Michael Humphrey
Dr. McDonnell
English 111-14
2 November 2014
Survive and Advance: Did They? In basketball, the National Championship game is the dream of every kid that plays basketball in college. NC State’s basketball team wasn’t well known in 1983. Jim Valvano was the coach and he knew he had a great group of kids. When they won the ACC tournament against the great Ralph Sampson and Virginia, people thought that the win was just luck and they probably wouldn’t make last when they got into the tournament. Throughout the tournament, NC State kept surviving and advancing. In Johnathan Hock’s documentary “Survive and Advance”, Hock uses stock footage of the games that were played during the tournament, different points of view from the players, and the sequence of the documentary to prove that NC State’s basketball team were the underdogs during the whole tournament; however they were able to win despite their adversity
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Without them, it would just be audio and you would have to visualize the matter taking place. With this documentary, Hock uses stock footage to bring the viewers back to the basketball court on that day and make us feel like we are actually there taking part in that terrific event. Throughout the film, Hock puts actual footage of the tournament games. Since Hock lets us see the stock footage of the games leading up to the national championship, we have a first person point of view, instead of a second person point of view. While watching the stock footage of these guys playing for something they wanted so much, it allowed us to see their raw emotion of the moment in time where all their hard work had paid off and they were so happy. He not only let us see this, he lets us get connected with them on an emotional level to where we as the viewers want them to succeed. By doing this, he draws us in and gets our undivided attention and from then on, we are
contemplating how he is unable to readjust back into civilian life. His voiceover illustrates this state of limbo between soldier and civilian:
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
On the Waterfront directed by Elia Kazan about a man that once felt he owed something to the mob and now he wants to control his life. This film is a classic mobster movie that is well known for the filming techniques used whilst shooting. The method acting, the lighting, and the camera angles establish the plot.
The racial system is composed of three basic parts that divides people into different categories: the white on top, black on bottom, and brown in between. This system came to be as a result of three different population coming together with unequal terms resulting in one population having the most power. The film Do the Right Thing, directed by Spike Lee, does an excellent job at portraying how the racial system functions by showing the advantages of being at the top of the system and the disadvantages of being at the bottom of the system. Not only does Spike Lee show the way that the racial system works but it also shows the reality of it and how it puts the races at the bottom
The movie, To Live, is about the life of Xu Fugui and his family. Fugui is a rich man with a gambling problem. The Chinese Civil War is taking place during the beginning of the movie. When Fugui loses his property gambling, he is forced to join Chungsheng in the business of shadow puppets to make money for his family.. Fugui and Chungsheng are forced to join the army. After most of their fellow troops were killed, Fugui and Chungsheng were captured by the Communist Party. Fugui eventually returns home to his wife and kids, to find that his daughter survived a fever, but can no longer speak. The CCP is now in power of China and Fugui sees the man he lost his property to, being put on trial. The movie jumps to the time of The Great Leap Forward. During this time all steel items were collected by the government. Fugui was allowed to keep
It takes a lot of courage and boldness to step out of your comfort zone to stand up for yourself and what you believe in. This is clearly shown in the movie, Secondhand Lions, directed by Tim McCanlies, when 14 year-old Walter is dropped off by his irresponsible mother for an unannounced visit with his two great-uncles, Garth and Hub. Walter is dumped with his uncles for the summer because his Vegas-bound floozy of a mother, Mae, decides to attend court reporting school, but ends up engaged to a guy in Vegas. With the bad influence of his mother and a lack of a father figure, Walter has never learned how to stand up for himself but his uncles soon teach him that. As the movie continues, Walter changes from his timid self into someone bold and gallant.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
Based on a true story, the movie ‘Lone Survivor’ features four Navy SEALs that set out on a mission to Afghanistan with orders to capture and kill Taliban leader Ahmad Shah. The Navy SEALS are detected by villagers and the mission was compromised. Ultimately, the mission had been discovered and the men found themselves surrounded by dozens of Taliban soldiers. One of the Navy SEAL soldiers managed to dispatch to base and retrieve assistance but the Taliban shoot down the helicopter. During battle, three of the Navy SEAL soldiers were killed leaving one still alive.
