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T. S. Eliot's The Waste Land: Summary & Analysis
Text of the wasteland by eliot
Text of the wasteland by eliot
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Recommended: T. S. Eliot's The Waste Land: Summary & Analysis
Throughout Thomas Stearns Eliot's poems run Christian
themes and values that evoke a critical view of society.
Though he published relatively little compared to other
poets of his caliber, he has been recognized as both a poet
and a critic. He himself has been criticized for "unnecessary
obscurity" and for "authorian severity" (Bradley, 1163).
Throughout his poems and other works, he professes a
distinct critique upon society due mainly because of his
belief that Christianity should play a major role in life. In his
poems, Christian beliefs remain in a reoccurring aspect that
reflect his social criticism and his own Christian convictions.
As Eliot began to become financially stable and secure, he
began to look for spiritual outlets to arrive at. This outlet
was that of England's Established Church. Eliot began
keeping a Christian ethical outlook of life. Irving Babbit, a
Harvard professor, also attracted Eliot to the study of
philosophy. Eliot was baptized under the church of England
at the age of thirty-nine and began his literary crusade to
promote Christianity. In 1922, one of Eliot's major works
of modern literature was published. "The Wasteland", full of
images of despair and death is clearly an expression of
Eliot's religious beliefs. At this time during the 1920's, "the
Wasteland" appealed to young intellectual minds because
of the tone it symbolized. It was the post-war period and
Eliot's main focus in "The Wasteland" was the failure of the
Western civilization which World War II seemed to
demonstrate. Gertrude Stein called this period the "lost
generation". Ever since "The Wasteland" portrayed the
feelings of despair of the lost generation, Eliot has been
critical of Western civilization. In 1939, he was quoted as
saying, "And it does not require a Christian attitude to
perceive that the modern system of society has a great that
in it is that inherently bad" (Criterion, 115). The things that
were "inherently bad", Eliot suggested to remove and
replace it with Christian values. In " The Wasteland", he
arrives with his criticism in an appropriate emphasis on
sensitivity and imagery that provokes the reader to feel a
deeper emotion and even a religious reaction. Eliot defends
this method of delivering his poetry by...
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...negation,
moral recovery, resurgent faith, need of grace and renewal
toward both world and God" (Williamson, 184). "Ash
Wednesday" marks the developments of the speakers
emotional relations to God and to the world. It is a
meditated reflection that shows the progress of a Christian
mystic. "Eliot was always a religious poet" (Ranson. 133)
who tried to provoke religious aspects into his readers.
Eliot's criticism of the fall of Western Civilization due mainly
because of World War II, was filled with the remarks that
Christianity should play a vital role in life. He believed that
the church should dominate the entire life of an entire
society. To this he says: The church is not merely for the
elect- in other words, those whose temperament brings
them to that belief and behavior. Nor does it allow us to be
Christian in some social relations and non-Christian in
others. It wants everybody, and it wants each individual as
a whole. It therefore must struggle for a condition of society
which will give the maximum of opportunity for us to lead
wholly Christian lives and the maximum of opportunity for
others to become Christian. (Criterion, 246)
In the book’s introduction, Walter Rauschenbusch has written “It follows that the relation between Christianity and social crisis is one of the most pressing questions for all intelligent men who realize the power of religion, and most of all the religious leaders of the people who give direction to the forces of religion” .
In Eliot’s text, he lists some of the laws the Indians created for their town. Interestingly, the laws are representative of the English colonists’ laws and also of biblical laws. For example, one law Eliot recorded states, “If any unmarried man shall lie with a young woman unmarried, he shall pay 20s.” As read, the Indians created a law based on the bible commandant of adultery. Another reason Eliot pushed for a town government and legal system was because law established order and discipline among the Indians. This order and discipline was a crucial element of being a Christian in the Puritans eyes, because without order and discipline one could not be a true disciple of God. A final element of Indian civilization Eliot believed to be essential to Christianity was
The pressure sets in as grains of sand erratically flutter through the hourglass. Exactly thirteen-seconds remain until the next opponent gets a chance to strike the buzzer and enunciate their answer. The difference between throwing in the towel and voicing an opinion separates gaining no money, or accepting a copious amount of cash. Seconds dwindle away until the competitor overcomes her fear of verbalizing her thoughts and proudly opens her clenched jaw to reveal the correct answer. This change over a period of time symbolizes turning from a realist to a romantic thinker, not afraid to separate themselves from the uniform and brainwashed world of individuals tentative to say what is needed to say. Such an individual is Todd Anderson, a young scholar attending Welton Academy in the move Dead Poets Society. Like minuscule grains of sand fluttering through an hourglass, Todd starts his journey at Welton a misunderstood adolescent, but soon sheds the layers of fear from his back, and changes into a courageous man with a bright future ahead of him.
Eliot, T.S. The wasteland. In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1447-1463.
