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The analysis of psycho movie
Psycho movie analysis
Psychoanalysis of the movie psycho
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Suspense and Tension in Hitchcock's 1960's Film Psycho
The film 'Psycho' was produced in the 1960's by Alfred Hitchcock. It
was a groundbreaking film in the 1960's. It was called 'mother of the
modern horror movie'. The reasons for it to be such a landmark film
were that it dealt with serious issues such as adultery and matricide.
For the first time a toilet was shown being flushed in the film. Also
it was the first time a woman was shown in bra. The film "Psycho" was
highly promoted, Hitchcock wanted to manipulate his audience into fear
and loathing; this was achieved by choosing to make the film in black
and white rather than using colour to make the audience more
terrified.
The title of the film itself builds up tension and suspense. "Psycho",
means mad, insane, one who is mentally disturbed. The title of the
film is quite unusual; it has a powerful and deep meaning. The film
starts with an everyday situation. So the viewers feel safe and at
ease.
However, when the viewers see Marion running away with the large sum
of money the tension starts to build. As the "Psycho" is yet to be
introduced the money acts as a distraction to the viewers and makes
them focus on the money, as it is a large amount and is cash it helps
to distract the audience, but still starts to build tension.
As Marion escapes with the money, there are little parts where tension
is building very quickly. When she stops at traffic lights, her boss
stares at her in the eye the scene seem to freeze for a slight second.
This makes it seem much longer than it really is. The frustrated look
and sense of urgency in Marion tells the audience that she is doing
...
... middle of paper ...
...rion is escaping with the
money and the shower scene when she is stabbed. This makes the viewers
very tense.
In the film cameras were used to manipulate the viewers in unnerving
them and creating tension. There were long shots of the old and gothic
like house positioned at the top of the motel, which makes it look
evil. Also there were close ups of Norman Bates, straight after
showing the shots of the house this shows the viewers that Norman is
just as intimidating as the gothic house. The close up shots of money
mislead the viewers into thinking that the main story is about money.
In conclusion all the new techniques used in the film to make the
audience tense and suspense were very successful. The film 'Psycho'
was terrifying back in its days and even nowadays people do not know
what to expect from this film.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
puts their mind to a task at hand they can accomplish it most of the
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
bank. Marion went home there was a close up shot on the money then on
For most aspects in life, we take lighting and general vision for granted. When we flick a switch we
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
PSYCHO is a unique film because it is a black and white film in the
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
floor, slowly so as to allow us to look at the changing girls. We stop
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.