Literary criticism aids readers in the involvement with a literary work by enabling to grasp the deep roots/emotions being portrayed. Literary theories can be presented as different branches evolving from literary criticism, which assist us to classify a work and its genre. The archetypal theory can be utilized to dissect the epic of Beowulf and its profound symbolism.
The archetypal theory enables us to focus on the analytical aspect of symbols and settings of a literary work. Situated across the literary work of Beowulf symbolism takes a broad role in the overall plot. Among the vast symbolism utilized in Beowulf, the archetypal theory assists us in comprehending and discovering the veiled secrecies in such. “So Hrothgar’s men lived happy in his hall till the monster stirred, that demon” (Raffel 40). The mead hall becomes a vital part in Beowulf, as it’s the location where the demon Grendel comes into sight bringing alongside him a period of suppression. In conjunction with the archetypal theory we can catch particular crucial points. Examples of such are situated on the name of king Hrothgar’s mead hall (Heorot). In its conversion into modern English the term Heorot comes to signify “Hall of the Hart”, by which hart stands for a male deer. Examining such term with the support of our own knowledge we can figure out a deer is a vulnerable animal/prey, prey to not only other animals but to many other threats including us humans. With a profounder understanding we can determine such concealed symbolism can embody the fact that the king’s mead hall was defenseless and fated to undergo the malicious attacks of the demon Grendel.
With the support of the archetypal theory we are able to dismember significant aspects regarding the tri...
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...ected to the archetypal theory. After being deadly wounded in his clash against the dragon, Beowulf gave orders to his best friend Wiglaf to build a monument in his honor. “Then the Geats built the tower, as Beowulf had asked, strong and tall, so sailors could find it from far and wide”(Raffel 63). Such monument could be seen by those sailing across the area. Analyzing such occurrence we are able to consider Beowulf’s character/monument to stand for hope, the fact that it’s visible to those on sea signifies he is a form of perceptible hope to the lives of others.
While providing a more emerging experience in the involvement with a literary work, literary criticism enables readers the ability to grasp the emotions/roots portrayed and appreciate their worth. The archetypal theory can be fundamental to scrutinize the epic of Beowulf and its weighty value of symbolism.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Beowulf Authors often use events and things to symbolize stages in someone's life. Symbolism is the practice of representing things by means of symbols or of attributing meaning of significance to objects, events, or relationships. In the anonymous epic, Beowulf, Beowulf fights Grendel, the monsters of the ocean and Grendel's mother. Beowulf's battles with theses three evils symbolize the youth and adulthood of Beowulf's life.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
In the epic poem, Beowulf, “The Beowulf” is depicted as the big bad guy. Though he is not seen as a big bad guy who resembles a villain, but a big bad guy who is boastful and arrogant. Beowulf is shown as a superhuman where nothing or no one can defeat him. However, the author does not show Beowulf with the same characteristics as he transitions from a good warrior to a questionable good king. During Beowulf’s new beginning of a king, he still lingers in the mindset of a warrior.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
The epic poem, Beowulf, is one of the oldest European epics in existence. When Beowulf was written, the writer incorporated many of the ideals of the Anglo-Saxons. Some of these ideals included loyalty, bravery, selflessness, and justice and were demonstrated in the hero. Both the characters Beowulf and Grendel represent aspects of both good and evil, Christianity and Paganism, and what occurs when they collide with one another. A characteristic of an epic poem is the concern over struggles that humans face, which is presented in a serious manner. The hero often embodies the religious, national, and cultural values of his homeland and abroad. The premise of the story is quite simple: the Danes were in distress because of the great monster Grendel, so Beowulf, a native of the Geats, sails to engage in battle with Grendel and become victorious in saving the seemingly faithless Danes. Throughout the epic, there are many instances where examples of the thirteen epic conventions are used in the writing of Beowulf and in describing both the ideals of the Anglo-Saxons and the underlying challenges with mortal problems, such as good versus evil.
Literature all through history uses symbolism to portray different ideas, religions, and beliefs. Throughout Beowulf symbolism is used both to reinforce the importance of religion and to impress the values of the Anglo Saxons upon the reader.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
Anglo Saxon’s history is well known for their loyalty, courage and bravery. Beowulf our protagonist is symbolized as a hero, who represents the Anglo Saxons at the time. Beowulf earns his fame and respect through battling creatures nobody else would want to face. These creatures symbolize the evil that lurks beyond the dark. Beowulf’s intense battle with these creatures’ symbolizes the epic battle of good versus evil. In the end good triumphs over evil but one cannot avoid death. Beowulf’s death can be symbolized as the death of the Anglo Saxons. Beowulf’s battle through the poem reflects the kind of culture that the Anglo Saxons had. The youth of a warrior to his maturity then the last fight which results in death. Beowulf wanted to be remembered and be told in stories that are passed on from generation to generation after his death. These story tellers relate to the Anglo Saxons time when they told stories about their great heroes.
Beowulf is an interesting story in that it has a meaning that is firmly rooted in fantasy creatures based in mythical origins while providing insight into religious ideals and practices of the time. It also speaks of tradition and the struggle of man against things perceived as evil. In this tradition especially, Beowulf is an incredible allegory regarding the struggle of good and evil in the Christian tradition.
Themes within literature represent the underlying message(s) that are being conveyed throughout the story, themes are not only a connection to the author but also brings about a bridge that links the piece of writing to the real world. Often time themes are universal, reflected from the characters to the reader, in Beowulf this is no exception. Multiple themes are touched upon and explored in depth throughout this epic, all of which are major devices that support the story’s development.
to have been composed between 700 and 750. "No one knows who composed Beowulf ,
The first theory to be discussed is structuralism, this theory is composed of many different branches. The branches that this paper will be looking into is archetypes. The definition of of archetype is typical images, characters, narrative designs and themes and other literary phenomena. Archetypes have their own form of criticism that is called archetypal criticism. Archetypal criticism means the generic, recurring and conventional elements in literature that cannot be explained through historical influence or tradition.
Literary criticism is used as a guideline to help analyze, deconstruct, interpret, or even evaluate literary works. Each type of criticism offers its own methods that help the reader to delve deeper into the text, revealing all of its innermost features. New Criticism portrays how a work is unified, Reader-Response Criticism establishes how the reader reacts to a work, Deconstructive Criticism demonstrates how a work falls apart, Historical Criticism illustrates how the history of the author and the author’s time period influence a text, and last of all, Psychological Criticism expresses how unconscious motivations drive the author in the creation of their work as well as how the reader’s motivations influence their own interpretation of the text (Lynn 139, 191). This creates a deep level of understanding of literature that simply cannot be gained through surface level reading. If not one criticism is beneficial to the reader, then taking all criticisms or a mixture of specific criticisms into consideration might be the best way to approach literary