, a transcending realization of everything’s balanced existence in harmony with one another (Kirkland 521). Art work describes the past and depict important events in its history. Taoism uses scripture as well as artwork to give respects to its past. An illustration of Lao Tzu riding a buffalo being led by his servant gives homage to Taoism’s origins. This work envelops the rich yet mysterious history of the complex religion through its context.
Lao Tzu is the believed founder of Taoism. His name means, “old teacher,” “old master,” or “wise old man” (Taoism 315). He is believed to be an older contemporary of Confucius, the ancient Chinese philosopher. However, no one is certain whether he was a real person or is a legend to link the origins of the religion. Lao Tzu is believed to have written the, Tao Te Ching, Taoism’s oldest sacred text (Taoism 316). Although the work has been edited over the centuries, he is proclaimed the original author. The text a series of writings that comment on the nature of reality, the meaning of life and human significance in the universe, and a description of actions one must follow in order to be in harmony with the universe in life. It is from this knowledge that the Chinese scroll painting of him gains its significance. For a Taoist believer, the work has as much meaning s as an image of an evangelist writing the ...
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...s to uncovering the divine essence of the universe.
Artwork is used to describe the beliefs of the religion to complement the sacred texts that guide the believer. The image of Lao Tzu recalls the founding of the first sacred scripture of Taoism. The depiction of the wise elder recalls the religions rich heritage. The work portrays the objective of the religion to find peace and its context and depiction of the deified elder signify the teachings of the religion.
Work Cited
Kirkland, J. Russell. "Taoism." Worldmark Encyclopedia of Religious Practices. Ed. Thomas Riggs. Vol. 1: Religions and Denominations. Detroit: Gale, 2006. 521-545. Gale Virtual Reference Library. Web. 6 Jan. 2014.
"Taoism." Art and Architecture of the World's Religions. Leslie Ross. Vol. 2. Santa Barbara, CA: Greenwood Press, 2009. 315-333. Gale Virtual Reference Library. Web. 21 Jan. 2014.
...oundation of all living things that exist in this world. The mission of Taoism is not to force its beliefs on people, but to help them realize their inner-self and guide into a happy life in harmony with nature. To best summarize Taoism a quote from Lao-Tse can be used: "We believe in the formless and eternal Tao, and we recognize all personified deities as being mere human constructs. We reject hatred, intolerance, and unnecessary violence, and embrace harmony, love and learning, as we are taught by Nature. We place our trust and our lives in the Tao, that we may live in peace and balance with the Universe, both in this mortal life and beyond." There are thousands of religions that offer endless solutions to end suffering, to restore peace and unity in the world. For decades philosophers tried to come up with ways to find happiness, but in the end there was only one answer. The answer came from a some would call silly, others wise bear by the name of Winnie-the-Pooh, who discovered the secret for happiness in and old religion, founded by a great master Lao-Tse. This religion became the answer for the endless search for happiness and the answer was Taoism.
"Main Concepts of Taoism: Yin and Yang." Taoism and the Taoist Arts. April 2002. http://www.taoistarts.net/main.html#yin LeGuin, Ursula K. The Lathe of Heaven. New York, NY: Harper Collins Publishers Inc., 2000.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurs in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment. As was the case in China, Cao depicts the two forms of belief existing alongside one another, and not necessarily practiced exclusively to one another.
Taoism is the first major philosophical and religious tradition explored by Peter Marshall, in his book Nature's Web. Marshall calls Taoism "the way of nature," emphasizing that this is the ideal religion from the perspective of ecological sensibility. Passivity is a key element of Taoist thought, and is a repeated concept in the primary Taoist text, the Tao Te Ching. The concept of passivity stresses that the wise person will not attempt to cause change in his world, but will rather be receptive to and allow natural changes to happen, as is the way of nature. Other Taoist principles concerning government, society, life, and death branch off from this concept. Marshall considers this religion to be a necessary foundation for an ecologically sound world and way of life, which is why he makes it the foundation of his book. However, Marshall's views may not be entirely realistic when we consider the practicality of the philosophy to our modern ecological crisis.
Lao Tzu believed that Tao is a natural thing. He believes that you come by it or you realize its presents and experience it. The best way for me to explain how Lao Tzu perceives the Tao is to take it directly from our reading in Molloy, “The Doa cannot be named because it has no form. But the Dao can be experienced and followed by every individual thing that has a name (213).” Lao Tzu used Tao as a way of being and living in harmony with nature. Lao Tzu believed that Tao came to you by using his teaching of Wu Wei, Simplicity, Gentleness and Relativity (217-218).
"Heilbrunn Timeline of Art History." Altarpiece Dedicated to Buddha Maitreya (Mile) [China] (38.158.1a-n). N.p., n.d. Web. 15 May 2014.
