An Analysis Of The Poem 'Come Home From The Movies'

931 Words2 Pages
bulb-icon

Recommended: Social Background of The Great Gatsby

In lines one through two of the poem, African Americans are victimized and encouraged to “come home from the movies,” leaving behind the false reality of the standard of living that they’ve seen depicted by white culture in the ‘movies’ (line 1). The author of this poem uses symbolism, diction, repetition, and comparisons to portray the prejudice African Americans face during the era of racial segregation. Since this poem takes place during a time of racial inequality, the poem not only highlights the struggles African Americans faced, but also encourages them to go beyond the stereotype they’re given and to change the negative stigma that they’ve been branded with. This poem uses many literary devices to convey its’ meaning. One of the most For example, “be cold as our neighborhood” serves as a symbol for the cruelty of the reality in which African Americans face; however, it also is used as a comparison in the form of a simile in which the author is comparing the neighborhood or the lifestyle in which African Americans coincide with “cold” or dark, cruel, and hard (3-4). Another way in which the purpose of this poem was supported was in the form of repetition of lines 1 and 2 towards the end of the poem, “come home from the movies,/black girls and boys” (10-11). Since this phrase served not only as the opening of the poem, but was also repeated near the end of this very short poem, the importance of the repetition can’t be ignored. This phrase is a key component in relaying the purpose of this poem to the audience. By urging African American children to come home from the movies, the author seems to be pleading with them to break through the stereotype they’ve been burdened with and to envision a better future for themselves, not one that necessarily mimics that of the white Americans but one that has a positive stigma attached to it and goes beyond the typical

Show More
Related

  • Kara Walker Art Analysis

    1545 Words  | 4 Pages

    Detrimental stereotypes of minorities affect everyone today as they did during the antebellum period. Walker’s subject matter reminds people of this, as does her symbolic use of stark black and white. Her work shocks. It disgusts. The important part is: her work elicits a reaction from the viewer; it reminds them of a dark time in history and represents that time in the most fantastically nightmarish way possible. In her own words, Walker has said, “I didn’t want a completely passive viewer, I wanted to make work where the viewer wouldn’t walk away; he would either giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful”. Certainly, her usage of controversial cultural signifiers serve not only to remind the viewer of the way blacks were viewed, but that they were cast in that image by people like the viewer. Thus, the viewer is implicated in the injustices within her work. In a way, the scenes she creates are a subversive display of the slim power of slave over owner, of woman over man, of viewed over

    Read More

  • Why We Can T Wait Rhetorical Analysis

    850 Words  | 2 Pages

    To depict the unfair daily lives of African Americans, Martin Luther King begins with an allegory, a boy and a girl representing faultless African Americans in the nation. The readers are able to visualize and smell the vermin-infested apartment houses and the “stench” of garbage in a place where African American kids live. The stench and vermin infested houses metaphorically portray our nation being infested with social injustice. Even the roofs of the houses are “patched-up” of bandages that were placed repeatedly in order to cover a damage. However, these roofs are not fixed completely since America has been pushing racial equality aside as seen in the Plessy v. Ferguson court case in which it ruled that African Americans were “separate but equal”. Ever since the introduction of African Americans into the nation for slavery purposes, the society

    Read More

  • Suffering and Struggle in Sonny´s Blues by James Baldwin

    1195 Words  | 3 Pages

    The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.

    Read More

  • Racism, Diversity and Economic Struggles: A Literary Analysis

    1743 Words  | 4 Pages

    Within the course of two decades these three novels deal with racism, diversity of people and similar economic status. The writers raise awareness of the oppression of the African American communities and the long lasting struggles that these folks had to endure to survive.

    Read More

  • Final Research Essay

    1357 Words  | 3 Pages

    ...is presented in a way that “blacks or whites can draw admonition from the subject” (1) . Another perspective from Revell is that the poem presents itself in terms of passionate personal regret. Revell believes that Dunbar felt guilty because he allowed himself to be bound to the “ plantation lifestyle” (1). The plantation life style internal anguish and agony the blacks went through as slaves. Some blacks have moved on from it, but some continue to use slavery as an excuse to not progress in life. It should be noted that Revell draws the most attention to the middle of the poem. The poem itself is masked because it never specifically says who its linked too, even though most would infer that it is linked to the black race. Revell concludes that Dunbar left aside the preconceived image of what it meant to be black in America, and spoke “only from his heart” (1) .

