In Shakespeare’s Taming of the Shrew, the elements of farce are exemplified in terms of character, plot, and writing style. Although filled with farcical exaggeration, Shakespeare rises above farce and does not allow the physical abuse of Katherine that would normally appear in a pure farce such as Punch and Judy; rather, the farce is more verbal than physical. Even though Shakespeare does not develop his characters as mere farcical stock entities, he gives them human traits and is able to make the audience sympathize with Katherine. Taming of the Shrew, set as a play within a play, being put on for the characters in the Induction, was meant to be performed as a farce or a pleasant comedy, but if performed today I believe it would be most widely recognized as a romantic comedy. The stereotyped characters in The Taming of the Shrew are typical of a farce. Katherine is an outstanding example of a farcical character. Although stereotyped as a boisterous shrew, Katherine can be portrayed as a person needing sympathy due to Baptista’s favoritism. During a conversation with her father, Baptista, about Bianca, she remarks, “She is your treasure, she must have a husband: I must dance barefoot on her wedding day” (II.i.36-37). This makes it obvious that she believes Baptista favors Bianca over herself.
During the Induction scenes, we get a glimpse of what to expect during the rest of the play. The Induction focuses on how the Lord decides to portray drunkard Christopher Sly as a wealthy nobleman. The notion comes to mind that the entire play is, actually, a farce to poke fun at societal roles between men and women. Sly being found and transformed from a drunk into a nobleman symbolizes Petruchio transforming Katherine from a str...
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... The moon? The sun. It is not moonlight now.
Pet.
I say it is the moon that shines so bright.
Kat.
I know it is the sun that shines so bright.
Pet.
Now, by my mother’s son, and that’s myself,
It shall be moon, or star, or what I list
Or ere I journey to your father’s house. –
Go on, and fetch our horses back again –
Evermore crossed and crossed, nothing but crossed!
Hor.
Say as he says, or we shall never go.
Kat.
Forward, I pray, since we have come so far,
And be it moon, or sun, or what you please;
An if you please to call it a rush candle
Petruchio’s odd behaviors, when disgusted by his meal, show the use of action comedy. The comedy of physical appearance is exemplified when Petruchio arrives at his wedding hours late and foolishly dressed. These three literary elements prove that Shakespeare’s Taming of the Shrew is a farce.
Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’
Petruchio physically asks her to sit on his lap “come sit on me” in a
...bethan era and Shakespeare’s perspective on women. One might assume that women were greatly respected because of Queen Elizabeth rule of England. Others can think that Shakespeare did not respect women because of how they were treated in Taming of the Shrew. In Shakespeare’s time, he wrote his plays to reflect the morals on how women were seen as lower-rank to men. He agrees with those beliefs by having women be obedient to their husbands. Some people believe that Shakespeare resented the morals towards women because the women were outspoken in their character roles. They fail to notice how Katherine is undisciplined, but by the end Katherine’s act becomes very devoted to her husband Petruchio. The literature shows that even after a 100 years, women’s position in society may have improved, but the attitude towards their dominance is the same as the Elizabethan era.
Taming of the Shrew, had a great story line, which can be related to several movies that exist today i.e. Othello, 10 Things I Hate about You, and The Lion King. In William Shakespeare's play, The Taming of the Shrew, the shrew played by Katherine, had a terrible perspective on life and just about everything else. Her negativity was caused by her younger, more pulchritudinous sister Bianca. Bianca wanted to get espoused. She had all of the men's hearts, Katherine retained none. If Katherine got espoused then Bianca could get espoused. She authentically was a shrew who needed to be tamed.
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
Katherine and Bianca in The Taming of the Shrew. & nbsp; The Taming of the Shrew brings out the comedic side of Shakespeare. where irony and puns carry the play throughout. In my paper, I will. concentrate on the irony of the play, the introduction of the two. sisters. These two sisters begin off with the elder, Katherine, viewed as. a shrew, and Bianca as the angelic younger of the two. However, as the play proceeds, we begin to see the true sides of the two sisters and their roles totally turn around. I will try to analyze the method in which Shakespeare introduces the two sisters and how he hints at their true identity.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
Garner, Shirley Nelson. “The Taming of the Shrew:Inside or Outside of the Joke?” “Bad” Shakespeare: Revaluations of the Shakespeare Canon. Dickinson: Farleigh Dickinson U P, 1988. 105-19. Rpt. in Shakespeare for Students. Ed. Catherine C. Dominic. Detroit: Gale, 1997. 374-78. Print.
The first Shakespeare play which Zeffirelli adopted to the cinema, The Taming of the Shrew, deals with the theme of gender roles. In a grander scale the play explores the behavior expectations of males and females both in society at large and within a domestic relationship. For many years, most critics agreed that the heart of the play suggested male domination and female submission, especially to the authority of their husbands, as the accepted male-female dynamic. This view went unchanged for many years and audiences widely accepted Petruchio's “taming” of Katherina as politically correct.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
In Shakespeare's The Taming of the Shrew the elements of farce are exemplified in terms of character, plot, and writing style. The stereotyped characters in The Taming of the Shrew are typical of a farce. Katherina is an outstanding example of a farcical character. Katherina, although stereotyped as a boisterous shrew, can be portrayed as a person needing sympathy due to Baptista's favoritism. The quote, "She is your treasure, she must have a husband: I must dance barefoot on her wedding day…" (A. II S. 1 L. 36-37), makes it obvious that Baptista favors Bianca. In terms of plot, Shakespeare devises the plot to resemble a situation comedy. Although the subplot is more romantic, both the subplot and the main plot revolve around the principle of a favoristic father who is outwitted by his child and her lover.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight for equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives, such as Lady Macbeth. She is an honest, bright, independent woman.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.