Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Interpersonal relationships in movies
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Interpersonal relationships in movies
In the film, Tangerine, directed by Sean Baker we not only witness the tragic and complex lives of transgender street workers, but even more importantly the deep connections created by their bonds of friendship. Ironically, as we hear songstress Alexandra singing the Toyland, one can’t help but see the contradiction in their current situations. As Sin-dee looks on and listens to Alex, you can see a childlike wonder or melancholy come over her face. Perhaps she’s reminiscing about a time of innocence or a time of hope. One that we all wish for “our” children, but sadly is not always realized for those who don’t fit the “norm”. I am reminded of the words Jesus spoke, So those who are last now will be first then, and those who are first will be
The transvestite community is one was rarely accepted in the 1970’s compared to that of today's world. They were known to be trivial and shameful in mainstream society, and those who identified as trans were deemed ridiculous. This did not stop the song “Lola” by the Kinks from reaching number two on the UK Singles Chart. Which subtly composed a passionate love story between a young man and a distinctly masculine woman. Despite the negative feelings about transvestites during the time when “Lola” was released, Ray Davies used powerful metaphors and a catchy chorus to create positive vibes towards transvestites and supports justifying everyone in the LGBT community.
Laverne Cox is a prominent actress and advocate for trans rights, most recently gaining attention for her role in the Netflix original show “Orange is the New Black”. Cox plays a transgender prisoner named Sofie, who throughout the course of the show faces bigotry and cissexism from her peers as well as the prison staff. The role gained attention for being one of the first prominent trans characters to be played by a trans actress in a way that accurately demonstrates the difficulties trans individuals face. Though recent years have seen an increase in trans awareness, there is still a distinct disconnect in the communicative cultures between trans and cis speakers when it comes to the subject
Giallo is a slasher genre that was prominent in the late twentieth century especially in Italy where the genre was made up of mystery and horror elements. The origin of the term is from cheap mystery novels, similar to penny dreadfuls, where they were adorned in bright yellow covers of which the genre was suitably named after as "giallo" is yellow in Italian. Though the term "giallo" is not just recognized in just Europe as internationally it is considered to have greatly influenced the sudden influx of American slasher and splatter films in the latter 1970s period. Films such as Blood and Black Lace and Black Belly of a Tarantula are classified as early giallo due to their "distinctive characteristics" that will be explored in this essay.
The Three Here’s for Cooking The romantic comedy, Today’s Special, expressed the worries of Indian parents becoming at ease. Also, expressed the struggles a parent faces in search of a better life, the passion and dedication going unnoticed in the work field, and the connection between friends, a lover, and family. However, the film centered its attention more on the development of Samir’s “cold” cooking within the Indian food, with the help of Akbar. In addition, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry.
Barbie is tall, thin, has large hips and a large chest; she is beautiful, blonde, and she loves to shop; overall, Barbie is the feminine ideal. As researchers Jacqueline Urla and Alan Swedlund acknowledge, “little girls learn, among other things, about the crucial importance of their appearance to their personal happiness and to their ability to gain in favor with their friends” (1995:281). Gender roles are both centered around behavior as well as around bodies; this poses huge problems for transgender people, as well as explanations for transphobia; society has, for so long, accepted gender and sex to be synonymous. Because of this, a person whose gender is female and whose body is (rhetorically) male is a frightening and concerning deviant to most people’s understanding of the way in which gender exists. Everything that has to do with ideals for bodies leads to problems for transgender people; whether it is, as Urla and Swedlund also commented, that “...woman’s body was understood through the lens of her reproductive functions” (1995:287), or the general idea of “norms” for body proportions. When considering women’s bodies’ main purpose to be that of reproduction, it is apparent why the concept of transgender people may be concerning; transgender women -- that is, people, assigned male at birth but who live as women -- are women whose bodies cannot reproduce in the way that women are expected to; transgender men -- people assigned female at birth but who live as men -- may still have bodies which are viewed as useful mainly for their reproductive capabilities, but which they do not intend to acknowledge or use as such. When things stray so drastically from a norm which has long been accepted with minimal thought, onlookers panic that other norms will start to change as well. Straying from this norm also
Seidman, Steven, Nancy Fischer , and Chet Meeks. "Transsexual, transgender, and queer." New Sexuality Studies. North Carolina: Routledge, 2011. . Print.
Furthermore, the article clarifies that many transgender people experience a stage of identity development that aids in helping them better understanding their own self-image reflection, and expression. More specifically, they reach out to professional...
The article “What Makes a Woman” focuses on how transgender should not define a woman because they have not lived their whole lives as a women, have not gone through the struggles, complications and life experiences that women go through. The author also brings in the idea of women and men having different brains to support her argument. The author, Elinor Burkett, effectively uses the three appeals of logos, ethos and pathos to get across her message. The first appeal is ethos that mentions other people’s opinions. The second is pathos by showing Burkett’s emotions. And finally, the third appeal is logos, which includes data statistics.
In My Dangerous Desires, Amber Hollibaugh addresses how sexual liberation cannot be separated from race, class and sexuality. Hollibaugh was raised in a biracial, working class family. She grew up trying to find a place in the world for her mixed race, poor, female, femme, and lesbian self. However, as Hollibaugh’s knowledge of herself and society grew, it became evident that her quest for sexual liberation can not be separated from her economic and class struggles.
Mental health professional have tried to correct their ‘‘gender identity disorder’’ with brutal aversion therapies. Tran’s youth who came out often faced crises throughout their family and social systems. Once out, developing a sense of realness about their new gender became extremely important. An urgent need develops ‘‘to match one’s exterior with one’s interior’’ In ad...
Almost immediately we are faced with the conflict of everyday life for Brittany, and as she enters the main setting of the story and a place that should be a safe environment she is immediately besieged. The author, using simple diction, describes another morning at school for Brittany where we see how her classmates attack her verbally with derogatory terms such as “Dyke” and “Whore”(Erdly 253). Because of this and other more physical bullying we see a safe setting become a source of anxiety and fear, and instead of combating the problem the school district does nothing. In clearly understandable writing Erdely deciphers the situation and relates to us how the school district passed a regulation effectively stating that staff “shall remain neutral on matters regarding sexual orientation” (Erdely 264). Effectively preventing children in need of guidance and role models from reaching out. The author uses an easily relatable setting, common vernacular, a clear point of view and familiar events to highlight the issues in this essay. Those issues detail the conflict that LGBTQ children face from people that don’t empathize with them, and understand that just because of who they are doesn’t mean that they aren’t still children in
In the novel “Tangerine” by Edward Bloor, on page 269 he states “The Truth Shall Set You Free”. Some might be wondering “What does this mean?” Or “Why did Edward Bloor write this?”. Edward Bloor wrote this quote because in the novel “Tangerine”, Paul has been keeping lots of secrets in his life about Erik and since he moved to Lake Windsor he’s kept even more. Paul didn’t have the guts to say everything until Antoine Thomas said “The truth shall set you free”.
Gender Outlaws (Smith, 2010) breaks the laws of gender by defying gender normative rules that exclude trans, queer and other non-conforming gender expressions often oppressed by “gender-norming rules,” rules, “expected to observe” or be subject to ridicule and often times labeled as freak by those who consider themselves as normal (p. 28). A gender outlaw seeks to, redefine the notion of gender and are carving out spaces of their own” (p. 30).
Living life as a transgendered person is not easy. There are very few times when someone comes out as transgender and their lives are still relatively easy to manage. There are a copious...
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?