The terrifying scenes a child experiences in the face of danger will likely guide him throughout his life—if he manages to survive a life-threatening conflict. A Little Piece of Ground, by Elizabeth Laird, shows the long-lasting grudge between Israel and Palestine through the eyes of a Palestinian family growing up in a town of curfew who learn that if all else fails, each other is all they’ve got. The author’s use of symbolism and character development highlights the changing social values held by the youth of Ramallah during Palestine’s Israeli occupation. These values are demonstrated through Karim’s idealistic nature in times of despair, Aziza’s symbolic role in the novel, and Karim’s interaction with hopper [Capitalize Hopper] over the …show more content…
Hopper is a boy from Israel whose family was forced into Palestine as a result of the Israeli occupation. Although Hopper’s motives are not clear, his actions in defiance of the occupation truly highlight what he believes in. In effort to save Sidi, Hopper’s grandfather, Hopper demonstrated signs of self negligence and these very actions caused Karim to be “balled with tension.. and [Karim’s] heart on fire with admiration” (Laird 156). After Hopper completes his first act of heroic negligence, he finds himself in an even more dangerous situation. “Karim couldn’t bear to watch. He squeezed his eyes shut and smacked his injured fist… he saw his friend’s lithe figure dodging and diving” (Laird 156). Hopper’s social values are entitled mainly to his family and their significance. Karim serves as a motive for Hopper’s actions which risk both of their lives, only to demonstrate the level of persistence that the two are constantly portraying. To achieve a goal of having perfect social values, the values themselves become motives. In this case the norm is represented by Hopper’s family having to come to Palestine out of their interest which is a driving factor of the character. It all ties back to the idea of the shared social values by the youth of Ramallah -
Naomi Nye was born to a German-American mother and a Palestinian-American father. However, she normally writes from her Palestinian-Arab perspective. In several of her poems within The Heath Anthology—“Ducks,” “My Father and the Figtree,” and “Where the Soft Air Lives”—Naomi Nye reminisces about her Muslim heritage and childhood as it correlates to her present identity. In addition, she incorporates the effect of the Palestinian-Israeli conflict on herself and on Arab culture in her work. Ultimately, Naomi Nye’s poetic work should remain in The Heath Anthology as her style demonstrates how historical events and a deep-rooted heritage can enrich a sense of identity and culture.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Most people think Israel always belonged to the Jews but it wasn’t always a safe, holy place where Jews could roam freely. Along with Palestine, it was actually forcefully taken from the Arabs who originated there. The main purpose of this novel is to inform an audience about the conflicts that Arabs and Jews faced. Tolan’s sources are mainly from interviews, documentations and observations. He uses all this information to get his point across, and all the quotes he uses is relevant to his points. The author uses both sides to create a non-biased look at the facts at hand. The novel starts in the year 1967 when Bashir Al-Khairi and his cousins venture to their childhood home in Ramallah. After being forced out of their homes by Jewish Zionists and sent to refuge for twenty years. Bashir arrives at his home to find a Jewish woman named Dalia Eshkenazi. She invites them into her home and later the...
Hassan’s morals and saintly nature bring him happiness in knowing that he does God’s will, while Amir questions God as well as Hassan’s pious personality. Hassan strives to make the moral choice every day of his life. He refuses to shoot walnuts at a one-eyed German shepherd when Amir insists that he can, subtly bringing out the instinct of integrity in Hassan. Similar to this, Hassan strives for good as he notices a plot flaw in one of Amir’s stories that involves death. Hassan’s inherent morality prompts him to suggest a non-violent option for Amir. Evidently, Hassan’...
The three men in this novel represent the people who abandoned their homeland in search for a better life. This is what happens to people who abandon their homeland, their death is a shameful and undignified death not like the people who die defending their country where they are honored and looked up to. Abul Khaizuran represents the leader who betrays his people by promising them to fulfill their dreams but instead he led them to their death and he only cared to fulfill his personal needs. The road represents the struggle of life the characters go through to reach their dreams and the desert represents the obstacles that keep them for achieving the dreams. The three men had to knock to be saved but the never knocked, the Palestinians need to raise their voice in order to be heard just like knocking on the tank.
The story “Araby” opens with a description of North Richmond Street. This gives reader the first view of the young boy's world. The Richmond Street “was a quiet street except.....the boys free” (Joyce 345). The young boy in “Araby” lives with his aunt a...
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
He underlines the divine idea of peace and understanding given by God to His people. However, this conception is well opposed by the explosions and terror shared in the area instead. Given that, the sociopolitical value of the book Palestine by Joe Sacco cannot be underestimated. The author provides Western people with an exact picture of the war in the Middle East and the violence it spreads as an after effect. Hereby, a political mismatch by officials and inability to urge for peace are, perhaps, the main topics in the book. And what I appreciate is that the graphic novel doesn’t seek to politicize the events. The focus of all the anecdotes centers on the people. Ordinary people like you and I, who are drawn into the vicious cycle of hate, prejudice, violence, revenge and
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
Although he had endured trials and tribulations to attend the bazaar, he soon finds that, exotic name withstanding, he is still in Dublin, is still impoverished, and his dreams of Araby were merely that, dreams. Our narrator remains a prisoner of his environment, his economic situation, and painful reality. North Richmond Street, the dead-end street described in the first sentence of “Araby” is more than a street. It is a symbol for the way that our protagonist views his life.