    Read More

  • America, by Claude McKay

    1105 Words  | 3 Pages

    This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:

    Read More

  • Freedom for the Opressed

    1116 Words  | 3 Pages

    The history of African-American oppression began in the early 1600s as slaves arrived on America’s shores. For hundreds of years, African-Americans struggled against crippling segregation, terrorism, and racial enmity to no avail. As a result of extensive physical and psychological beatings, African-Americans became fearful and very reserved in expressing their emotions. Their suffering, however, fuelled a sense of courage in some, such as African-American poets, who found the strength to address uncertainties that others had against their racial identity. These brave men included George Horton, who wrote “Liberty and Slavery”, and Paul Dunbar, author of “We Wear a Mask”. Through their powerful race-protest poetry, Horton and Dunbar portray that African-Americans feel incessantly trapped, both physically and emotionally, resulting in a deep-rooted yearning for freedom.

    Read More

  • Symbolism in Battle Royal, by Ralph Ellison

    808 Words  | 2 Pages

    In one way it is symbolic of the African Americans’ struggle for equality throughout our nation’s history. The various hardships that the narrator must endure, in his quest to deliver his speech, are representative of the many hardships that the blacks went through in their fight for equality.

    Read More

  • Langston Hughes And The Harlem Renaissance

    634 Words  | 2 Pages

    One of the advantages of how he wrote his poetry is that it can take hold of people by exemplifying his accounts of the everyday life that the disenfranchised experience. Hughes took on the injustices that other dared no to speak of. He wrote about how the African-American people of the 1920’s suffered the plight of racial inequality. In many cases I believe that Hughes used his writing as an instrument of change. In “Come to the Waldorf-Astoria” (506) Hughes tackles the drastic disparity between wealthy whites and the African Americans of the 1930’s. This piece displays an unconventional style for a poem; using satire to capture the reader’s attention. By using this satiric form of poetry Hughes is able to play on the emotions of the white reader, while at the same time inspiring the black readers. Hughes is constantly comparing the luxuries of the Waldorf-Astoria to the hardships that the African American people were experiencing. “It's cold as he...

    Read More

  • Ballad Of Birmingham

    444 Words  | 1 Pages

    The poem also focuses on what life was like in the sixties. It tells of black freedom marches in the South how they effected one family. It told of how our peace officers reacted to marches with clubs, hoses, guns, and jail. They were fierce and wild and a black child would be no match for them. The mother refused to let her child march in the wild streets of Birmingham and sent her to the safest place that no harm would become of her daughter.

    Read More

  • Black Poetry

    2173 Words  | 5 Pages

    Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.

    Read More

  • A Deeper Look: Langston Hughes's 'Ballad of the Landlord'

    786 Words  | 2 Pages

    ...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.

    Read More

  • Symbolism in The Negro Speaks of Rivers by Langston Hughes

    1062 Words  | 3 Pages

    The poem, “The Negro Speaks of Rivers,” symbolically connects the fate of the speaker of the poem and his African American community to the indestructible and powerful force on Earth- the river. The river embodies both power and dominance but also a sense of comfort. The poem is a prime example of the message of hope and perseverance to anyone who has suffered or is currently suffering oppression and inequality in their lives and in society. The speaker in the poem pledges to the reader that with hard-work, determination, and willpower to succeed, he will get where he is going regardless of the obstacles and challenges he may face on his path of reaching his goals in life.

    Read More

  • The Taxi

    1442 Words  | 3 Pages

    To begin, the reader may gather that the poem has a very dark and saddened tone. Due to Lowell's vivid imagery, a mental image of a dark urban setting is created. It also seems very cold, with the mentioning of wind and nighttime. Readers may be able to relate to urban places they know, adding to the reality of the poem. Connections can be made. The imagery is left in such a way that the reader can fill in the gaps with their own memories or settings. Also, since the poem uses free verse, the structure is left open to interpretation. This makes the poem more inviting and easier to interpret, rather than reading it as a riddle. However, though simple in imagery, the poem still captures the reader's interest due to the creation it sparks, yet it never strays away from the theme of bei...

    Read More

  • Diction In Those Winter Sundays By Robert Hayden

    1940 Words  | 4 Pages

    Many writers use powerful words to portray powerful messages. Whether a writer’s choice of diction is cheerful, bitter, or in Robert Hayden’s case in his poem “Those Winter Sundays,” dismal and painful, it is the diction that formulates the tone of the piece. It is the diction which Hayden so properly places that allows us to read the poem and picture the cold tension of his foster home, and envision the barren home where his poem’s inspiration comes from. Hayden’s tumultuous childhood, along with the unorthodox relationships with his biological parents and foster parents help him to create the strong diction that permeates the dismal tone of “Those Winter Sundays.” Hayden’s ability to both overcome his tribulations and generate enough courage

    Read More

More about An Analysis Of The Poem 'Come Home From The Movies'

Open Document