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Individual identity in literature
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Synge’s Playboy of the Western World
In The Playboy of the Western World, several aspects of human
relationships can be identified and these aspects can be studied
according to the factors tha influence human relationships. The
influencing factors predominant in this play are the perception of
self and others; whether the relationship is built up on honesty and
reality or deception, fantasy and story telling; and if a person
allows a second party to develop their character without influencing
it with their expectations of the person’s personality and their own
personal ideas of what the relationship ought to be.
Let us firstly look at how perceptions of oneself and other people
affect human relationships and examples of how this is expressed. If
we look, in particular at Christy’s character, we can see how the
perception of others influences his perception of himself, and
therefore, we observe that the relationship he has with Old Mahon, his
father, is very different to that he has with the people of Mayo. This
is because Old Mahon perceived Christy as “the fool of men” with
everyone mocking him and making fun of him and Christy unable to
handle tobacco and alcohol. As Christy was perceived as “the fool of
men” he acted the character the people there thought him to be. Also,
in his interactions with women Christy was said to, “if see a red
petticoat coming… he’d be off to hide in the sticks.”
However, when Christy reaches the village of Mayo, he is constantly
flattered by the people he meets there as they perceive him to be a
hero. The flattery he receives fuels his confidence and he begins to
consider himself as the playboy that Mayo villagers see him to be. In
contrast to his former character, h...
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...what the second party
want the character relationships to be. For example, Pegeen wanted a
romantic and brave poet for a partner and Christy who wanted to be
Pegeen’s partner made himself into what she wanted him to be; she and
the other villagers wanted a hero and Christy wanted to be a hero. We
can see that the saying although somewhat clichéd becomes relevant
here “easy come easy go.” Christy, at first seemed to fit the role of
a hero and the villagers of Mayo seized that idea quickly and created
a hero out of him. Christy, now with an inflated ego, continued to
lead the people to believe he was a hero which they happily accepted
although they had little evidence of his claim, except his physical
prowess in the sports games. When they discovered that Christy had
lied about slaying his da they turned on him as quickly as they had
turned him into a hero.
The relationship between male and females within literary works can be expressed in a variety of different ways. Often times, gender roles are solidified to present the man as a dominant and overpowering figure, where the woman is seen as nurturing and are many times objectified due to this nature. In “Poof”, the reader is presented with an example of a woman who is ‘too accepting’ and ‘too giving’ to her male spouse, where as in “Good and Gone”, a male protagonist shatters the dominating nature of the standardized gender roles by loving a woman based off of common interest, not based off of submissive nature. Comparing these two protagonists of both plays, the writers, EP3C and Lynn Nottage, present a duality of dramatic effects by either
”The History of Sexuality” is a three-volumes book, published around 1976 and 1984 by the french historical philosopher Michel Foucault. The three volumes are “An Introduction” (which later is known also as “The Will of Knowledge”), “The Use of the Self” and “The Care of the Self”.
Masculinity in itself is very diverse and varies according to each culture and each person. In China, masculinity has traditionally been very different than Western masculinity. Where Western masculinity is known for being very macho and tough, Chinese masculinity has consistently been much more feminine when compared to the Western’s. Chinese masculinity traditionally has always had a very soft aspect to it, however as China continues to change as a nation, it is slowly beginning to alter their normal definition of what it means to ‘be a man’.
Contrastingly, Mrs. Darling, his wife, is portrayed as a romantic, maternal character. She is a “lovely lady”, who had many suitors yet was “won” by Mr. Darling, who got to her first. However, she is a multifaceted character because her mind is described “like the tiny boxes, one within the other, that come from the puzzling East”, suggesting that she is, to some extent, an enigma to the other characters, especially Mr. Darling. As well as this, she exemplifies the characteristics of a “perfect mother”. She puts everything in order, including her children’s minds, which is a metaphor for the morals and ethics that she instils in them. Although ...
In Chapter 5, Covering America, Christopher Daly, delves into the history of journalism and discusses the various changes over time. These changes can be referred to as, Yellow Journalism and new journalism. Yellow Journalism is primarily based on exaggerations and sensationalism. Both Pulitzer and Hearst used rash headlines in order to sell more papers, if an effort to convince the public that the sinking of the USS Maine was done by the Spanish. Although, Yellow Journalism shocked its reader, it was not the only style of journalism. The penny press allowed for the creation of New Journalism.
Giving more insights about how racist ideologies are born or even transmitted from one generation to another is probably the main mission of this movie. This is definitely a movie about racism which does not follow the traditional way Hollywood has of showing the victim’s side of the story. The audience of this movie will be attached, this time, to the racist’s point of view, thanks to the help various film elements and a literary design that are used to force the viewer to empathize and maybe even like the hero/bad guy of the story.
Judgment is necessary for the self-preservation of humans solely when applied with original intent; however, overused and abused, judgment can mutate into prejudice. Frequently, openly addressing the issues of prejudice is more effective than suppressing it, facilitating optimum understanding while enabling capacity for change. Successfully employed, satire may enlighten hearts and minds to the ridiculousness of prejudice, while opportunely comical. Humorously, Alison exhibits loquaciousness, manipulation, sexual incontinence, indecisiveness, deceitfulness, and countless additional stereotypes in the prologue and tale, while she clarifies that sovereignty over husbands is the exclusive womanly desire. Auspiciously, Geoffrey Chaucer’s theme illustrates the absurdity of female stereotypes by utilizing satirical expression, ironically upholding the irrational presence of misogynistic
Tracy’s identity development is heavily influenced by her new friendship with Evie from that moment on. Evie is so popular, but she makes very poor choices and Tracy follows her lead because she wants to seem just as “cool” as her new companion. This is a type of peer pressure that affects many teenagers daily.... ... middle of paper ... ...
