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How salinger develop certain characters in the catcher in the rye
How salinger develop certain characters in the catcher in the rye
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For centuries Buddhists have contemplated the meaning of life and their ultimate goal to achieve enlightenment. In J.D Salinger’s short story “Teddy”, the reader is quick to discover that the main character Teddy is wise and philosophical due to his belief of his past lives, and his desire to reach his final enlightened state. The symbols that Salinger introduces in this story are the portholes that allow the reader an insight into the multitude of thought processes that take place in Teddy’s mind. Through orange peels and apples of logic, readers learn a vast variety of knowledge about Teddy.
Early on in the story, seemingly ordinary orange peels that are thrown out of a passenger’s porthole pique Teddy’s interest. Although young children
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Recurrently throughout his conversation with Nicholson, Teddy tries to propose that logic is the weight that drags people down. “You asked me how I get out of the finite dimensions when I feel like it. I certainly don’t use logic when I do it. Logic’s the first thing you have to get rid of.” (Salinger 190). Teddy’s ability to discard logic allows him the metaphysical state that separates the finite dimensions into infinite ones. The disposal of logic allows him to reach a level of spiritual enlightenment that is higher than the average being. Teddy then relates this to Christianity when he says: “You know that apple Adam ate in the Garden of Eden…you know what was in that apple? Logic” (Salinger 191). The apple of logic from the tree of knowledge is a powerful allusion that this ten year old makes. It allows him to relate Buddhism and Christianity in simple terms that Nicholson will understand; the apple that Adam ate dragged him down to earth. In contrast to Nicholson, Teddy detaches from the logical aspect of the world so that he has the ability to transcend. Logic is toxic to Teddy. He believes that children should be able to see the world with clean eyes, free of logic, but adults force logic upon them in schooling systems. “I’d just make them vomit up every bit of the apple their parents and everybody made them take a bite of... But I’d want them to begin with the
In the book The Giver, Louis Lowry uses symbolism to induce the reader to think about the significance of an object or character in the book. She uses symbolism using objects or characters to represent something when she wants readers to think about its significance. She chooses not to tell her readers directly, but indirectly, by using symbolism. For example, she used light eyes, Gabriel and the sled as types of symbols with different meanings.
Innocence lies within everyone in at least one point in their lives, but as reality consumes them, that purity begins to vanish slowly as they learn new experiences. In the coming of age novel set in the nineteen-forties, J.D Salinger writes about a sixteen-year-old boy named Holden Caulfield who stands between a road that separates childhood from adulthood and is confused about which path to take. On a three-day trip in New York away from his family and fellow peers at school, Holden encounters many situations in which lead him to think twice about who he wants to become and how he wants to guide others who are in the same situation he is in. In The Catcher in the Rye, J.D Salinger utilizes symbolism, vivid imagery, and slangy diction to expose Holden’s struggle to preserve the innocence of the people that he loves while alienating himself from the adult world he calls “phony.”
In The Grapes of Wrath by John Steinbeck, a novel about the hardships of an Oklahoma family, the Joads, migrating to California in hopes for a better life during the Great Depression and the Dust Bowl after the bank stripped them from their home. Steinbeck uses narrative description and symbolisms of a land turtle, through contextual and cultural content; the turtle being hit by a truck, and the turtle’s hard shell and his ability to withstand the damage and proceed with his life. The turtle symbolizes the new life and struggles of the journey to the west, the promise land.
In the first place, despite the creativity and imagination of Teddy, he is harshly criticized by his uncle and aunt who do not know what he is thinking in his mind. Therefore, they do not understand him thoroughly. Teddy’s dominant character trait is shown in his handiwork of the world he has created: “The streets and alleys were full of nobles, peasants and soldiers, their two dimensional bodies scissored from paper, their faces and clothing down in crayons and lead pencils”. (Nowlan 41) Indeed, Teddy is very creative. He is able to build a paper-made kingdom, in which are present people of various social cl...
In The Heart of Understanding, Thich Nhat Hanh’s uses simple but powerful words and real world examples to illustrate the profound Buddhist philosophy from the Prajnaparamita Heart Sutra, an important representative of Mahayana Buddhist literature. The Mahayana school of Buddhist teachings emphasizes the doctrine of Sunyata- emptiness. The doctrine of emptiness, one of the most important Mahayana innovations, focuses on the relational aspect of existence. Thich Nhat Hanh coins and introduces a new word- interbeing to explain the state of emptiness. This idea of interbeing not only illustrates emptiness well but also provides understanding of other fundamental Buddhist ideas such as No-Self, impermanence and non-duality.
In this essay I will be examining the logical impasse of not being able to attain certain knowledge without accepting the certainty of his sense of reason the meditator faces in meditations on first philosophy and discuss possible interpretations of the text that would explain the meditator’s use of circular argument.
Symbolism is the use of objects or people for a different idea or meaning. These can be inanimate objects, people, animals, or even ideas, and they can be used for many purposes. Symbolism is often subtle; it can be difficult to see without careful attention, and J. D. Salinger sneaks it in The Catcher in the Rye without making it obvious. He often portrays Holden’s thoughts in symbolism, without writing them word for word on the page. J. D. Salinger makes use of symbols in The Catcher in the Rye in order to convey Holden's desire to protect and prolong innocence in himself and others.
