Sweetheart of the Song of Tra Bong as Metaphor
The Vietnam War is a strange and unexplainable event in American history. The controversies surrounding the American involvement in Vietnam and the need for Vietnam veterans to tell their stories of the war are prevalent in the post-Vietnam culture of America. "The stories that will last forever are those that swirl back and forth across the border between trivia and bedlam, the mad and the mundane"(89). The story of the sweetheart of the Song of Tra Bong explains this quote of the veteran stories never make exact sense, but they are stories from a war that never quite made exact sense either. The story of "Sweetheart of the Song of Tra Bong," involving a young girl coming to Vietnam for her boyfriend, becomes a metaphor for the rite of passage that a young soldier would experience during his service in Vietnam.
The other soldiers in the medical detachment were shocked and amazed at the arrival of Mary Anne, Mark Fossie's girlfriend. She arrived in a typical Americana glory, with her "strawberry ice cream complexion," and in a somewhat lost and tired daze. Her journey was a myriad of plane connections and layovers. Even in her arrival a metaphor is seen as to how a soldier would arrive in Vietnam. The exact arrival of soldiers into the war is somewhat a confusing and shocking fact of debate. Mary Anne was only seventeen when she arrived in Vietnam, but the soldiers over fighting were not much older than her, many the exact same age. After the initial shock of landing in Vietnam wore off, Mary Anne became curious of her surroundings and what was going on in the war. This also is what a young soldier would experience during his first days of service, and he was trying to u...
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...ut the hidden thoughts and feelings of the narrator are the real things that need to be examined. The Vietnam War is so colluded with uncertainties that it's meaning and questions of why are still lingering in the minds of citizens of the United States.
Although this interpretation of the metaphor is not one that many adhere to when they first read the story, it is one that deserves some attention. The story can be seen as this transformation of the soldier while serving in Vietnam. This story explains some of the smaller battles that the soldiers went through. They fought for their own identity, killing, and survival. All these battles can be seen through Mary Anne and her trails while in Vietnam. The story of Mary Anne ends with her going to the jungles of Vietnam never to be seen again, and this happens to the soldiers, they will always have Vietnam in them.
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
Exposing the Truth in Sweetheart of the Song Tra Bong "Dear Mom and Dad: The war that has taken my life, and many thousands of others before me, is immoral, unlawful, and an atrocity," (letter of anonymous soldier qtd. In Fussell (653). Tim O'Brien, a Vietnam War vet, had similar experiences as the soldier above. Even though O'Brien didn't die, the war still took away his life because a part of him will never be the same.
In this chapter, O’Brien contrasts the lost innocence of a young Vietnamese girl who dances in grief for her slaughtered family with that of scarred, traumatized soldiers, using unique rhetorical devices
His months in Vietnam were filled with bloodshed and human atrocity, and from this, no man could feasibly return the same person. Yet beneath what John endured throughout the war, he suffered many unkindness’ and tragedies that shaped him into adulthood. It was not only the war that made John Wade, but it was John Wade’s existence; his whole life that made him who he was. John Wade craved love, admiration and affection. All his life, all he wanted was to be loved, and his father’s constant taunting hurt him immensely.
	The novel illuminates light on the situation not just during the Vietnam era, but also rather throughout all history and the future to come. Throughout mankind’s occupation of earth, we have been plagued by war and the sufferings caused by it. Nearly every generation of people to walk this earth have experienced a great war once in their lifetimes. For instance, Vietnam for my father’s generation, World War 2 for my grandfather’s, and World War 1 for my great-grandfather’s. War has become an unavoidable factor of life. Looking through history and toward the future, I grow concerned over the war that will plague my generation, for it might be the last war.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
Christian De Neuvillette is introduced as an impulsive baron with charming features. Christian can be interpreted as a naïve, and shortsighted character, although within the play, his character bonds between more than just two negative attributes. The most desirable personality traits that a character would acquire are strenuous to preserve. One of these strenuous traits includes courtesy, which readers would target their attention to. The readers’ concentration targets to characters with high qualities that differ from other characters, in this case Christian fits perfectly into the category. After Christian De Neuvillette proves Cyrano De Bergerac that he has fortitude by insulting Cyrano’s extensive nose, Christian hastily apologizes later when Cyrano acknowledged he was the cousin of Roxane. This may be interpreted as an action of remorse, considering Christian did affront the cousin of Roxane; a woman Christian felt adoration towards. The interpretation is partially correct, although stepping into Christian’s point of view, his loyalty focalizes onto Roxane. Christian’s reaction to when he figured Cyrano was Roxane’s cousin, revealed a sudden change in attitude towards Cyrano, creating a much lighter and respectful tone in his speech: “I am so glad to meet you / Believe me...
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
The war story named "Sweetheart of the Song Tra Bong" relates to the third part of the quote, which says "where nice boys (girls) were attracted to them". The story was about a girl that was changed dramatically by the Vietnam War.
Kiley is telling the story to illustrate how all GI's changed in their Vietnam experience. The fact that the main character is a woman drives his point even farther home. She is the very portrait of mainstream, wholesome America; the only thing she lacks is an apple pie. Kiley describes her as "This cute blonde - just a kid, just barely out of high school - she shows up with a suitcase and one of those plastic cosmetic bags." (O'Brien 90) This girl is the antithesis of what one would expect to find in Vietnam. She is pure and innocent. Throughout her time in Vietnam she changes from this image to something very different, she spends less time with her boyfriend, Mark Fossie. Mary Anne hangs around with the Green Berets, who are very different from the other soldiers. Eventually she becomes one of them, marking a total transformation, "There was no emotion in her stare, no sense of the person behind it. But the grotesque part, he said, was her jewelry. At the girl's throat was a necklace of human tongues. Elongated and narrow, like pieces of blackened leather, the tongues were threaded along a length of copper wire, one overlapping the next, the tips curled upward as if caught in a final shrill syllable." (O'Brien 110) Vietnam changed Mary Anne; it forced her to become something as foreign to America as the war itself.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
Cyrano is so significance because he is stuck in a love problem where he has to help Christian, through his writings to get him and Roxane together but Cyrano also loves Roxane in which he can’t be known that the letters Roxane thinks Christian wrote are actually Cyrano’s feelings.
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.