In Anatomy of Criticism, author Northrop Frye writes of the low mimetic tragic hero and the society in which this hero is a victim. He introduces the concept of pathos saying it “is the study of the isolated mind, the story of how someone recognizably like ourselves is broken by a conflict between the inner and outer world, between imaginative reality and the sort of reality that is established by a social consensus” (Frye 39). The hero of Hannah W. Foster’s novel, The Coquette undoubtedly suffers the fate of these afore mentioned opposing ideals. In her inability to confine her imagination to the acceptable definitions of early American female social behavior, Eliza Wharton falls victim to the ambiguity of her society’s sentiments of women’s roles. Because she attempts to claim the freedom her society superficially advocates, she is condemned as a coquette and suffers the consequences of exercising an independent mind. Yet, Eliza does not stand alone in her position as a pathetic figure. Her lover, Major Sanford -- who is often considered the villain of the novel -- also is constrained by societal expectations and definitions of American men and their ambition. Though Sanford conveys an honest desire to make Eliza his wife, society encourages marriage as a connection in order to advance socially and to secure a fortune. Sanford, in contrast to Eliza, suffers as a result of adhering to social expectations of a male’s role. While Eliza suffers because she lives her life outside of her social categorization and Sanford falls because he attempts to maneuver and manipulate the system in which he lives, both are victims of an imperfect, developing, American society.
There is no such thing as a less superior race or the other because even though we are created differently as man and woman, we are still created equally, of which we deserve to be given equal opportunities in order to attain our full competence as human beings. In time, with the growing feminist movements striving for gender equality, women will no longer be seen and treated as the weaker gender and being a man will no longer be the norm anymore. Society will learn to accept how women are created with their own set of capabilities and their contributions as both men and women are needed in society because characteristics that are lacking in men are said to be present in women and vice a versa. We need one another as we are created for a purpose to complement one another and to continue on improving society for the better.
When the colonies broke from Britain their society was still built on the traditional ideas of Britain. As America grew and adapted their culture needed to do the same. In the 19th century the Market revolution, transcendentalist thinking, and the Second great awaking started the change to new thinking. As you look at the changes shown in these articles you see that popular culture and high culture are put together by disposing of traditional views, making what was considered high culture available to others, and in allowing new ideas to be expressed in reforms. This new American culture shows the belief in this period of individual freedom and how important it was to helping America develop.
Thackeray's theory of characterization proceeds generally on the assumption that the acts of men and women are directed not by principle, but by instincts, selfish or amiable--that toleration of human weakness is possible only by lowering the standard of human capacity and obligation--and that the preliminary condition of an accurate knowledge of human character is distrust of ideals and repudiation of patterns. This view is narrow, and by no means covers all the facts of history and human life, but what relative truth it has is splendidly illustrated in Vanity Fair. There is not a person in the book who excites the reader's respect, and not one who fails to excite his interest. The morbid quickness of the author's perceptions of the selfish element, even in his few amiable characters, is a constant source of surprise. The novel not only has no hero, but implies the non-existence of heroism. Yet the fascination of the book is indisputable, and it is due to a variety of causes besides its mere exhibition of the worldly side of life.
Newswriting, as it exists today, began with the adoption of the telegraph, which roughly coincided with the start of the American Civil War. The necessity of getting at story through before the telegraph’s occasional malfunction forced a radical change in the style of writing used in reporting. Before the telegraph, much of writing news was just that: writing. News was reported much like books were written. The reporter would set the scene with a detailed account of the setting or the mood and tell the tale just like any other narrative that one might read simply for pleasure. Since the telegraph made it possible for news to be printed the day after it happened; it was immediately adopted as the preferred method of getting news to the newsroom. Occasionally, however, the telegraph line would go down. Often this happened during a transmission, and the remainder of the message could not be sent until the line was repaired. Since a detailed description of the setting and the mood are useless without the actual piece of news, the system of writing, now known as the inverted pyramid, in which the most important items are written first in a concise manner, was born. The inverted pyramid system, born of necessity, was absorbed into newswriting over the proceeding century, and exists today as the standard style for reporting news.
In the play, Mrs. Alving, the protagonist, is confronted with problems regarding her past and moral standards, and how those problems greatly affect her in the present. Mrs. Alving was to be a dutiful mother and wife, but she had an unhappy marriage since her husband, a well respected figure in his community, philandered with other women throughout their marriage. Mrs. Alving didn’t want to live with her womanizing husband, and left him. She ran away to her minister, Pastor Manders, whom she was in love with at the time, but was sent home by him, reminding her of her wife duties, and that he, as a minister, needed to protect his reputation. Pastor Manders is a stereotypic person, for this reason, he neglected Mrs. Alving’s problem because he believes that a wife’s duty is not to be her husband’s judge, and told her to stay with her husband instead to, hopefully, change their love for each other. With this in mind, Pastor Manders’ clerical status in the play, at the same time, contradicts Mrs. Alving’s moral standards in her marriage. Although Mrs. Alving complied with Pastor Manders’ advice, Mr. Alving’s philandering did not cease until his death. In addition, Regina, the servant of the Alving estate, is the illegitimate child of Mr. Alving and Mrs. Alving’s former maid, Joana. Regina does not know her originality since she was adopted by Jacob Engstrand, a carpenter, who lat...
... men in the story are portrayed, exhibits the degradation of the value of the self-expression of a woman.