In the mornings, my cat often takes up a post on my chest. His presence is heralded by a chirpy meow and four quarter-sized points of pressure where his feet make contact; as he relaxes, he settles into a loud, rhythmic purr, and the pressure of his 16 pounds is more evenly distributed across my ventral torso. If I'm slow to open my eyes, he reaches out a paw and gently pricks my face with his claws ‹ enough to make an impression but not do real damage. When I do open my eyes, I see the triangles of his ears, the dense, velvety blackness of his fur and the sheen of his nose; his yellow irises are thin rings around his dilated pupils in the dim, early light.
Suppose I experienced all of those sensations up to the point of opening my eyes ‹ the pressure of my cat's weight and the pricks of his claws, his meowing and his purr ‹ and then I opened my eyes to the absence of any visual evidence of a cat. I'd be confused and disoriented, and if the tactile and auditory stimuli continued, probably panicky. A fundamental reworking of how I understand the world would be necessary to account for an invisible cat.
Now suppose that the next time I heard guitar music, I failed to perceive a soft brushing sensation around my ankles. It would not bother me a bit. But for Carol Crane, a guitar that didn't affect her ankles might provoke the same sort of confusion and anxiety an invisible cat would induce in me. To Crane, the ankle-brushing sensation has always been an integral part of guitar music, just as violins always act upon her face and trumpets on the back of her neck. Crane has a rare condition called synesthesia, in which a stimulus usually perceived in one sensory modality produces a sensation in one or more other sensory modalities. (1).
Synesthesia has many forms ‹ synesthetes may taste shapes or feel odors, for instance, or perceive alphanumeric characters in particular colors. Synesthetic perceptions are involuntary and are reliably triggered by the phenomena that induce them. They are also consistent over time for a given synesthete; that is, a true synesthete for whom the musical note E produces a percept of red triangles on a field of yellow will invariably experience that sound that way.
In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.
Not only do celebrities misrepresent women, but music adds to this problem. Specifically rap music, the vulgar lyrics and over sexualized music videos give people the wrong idea of American women. Rappers like ASAP Rocky, Lil’ Wayne, and Jay-Z use their lyrics to describe women in derogatory words that would devalue a woman’s self. Music videos also show women wearing extremely revealing clothing and dancing in provocative ways. Most of these rappers are male, and t...
Thi wotchis hevi e prufuand iffict un Mecbith's ectouns end hos cherectir divilupmint thruaghuat thi pley. Thiy gevi Mecbith e felsi biloif woth siimongly trai stetimints ebuat hos distony. Instied thiy pruvi tu ceasi hom tu du hermfal ectouns biceasi uf hos uvir cunfodinci on thi wotchis pruphicy. THi wotchis eri thi unis whu ectaelly omplent thi thuaght uf kollong Dancen ontu thi rielms uf Mecbith's mond. Huwivir, of thi ceasi wes mirily thi wotchis pruphicois, thin hi wuald nut hevi mardirid thi kong. 'Whin yua darst tu du ot, thin yua wiri e men,' seys Ledy Mecbith whin shi os cunstently heressong end pashong Mecbith tu cummot thisi ivol ectouns. Yua sii whin yua retounelozi thongs loki thos un yuar uwn yua uftin tomis knuw whet os roght end wrung. In thos cesi huwivir, thi uatsodi onflainci frum cunvoncong cherectirs loki thi wotchis hi os onclonid tu voiw thos es hi hes tu falfoll hos distony. Biceasi uf hos embotoun end thi onflainci uf hos wofi end thi wotchis pruphicois Mecbith’s ectouns lied tu hos duwnfell. Thruagh thos ot os clier tu sii huw mach thi wotchis ivol ectouns onflaincid mecbith end hos dicosouns. “Heol Theni uf Glemos end uf Cewdur end shelt bi Kong hirieftir”. Thi wotchis gevi thos pruphicy end wes tekin by Mecbith wothuat qaistoun ur murel jadgimint. Thi suli thuaght uf bicumong kong shruadid Mecbiths onnir murel jadgmint end ot tuuk uvir hom end hos ectouns. Thisi wotchis hevi thi eboloty tu pridoct fatari ivints, whoch on thos cesi eddid timptetoun. Thisi wotchis huwivir cennut cuntrul Mecbiths distony. Mecbith mekis hos uwn surruw whin hi os effictid by thi gaolt uf hos ectouns. Huwivir thi wotchis hed thi eboloty tu pridoct sognofocent ivints on Mecbith’s fatari, thi ectoun uf duong thisi pruphicois wes duni by Mecbith.