After he uncovers Teddy’s paper world, the uncle reacts in a manner of ignorance and derision, mocking him for his decision to occupy himself with paper dolls. The uncle dubs Teddy as a “great big lummox … playing with paper dolls”, insulting Teddy for his hobbies with a tone of amusement and hysteria. In spite of Teddy’s agitation, the uncle prefers to make a mockery out of Teddy rather than accepting his unique hobbies, suggesting the uncle’s belief that Teddy’s activities are unfitting of someone of his age. In addition, Teddy’s uncle further aggravates Teddy by continuously ridiculing him, leading him to eventually destroy his treasured paper world. Despite Teddy’s attempts at validating the reality of his paper dolls, the uncle “burst into laughter, his cheeks the colour of a tomato.” Teddy’s uncle persistence in mocking Teddy implies his disapproval of Teddy’s world, believing that his world is ludicrous and absurd for someone of his age to be occupied with. The sustained laughter of Teddy’s uncle is explicit and deliberate, intended to warn Teddy against his immature hobby, an evident symbol of society’s expectation of
In his sixth meditation must return to the doubts he raised in his first meditation. In this last section of his sixth meditation he deals mainly with the mind-body problem; and he tries to prove whether material things exist with certainly. In this meditation he develops his Dualist argument; by making a distinction between mind and body; although he also reveals their rather significant relationship.
Otto describes non-rational experiences as mysteries, which are a fundamental aspect of all religions. To these mysteries he gives the name “numinous,” and explains that “the nature of the numinous can only be suggested by means of the special way in which it is reflected in the mind in terms of feeling,” (Otto 12). Otto argues that our feelings of the numin...
Ambiguity in literature after World War II reflects and explores issues of self and society. These two ideas often work against each other instead of coexisting to form a struggle-free existence. J. D. Salinger, Sylvia Plath, and Richard Heller illustrate this struggle with their works. These authors explore ambiguity through different characters that experience the world in different ways. Identity, while it is an easy concept, can be difficult to attain. These authors seek out ambiguity with the human experience, coming to different conclusions. Ambiguity becomes a vehicle through which we can attempt to define humanity. J. D. Salinger’s novel, Catcher in the Rye, Sylvia Plath’s novel, The Ball Jar, and Richard Heller’s novel, Catch 22 explore ambiguity experienced through an attempt to find self. Each experience is unique, incapable of fitting a generic mold created by society.
Readers have been fascinated with Hermann Hesse’s Siddhartha for decades. Written in 1951, Hesse’s most famous novel provides the reader with a work of literature that, “presents a remarkable exploration of the deepest philosophical and spiritual dimensions of human existence” (Bennett n.p). Siddhartha takes place in India while the Buddha has first began his teachings. The book follows the life of a man by the name of Siddhartha, on his journey to reach enlightenment. The main theme in Siddhartha is reaching enlightenment without the guidance of a teacher or mentor. Siddhartha believes that he must learn from himself, and the guidance of another teacher will only distort his goals of reaching enlightenment. Siddhartha says that he must, “learn from myself, be a pupil of myself: I shall get to know, myself, the mystery of Siddhartha” (Hesse 36). On Siddhartha’s journey to reach Nirvana, the highest level of peace in the Buddhist culture, he undergoes three stages all of which are critical in helping Siddhartha find peace within himself.
William Golding is essentially the king of symbolism and covert delineation. The Lord of the Flies is a novel based around a large handful of English schoolboys becoming stranded on an island that will later become a sadistic dystopia. The boys are left unsupervised with only their ill experienced wits to survive and rule. A power struggle breaks out between two of the main characters, Jack and Ralph, Jack being the antagonist and Ralph being the protagonist of the story. In modern pop culture, Jack and Ralph would compare to an event like North Korea versus South Korea. Lord of the Flies is home to many forms of symbolism, including the importance of Piggy 's glasses, the fire on the island, the sow 's head, the beast and the conch shell; all of these items play a huge role in shaping the story, tone and the mood.
Like a river, one’s life journey may splinter from the conventional path into uncharted territory—but ultimately the lifetime of experiences converges to form destiny. In the face of spiritual uncertainty, the titular protagonist of Siddhartha seeks wisdom during every major stage of his life and eventually attains understanding as an elderly man. “From that hour Siddhartha ceased to fight against destiny. There shone in his face the serenity of knowledge, of one who is no longer confronted with the conflict of desires, who has found salvation, who is in harmony...surrendering himself to the stream, belonging to the unity of all things” (Hesse 136). Everything, from rocks to water to human souls, cycles through birth, death, and rebirth until
In Hermann Hesse's Siddhartha, a classic novel about enlightenment, the main character, Siddhartha, goes on a lifelong journey of self-discovery. Along the way, Siddhartha encounters many who try to teach him enlightenment, undoubtedly the most important being the illustrious Buddha himself. Although Siddhartha rejects the Buddha's teachings, saying that wisdom cannot be taught, we can see, nevertheless, that along his journey for understanding Siddhartha encounters the Four Noble Truths that are a central theme in Buddhism: suffering, the cause of suffering, the end of suffering, and the middle path.