"The boundaries which divide Life and Death are at best shadowy and vague. Who shall say where one ends, and where the other begins?" Edgar Allan Poe, The Premature Burial (Bartlett, 642). To venture into the world of Edgar Allan Poe is to embark on a journey to a land filled with perversities of the mind, soul, and body. The joyless existence carved out by his writings is one of lost love, mental anguish, and the premature withering of his subjects. Poe wrote in a style that characterized the sufferings he endured throughout in his pitiful life. From the death of his parents while he was still a child, to the repeated frailty of his love life, to the neuroses of his later years, his life was a ceaseless continuum of one mind-warping tragedy after another.
Edgar Allan Poe was born at 33 Hollis Street, Boston, Massachusetts, on January 19, 1809. Poe’s parents were struggling actors. His father deserted him, and his mother died of tuberculosis when he was three years old. Young Edgar was taken in by a wealthy tobacco exporter by the name of John Allan, from whom he took his middle name. Most of his early life was lived in Richmond, Virginia, with the exception of a five-year period when the Allan family lived in England. His life in England was described as rather uneventful. Poe, even in his early years, had a proficiency for writing poetry. When he moved back to Virginia, Poe grew attached to young girl in his neighborhood named Sarah Royster. They frequently visited, where they sang songs and drew pictures. They were secretly engaged at the time, although their intentions were not made known to the adults of either household (Allen 9).
Edgar Allen Poe Edgar Allen Poe's life was bombarded with misery, financial problems, and death but he still managed to become a world-renowned writer. Although he attended the most prestigious of schools he was often looked over as a writer and poet during his career. His stories were odd and misunderstood during their time. However, now they are loved a read by millions.
Williamson, George. A Reader's Guide to T.S. Eliot; a Poem by Poem Analysis. New York:
In order to accomplish this goal Eliot incorporated allusions into his work. These references added historical context and depth to his poetry. On the other hand Wallace Stevens opposed Eliot’s large reliance on allusion, calling it overly intellectual and a hindrance to the sound and rhythm of the poem. While Stevens’s portrayal of the desolate present was similar to Eliot’s imaginings, Stevens chose to focus on an American future rather than a European past.
Modernist Poet. "T.S. Eliot | Christian History." T.S. Eliot | Christian History. N.p., 8 Sept. 2008. Web. 31 Jan. 2014.
But the prevailing of his contradictions involves two major themes in his poetry: history and faith. He was, in his life, a self-described "Anglo-Catholic," but was raised a Midwestern Unitarian in St. Louis. Eliot biographer Peter Ackroyd describes the religion of Eliot's ancestors as "a faith [that] reside[s] in the Church, the City, and the University since it is a faith primarily of social intent, and concerned with the nature of moral obligations within a society. It place[s] its trust in good works, in reverence for authority and the institutions of authority, in public service, in thrift, and in success" (18). It is through Eliot's insistence of these "moral obligations" that his didactic poetry gives us a glimpse of both his outwardly rejected faith and his inability to shun its tenets. He becomes, through his greatest poetry, a professor of that which he supposedly does not believe.
T.S. Eliot’s “The Waste Land” offers an interpretation of the modern world that on one hand underscores the disillusionment of the future in a world that is fragmented and bare, and on the other hand, presents a case for recognizing freedom and meaning in the “heap of broken images” that make up the modern climate. The opening segment “The Burial of the Dead” looks toward a future that is composed of fragments and paradox. The fragments in the waste land that is presented are that of memory. More specifically, the fragments represent a failure in the human condition to connect memories of the past to those of the present in a way that is hopeful and inspiring. Jewel Spears Brooker and Joseph Bentley present this concept in Reading the Waste Land: Modernism and the Limits of Interpretation. Here they describe a waste land in which “She [Marie] perceives the dualistic and paradoxical present as cruel because, in remembering the past and intuiting the future, sh...
T.S. Eliot’s poems are mainly what got him famous. When “Murder In The Cathedral” was out there was a reviewer That actually said, “it may well mark a turning point in English drama.” When his poem, “The Waste Land”, got published he won a two thousand dial award. In 1954 he got the Hanseatic Goethe prize; Confidential Clerk. Two years later he got to lecture an audience of fourteen thousand people at the University of Minnesota.
The poets shared more than a disbelief in the goodness of man's nature, they also both had religious experiences that colored their thoughts. Eliot was an atheist at the start of his life, and converted to Christianity, coming to believe in it fervently. Eliot also toyed with Buddhism during one stage of his writing "The Wasteland" (Southam 132). Yeats, on the other hand, grew up a practicing Christian and by the time he wrote "The Second Coming" was forming his own personal philosophy founded on an accumulation of everything "[he] had read, thought, experienced, and written over many years" (Harrison. 1). His philosophy, therefore, included Christianity as a factor in his life, but not nearly as significant a factor as in Eliot's life. Because of the importance of religion in both of their lives, Yeats and Eliot used many mythological and religious allusions in their poems. While both poets shared a disenchantment in the nature of man, their varying religions made them see different outcomes on mankind's horizon. Eliot saw the future as redeemable, while Yeats believed it could onl...
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.