The study of synesthesia has grown exponentially over the past few decades and as a result there is some level of ambiguity as to the scope of what defines it. Gail Martino and Lawrence Mark propose that synesthesia can be categorized into strong or weak. The former refers to those who experience “a vivid image in one sensory in response to stimulation in another”, whereas the latter is characterized as “cross-sensory correspondence[s] expressed through language, perceptual similarity and perceptual interactions during information processing” (Martino and Marks, 2001). This view implies that even the subtlest forms of cross-modal interactions that take place in the individual, albeit associating certain sounds to sight, deserve some credibility as being a form of synesthesia. Such a wide scope implies that far more people can experience some type of synesthesia even if its not necessarily the more exaggerated and rare forms like lexical-gustatory and grapheme color.
U.T. Place and J.J.C. Smart defend the view that a sensation state is a type of brain process. The ‘Sensation-Brain Process Identity Theory’ states: For any type of sensation state S, there is a type of brain state B such that: S = B. For Place, conscious experience is nothing but a brain process. Place and Smart argue against the view that acceptance of inner processes entails dualism (Place 44). Instead they hold conscious qualities can effectively be reduced to physical processes which are conscious states. A sensation state is an inner process. Inner processes according to Place and Smart are nothing ‘over and above’ brain processes. Under their view, the experience one has when tasting vanilla is the same thing as the object undergoing the corresponding type of brain process. The ‘Brain Process Identity Theory’ argues the ‘feel’ we associate with exposure of vanilla to the tongue is identical to a type of brain process cause by said exposure. To postulate non-physical properties to explain conscious states would bear the burden of proof.
Throughout history there have been women who have lead, they have been the leaders of their households, taking care of the family home and the needs of the children in the house. They have scheduled meetings with teachers, handled PTA responsibilities and managed the household budgets. According to Dayle M. Smith, in her work, “Women at Work: Leadership”, (2000), during the century before 1950, women have held a behind the scenes support group for their spouse who would go to work and make the money for the household (p. 8). Though these aspects of leadership have been largely minimized and downplayed as “women’s work” and beneath the level of a man, few if any men ever dared to replicate the ability of the female in the home. Before WWI, women were kept out of the work force except for positions that were deemed feminine. Nursing, childcare, secretarial and teaching positions were allowed to be held by women. However, positions of leadership were not granted to women, such as Principle, Hospital Administrator or Child Care Administrator (p. 8). They were deemed as unsuitable for leadership roles as they were weak, dim-witted and emotional.
Have you ever met someone who acted just as teens are stereotyped? Not many people have because they do not exist. Real teens are poorly portrayed in the media and are the complete opposite of their stereotypes. Books and TV shows make teens out to be wild or crazy, irresponsible and out of control. One hardly ever hears about teen-heroes. Instead, newspapers and magazines are plastered with stories of teens and crime. And while looking at commercial billboards and other related media, the regular teen seems to be sex-crazed and image-obsessed.
