Sympathy in Medea, Aeneid, Metamorphoses, Orlando Furioso, and Hamlet Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character. Vergil elicits sympathy from readers in the beginning of The Aeneid when characters suffer physically and emotionally.
For ages, man has pondered upon the roots of destiny. Is the outcome of a man's life determined by human qualities and failings, the meddling of a divine power, or simple fate? Shakespeare's Hamlet made the argument that tragedy is caused by human folly. The idea that divine intervention is at the root of human suffering is put forth in the Book of Job. In Sophocles' Oedipus Rex, fate is given as the root of man's suffering. Three divergent perspectives on the origins of calamity exist within the tragedies Hamlet, Job, and Oedipus Rex.
Even though Medea’s crime are despicable, Jason is also a despisable character. When he encounters Medea for the first time in the play, he says, “Even if [Medea] hates me / I could never think badly of [Medea]” (Euripides 462-463). It is easy for Jason to say these kind words because he is not the one being abandoned for another spouse. He also undermines Medea again after she recites how she helped him in on the Ship Argo. Instead of giving her any credit or appreciation, Jason confesses, “since you make such a mountain of it, I think that Kypris, god of love, was the savior” (Euripides 525-526). It is not enough to leave Medea for another woman while allowing her and her children to be exiled, but Jason also felt the need to discredit her contribution to his
An overwhelming desire for personal contentment and unprecedented reputation can often result in a sickly twisted distortion of reality. In Sophocles' Oedipus the King, a man well-known for his intellect and wisdom finds himself blind to the truth of his
There are many similarities and differences between Antigone by Sophocles and Shakespeare’s Romeo and Juliet. The adults in both of the books have the difficult job of controlling the actions of the younger characters. Their decisions have a crucial effect on the outcome of the books, for the younger characters that they guide are the main figures in their stories. Antigone’s King Creon and Romeo and Juliet’s Prince Escalus and Lord Capulet share but also have unique strengths, weaknesses, leadership qualities, and crisis-managing techniques.
Euripides uses the extended monologues of various characters to make the audience compassionate toward Medea's internal turmoil. It is no coincidence that Euripides begins the play with a soliloquy spoken by Medea and Jason's househotd nurse. The nurse is one who has an unbiased point ofview because she has been the servant ofboth Medea and Jason. Yet, her compassion clearly lies with Medea. She says, "Poor Medea is slighted, and cries aloud on the / Vows they made to each other, the right hands clasped/ in eternal promise" (lines 20-21). From a 20th century perspective, one might question why in the beginning of the play the Greek audience would choose not to automatically align themselves with Medea. It is of utmost importance to note the "complacent pride in the superiority of the Greek masculinity" (p. 641) that was present in this culture (p. 641). In the eyes of the ancient Greek men could do no wrong. Thus, the nurse specifically describes Jason as "a man who is now determined to dishonor her [...
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
It is the reversal of “tradition, order” and “all things”. In her commitment to revenge, Medea defies the expectation of Greek society, transforming from the “poor Medea”, who is “scorned and shamed”, “[lying] collapsed in agony, into a “vile murderess”, who’s “rage will not relax till it has found its victim”. Medea is an anti-hero; she underplays the supposedly righteous and moral principles of society in demonstrating the contradictions of Jason’s character and generally men, who are themselves guilty of being “swayed by passion” and being “oath breakers, guest deceivers and liars.” As much as Jason is disloyal, Aegeus is equally loyal; he is so beguiled by Medea’s offer of being “granted fertility”, that he is willing to provide “sanctuary” in Athens for a “child killer”. Just as Medea is motivated by her personal passions in neglect of civilised laws, no less are the men in the play. Furthermore, the fact that the ending of the play unfolds in the manner that it does, where Medea evades punishment “in this chariot which the Sun has sent to save her from the hands of enemies” is a testimony to the idea that the constructs of society and their supposedly cultivated principles are arbitrary in the larger scheme of our existence. Through the deus ex machina ending of the play, Euripides condemns humanity’s fixation on contrived ideals and values that ultimately affect greater merit than is actually
Perfection is what many people attempt to achieve in there lives, yet none do. It is the ideal result to the hard work and toil each person does, in order to become greater than they are now. Within literature, characters may seem perfect but upon closer inspection, are deeply flawed. This is the case in the three pieces of literature; Oedipus the King, My Last Duchess, and Death of a Salesman. All three of these prove that fact that “Perfection is like a dream. When people finally see the flaws, they wake up and the dream ends.”
Medea has been cheated on at this point in her story, all she does is cry. “Friends talk to her, try to give her good advice; she listens the way a rock does, or an ocean wave.” Ignorantly ignoring her friends, she comes to the realization that she doesn’t like her children and that leaving her homeland was a bad idea in the first place. Although she is no longer blindly in love with Jason, she has just become blinded by the rage that has buil...
How important is an individual that most often than not authors focus on the growth of one over the growth of the many? Is it because the growth of one symbolizes the growth of all? Or is the focus on the individual due to the image it presents which is the growth in us? In any event, this outlook of individualism is widespread in literature and different genres and techniques excavate the development of the individual. Another factor that comes into play in the development of the character is the situation and the effects of the environment. Within William Shakespeare’s play The Tempest and Michael Cervantes Saavedra’s satire Don Quixote are two different characters molded and formed or in both cases malformed to incorporate their capsules which are the genres and settings that imprison them.
In this topology, all nodes are connected to a central device, usually a hub or a switch. Each connected device has a dedicated, point-to-point connection between the device and the hub. The star network topology is by far the most widely implemented topology in use today.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
In Hamlet written by Shakespeare and Oedipus Rex written by Sophocles there are similarities that both the writers incorporated in their plays that distinguish their success in the time period in which they were written. In having their similarities there were also differences that arose in the two as the following will determine in the comparing of Hamlet and Oedipus Rex. Hamlet and Oedipus Rex had similar minds, but differed in how to go about their dilemmas that presented themselves to the fledgling rulers eventually lead them to their self-destruction.
Medea's plan was set into motion. She has nothing to loose. She is even angrier because she betrayed her own father and her people for him. She even bears the burden of having Pelias killed by his daughters for Jason. She decides to take revenge out on Jason's bride and poisons her. She also doesn't want Jason to take the children from her. She decides to kill them, but agonizes over this decision before killing them. Some critics view this as a pathetic attempt at motherhood. I know there is a certain bond between mother and child. She just wants to hurt Jason as much as she has been hurt. "She first secures a place of refuge, and seems almost on the point of bespeaking a new connection. Medea abandoned by the entire world, was still sufficient for herself." (blackmask).
Ethereal is a network analyzer. It has the ability to read packets from a network, decipher them, and then display the results with a very intuitive GUI. According to the book Ethereal Packet Sniffing, “the most important aspects of Ethereal are as follows: that it is open source, actively maintained, and free”. After conducting thorough research, Ethereal also supports TcpDump format capture filters, supports over 700 protocols (new ones are added on a regular basis), and the tool can capture data from Ethernet, Token Ring, 802.11 Wireless, etc. For anyone interested in a command line interface (CLI) interface for Ethereal, you’re in luck since there is a CLI available called tethereal.