Confucianism and Daoism are two influential schools of thoughts that have existed in ancient China around the 6th century BCE. The former, led by the politician and philosopher Confucius, proposed that humans live in society according to a set of predefined rules and that they transform society through political action. Whereas the latter, led by the philosopher Lao-Tzu, promoted the idea of inaction; people should go with the flow instead of taking action to control their lives and dominate their surroundings. Although, at first glance Daoism and Confucianism seem to be two opposing philosophies, a more in depth analysis of two of their key ideas –filial piety and education—reveals that they do share some similarities.
“The whole character of Chinese popular religion flows in the direction of plethora of rituals and obligations without much discernable doctrinal underpinning” (Corduan, 2012, p.410). The Chinese popular religion has gravitated away the gods of Buddha and Daoism and captured the philosophy of luck and materialism (Corduan, 2012), while it “is less concerned with philosophical issues and
Kaltenmark, Max. Lao Tzu and Taoism. Translated by Roger Greaves. Stanford: Stanford University Press. 1969.
Although Daoism and Hinduism are two completely separate religions with the former indigenous to China and the latter to India, both of them encompass striking similarities that undeniably make it seem that one influenced the other. However, no known relations between the two religions exist. Comparing the small, but contextually vital part of the Hindu epic Mahabharata known as Bhagavad Gita with the central text to Daoism, Tao Te Ching offers an unparalleled journey of knowledge and understanding. Tao Te Ching emphasizes the crucial concept of Dao, which is translated as the “Way” while Bhagavad Gita stresses the all-encompassing Brahman. Since no sufficient language can express the full meaning of Dao, the most suitable example that shows its operations is the movement of water (TTC 8). Water simply flows with unity with nature – it can transform itself into whatever form is needed to flow. Dao is essentially an indescribable eternal energy and origin of the entire universe. Fully arriving at the Dao is the main goal of Daoism. Similarly, Brahman is the ultimate end to everything in the universe. In the Bhagavad Gita, Brahman is described as the source from which all beings originate from and eventually return. The fundamental principle of both concepts is, therefore, one and the same. I will specifically focus on vital parts of the two concepts in order to illustrate the parallelism of the eventual goal of the Dao and the Brahman. The emphasis on action with no desire for the “fruit” of the action, Dao and Brahman’s inexpressible essence, and following one’s own duty in order to complement the movement of the universe. These concepts illustrate the similarity between Dao and Brahman and ultimately demonstrate that they are ide...
As one of the greatest founding novels of Taoism, Book of Chuang Tzu serves to strengthen Lao Tzu 's arguments in Tao Te Ching and lays the foundation for Taoism 's place in Chinese philosophy. Because Confucianism and Taoism are two competing philosophy schools that share more outstanding differences than similarities, the followers of both schools often refute and evaluate the ideals of the opposite school. However, the constant appearance of Confucius as the main character in more than twenty chapters in Book of Chuang Tzu not only surprises the readers, but also calls for deep analysis of the roles played Confucius in order to understand the true meaning of this ancient literature. While Chuang Tzu criticizes many of the Confucian ideas
Chinese artwork is a form that contains and demonstrates many different meanings and morals that can be linked back to not only religion, but the overall meaning of life. This paper will discuss the sculpture titled Seated Buddha and how it represents peace, enlightenment, and the overall importance of how these two components influence the mindset of the people involved in the Buddhist religion. The Seated Buddha was created between the 5th and 6th century in China. The artist of this piece is unknown, but this does not hinder us at all from seeing what the artist was trying to portray through the different aspects that they included in the Seated Buddha sculpture. This piece is crafted from stone and a chisel was then used to create the
Even though Taoism and many other folk religions have shaped the Chinese mind, Confucianism remains, by any historical measure, its chief mentor” (Novak 113). Therefore, since the two religions grew up together, there are similarities, such as their views on humans, attempting to find harmony in life and in nature, and serve as guides for their followers through self-cultivation and improvement techniques. Confucianism believes that their congregation should have human conduct over the idea of God in their lives, whereas Taoism is formed on the belief that its congregation should create a relationship with nature. This is pointed out by Smith in Experiencing the World’s Religions, “Confucius represents the classical, Lao Tzu the romantic; Confucius stresses social responsibility, Lao Tzu praises spontaneity and naturalness; Confucius focus is on the human, Lao Tzu’s on what transcends the human” (Smith 218).
Tibetan thanka[1] paintings are a wonderful example of the interconnectedness of religion and art. These images are “not meant to be the object of simple idolatry” (Jackson 11), but rather take on a more interactive role, which can be applied to nearly every facet of traditional Tibetan life. Tibetan Buddhism pervades all aspects of the creation and use of thanka paintings—in the training and requirements of the artists who create the paintings, in the physical creative process itself, in the iconography used, and in all the painting’s multiple functions. Tibetan thanka paintings, throughout their entire lifespan—from concept to consecrated image—help devotional religious activity for Tibetan Buddhism[2].
Lao-Tze founded Taoism around 550 BC. The goal in Taoism is achieve Inner harmony, pea...