Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Art and its impact on society
Art and its impact on society
Modern art history essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Art and its impact on society
True talent is dead. Unlike our ¬founding fathers in the Renaissance Fair period, art today is nothing but painting a rock purple and calling it art (Vindicated). Artists such as Michelangelo, Leonardo da Vinci, and Raffaello Sanzio were considered masters of the art. They produced such exquisite paintings that would take them an eternity with just a simple paint brush and the detail that goes with it is just breathtaking. Today, a painting would take a measly day or two with minimum detail and not a whole lot of care. How long did the Mona Lisa take? Considering that Leonardo da Vinci hasn’t technically finished it, seven years. How long does it take to create/recreate pop art? Few measly hours. Modern art does not require talent because of technological advances such as software programs, website, and lack of originality.
Society labels this generation as the “Internet Generation,” so it is quite fitting that every single thing we do requires technology. Watch the kids? There is an app for that. It seems like everything we do is in either on the computer and/or smartphone. With technological advances, there are so many ways to manipulate artworks. Photoshop is one of the most well-known photo manipulation software out there. It allows the ‘artist’ to easily create ‘art’. With tools such as the blend tool, eraser tool, layer mask, etc. it has never been easier to fake art. Modern art is just based on how much knowledge the ‘artist’ has on software programs such as Photoshop. People may argue that using Photoshop does require talent and a whole lot of time. Yes, it does take up several hours and yes it does require some extent of talent. However, it does not even compare to the time and talent that true artists like Michelangelo...
... middle of paper ...
...elopment/Publications/Educator-Feb-10/Meet-Generation-Z.aspx>.
"Michelangelo - The Sistine Chapel Ceiling." Art History Resources for Students, Enthusiasts, Artists and Educators - Artist Biographies - Art Timelines - Images and Picture Galleries. Web. 18 Sept. 2011. .
"Box-Happy: Recyling Templates in Modern Day Movie Art." ConFluence Film Blog. May 2009. Web. 18 Sept. 2011. .
"Art: Traditional vs. Digital." Vindicated. 13 Nov. 2007. Web. 18 Sept. 2011. .
Webb, Cyndi. "Where Has All the Originality Gone?" Evancarmichael.com. Web. 4 Oct. 2011. .
According to Tocqueville in aristocratic times the purpose of creating the arts was to produce the best artwork spending a great amount of time on it perfecting it and selling it for a high price. However, in today’s society the way to get rich is to sell your artwork for a cheaper price by manufacturing more quantity but with cheaper materials less in value, reproducing the artwork quicker and cheaper. Today all ranks of people can afford to buy a replicated artwork, which can easily be mistaken for the real thing. They are so highly perfected it is hard to tell apart what is original and what is not. They are many artistes today however; the quality of the production has
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
In April 1508 Pope Julius II hired Michelangelo to paint the ceiling of the Sistine Chapel (McNeese 87). The Sistine Chapel was where major papal ceremonies took place (Summers 11). Although Julius II just wanted Michelangelo to paint the ceiling of the chapel Michelangelo had bigger ideas. By 1513, Michelangelo had around 340 figures on the ceiling of the chapel.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
Rabiger, Michael, Mick Hurbis-Cherrier, and Gustavo Mercado. Directing Film Techniques and Aesthetics. Burlington (MA): Focal, 2013. Print.
In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
...reat talents of artists like Leonardo da Vinci, Michelangelo, Raphael and many more. We don’t see the type of art that was done during the Renaissance in today’s world. Art has given us the opportunity to almost go back in time, to see people’s emotions and feelings and how events happening in the world just by looking at an artists masterpiece.
Cinema Journal 48.1 (2008): 27-50. Project MUSE. Web. The Web.
Virtual art is the product of long-standing traditions in art merged with revolutionary technological advances. With innovations emerging almost as fast as end-users can test and master new systems, technology has dramatically altered our daily lives and changed our thought processes. Like many technological advances, virtual and cyber realities have been embraced, and often created by, artists that experiment with the myriad of possibilities that technology can offer. While there have been many works of art inspired and created by means of digital advances, the medium has yet to be defined and its boundaries have not yet been identified. Since technology and virtual art are just beginning to be explored, the medium is in its infancy and thus cannot be judged based upon traditional mores of art. Before virtual art can achieve prominence and respect within the art world, many barriers of tradition must first be abolished.
For thousands of years human beings have created art. Whether it takes the form of pictures, sculptures, or other any other type of object, it has always been something thought to be particularly beautiful by the people of the culture that created it. However, for much of history these items were also meant to serve a practical purpose. From decorative bowls and clothing to illuminated manuscripts and illustrative murals, much early art was meant to serve a utilitarian as well as aesthetic purpose, feeding, clothing and educating those privileged enough to use it. As late as the middle ages painters were considered craftsmen, similar to those of any other trade, and in fact in some cultures this trend continues even today. It was not until the Renaissance that the idea of "art for arts sake" became acceptable in most Western creative circles.
Michelangelo was so outstanding in his craft that he was called Divine. However, his father believed his son would not amount to anything more than a stone-cutter. This remark was constantly on Michelangelo’s mind and as a result he often signed his work “Michelangelo the stone cutter.” His most famous work is the painting of the Sistine Chapel in St. Peter’s Church in Rome. The Ceiling depicts nine scenes from the book of Genesis and took 4 years to paint under the most difficult of conditions. He was fascinated with the problems of representing the human body and dedicated himself completely to mastering it which lends itself to his most famous sculptor of the statue of David. (“High Renaissance”) Other works include The Last Judgment and
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.