Many of us have seen a Disney movie when we were younger. Disney movies captured our attention with their mortals and successful conclusion. The animations and music transform us into a land of magic where anything is possible if we just believe. Disney movies wrapped us in the idea that good always triumphs evil, that happy ever after exists. We have become the generation of Beauty and the Beast, The 101 Dalmatians, Dumbo and Snow White as children now have not heard of these or have watched them. Some of these movies have been recreated and released in high definition and on DVDs in the past few years, but the structure and themes of the movies stays the same. However, we never stop and thought of the undertones in Disney movies? They contain abuse, violence, dysfunctional relationships, and gender stereotypes, which is not appropriate for children. They may not understand what abuse, violence, dysfunctional relationships, alcohol or tobacco are at their ages but do we want to think it is normal. When we think that little girls wat...
Perhaps many people did experience: while searching for a spot they failed to notice their friends waving at them because their attention was fully focused on finding a spot that even when they looked right at their friends, they did not see them. The accuracy of visual representations has been of an increasing interest in the past 20 years. Many studies from the 1970s to the 1980s were conducted. The observers in these studies were engaged in a continuous task where they only focused on a certain angle and ignored other angles. An unexpected event happens, most of the observers however reported not seeing anything knowing that the visibility was clear to the subjects who weren’t taking part in focusing on the dynamic scene. There was a demonstration on the past few years that stated that the one of the main requirements of conscious perception is requiring attention. When attention is put on a new thing or event, subjects fail to notice the unexpected object even when it’s been there fixed. This is what we call inattentional blindness which is regarded as failure to notice an unexpected event or object even if it is in one’s field of vision because other tasks catching the person’s attention are being performed. This kind of experiments states that attention is mandatory for detecting change even though not sufficient. Attention is crucial to perception because without attention, the perception of visual features of our environment does not occur. One of the studies put observers to view two simultaneous events. The first event showed a hand-slapping game in which there were two players, one extending his hands, and the other player placing his hands on his opponent’s. The other event was of three p...
Something else I found interesting was the casting.although not all of the people who originally were cast was in the movie I still thought it was great. I accually thought that it was better. The roles were played in this irder;Shia Labeouf as Samm Witwicky,Rosie Huntington-Whiteley ...
After a while, it was such that if I was home, the cats would follow me where ever I went. Just like Stickeen who “was sure to be at his heels, provided I had not gone out.”(par. 7). Every time I drove into the driveway, regardless of where they would be, they would come running out to greet me. The minute I stepped out of the car, they would circle me brushing against my feet and look at me with excitement in their eyes. Then they would stand up on their hind limbs and ask for a petting on their
D. W. Hamlyn - author. Publisher: Routledge & Kegan Paul. Place of Publication: Sensation and Perception: A History of the Philosophy of Perception. Contributors: London. Publication Year: 1961. Page Number: iii.
Sensation refers to the process of sensing what is around us in our environment by using our five senses, which are touching, smell, taste, sound and sight. Sensation occurs when one or more of the various sense organs received a stimulus. By receiving the stimulus, it will cause a mental or physical response. It starts in the sensory receptor, which are specialized cells that convert the stimulus to an electric impulse which makes it ready for the brain to use this information and this is the passive process. After this process, the perception comes into play of the active process. Perception is the process that selects the information, organize it and interpret that information.
Visual perception plays a big part on how we perceive life. If we didn't have perception I don't know where we would be now.
The first effect of mass media on teenagers is violence. Aggressive behavior is the first example of violence in the media. Aldridge argues that, teens who watch violent movies may behave in an aggressive way towards others for example bullying and fighting in school. This is important because there are high risks of teenage developing into aggressive behavior that may last into adulthood if they are not being supervised on what they see on TV (2010). Fearful of the world may also occur for those who watch violence television programs. According to children and television violence, teens that are being over exposed to violent on television may worry about becoming a target of violence. The relevance of this idea is that teenagers will more likely grow up thinking that the world is a scary place and that something bad will happen to them (2008). Imitative behavior is another major effect of seeing violence in the media. According to Weldon, two teens from Johnstown, Colorado, killed a 7 year old girl by beating her to death. The teens claimed that they were imitating moves from a video game called “Mortal Combat.” This is an example case which shows that violence in the video game may lead to an imitating behavior (2007).