In the modern day era, we find in society a ubiquitous usage of technology that seems to be never ending and forever growing. Included with this notion, the broad subject of surveillance is of course included. Contemporary surveillance, or more specifically technological surveillance, has been described as ambiguous; meaning that it is often misunderstood or open to different interpretations. The representation of surveillance within popular culture has played an impacting role on how we as a society perceive it and this raises certain questions that may reflect back on to society. The 1998 film Enemy Of The State directed by Tony Scott, Starring Will Smith, Gene Hackman and Jon Voight is considered to be a ‘spy-thriller’ blockbuster. Its central themes explore a range of surveillance techniques and equipment and also provides some insights, no matter how realistic or unrealistic they may be, into the real life security organisation; The National Security Agency (NSA). Using this film as an example and analysing how these themes are represented will hopefully allow us to key these ideas back to modern surveillance theories and practices.
The men in the town had set up a meeting in a barber shop to have a discussion about basketball with the new Coach Norman the men told Norman they needed Jimmy to play in order to win. Norman Dale did not care about who was on the team, it mattered how the players were playing together. Coach Norman went to go visit Jimmy, Coach Norman tells Jimmy a story when he was younger, he would do anything to win a game whether he hurt someone or pushed away someone to win a game. During the movie his perspective about winning had changed. While the team was playing against another team during the game, it did not matter if they were losing it mattered that they were working together. Another example, from the movie Hoosiers was when a player named Ollie had gotten fouled on he had to make the last winning points. Ollie was discouraged, he would not make the winning shot, he gained confidence in himself, so he shot the first shot and made it Ollie was so surprised that he made the first shot, he still had to make the second shot there was a suspense to make the last shot and he did the team was so happy Ollie made the team
Down two with six seconds to go fatigue had taken it tolls on the players. With little energy left; over time was not an option. I knew I had to go for the win. I walk on the floor confident of my ability that was until the whistle blew quickly turning my confident to butterflies. As I fought to get open I quickly saw the ball coming my way. As I rose for a jump shot time itself began to stay still. An in flesh everything became silent. As I watch the ball leave my hand I envisioned greatness; sure the ball was on its way in I started to celebrate that was until I hear the announcer say my teammate tip in miss shot to win us the game. Mix with emotion I celebrate with my teammate. “Ok guys, we have 24 hours until tip off. Get some rest because this is going to be the biggest game of your life. Let’s bring this championship back to Barton College. Go Bulldogs and Goodnight!” Why few players stay in the lobby to hang out I took it talk upon to work on my game and reflect on the semifinal game that just took place. At basketball games you will notice how there are all sorts of fans attending the game.
Nelson Mandela was one of the greatest leaders of our time. In the movie Invictus, the devotion and love he had for the South African people is exemplified. The movie was named after a Victorian poem that brought President Mandela strength while in prison. The meaning of Invictus is “Undefeated”, a perfect fit for this movie. The opening scene of the movie shows President Mandela being freed from jail and driving past a field of young boys playing soccer. All the boys start chanting the Presidents name and running to the fences to get a better look. This is the first scene, and an obvious show of support and following for Mr. Mandela. Throughout the movie there are many different styles and approaches of leadership shown. Not only is President
The film that is being used for the movie analysis is “Enough”, this movie was chosen due to the fact that it is based on domestic violence towards women. The movie begins with in Los Angeles diner were a waitress named slim works with her best friend Ginny (Kazan, 2002). While working her shift slim has a customer that starts harassing her over the name she has, but the companion of the annoying customer defends slim, which in turn starts a romance, later to become a marriage between the two (Kazan, 2002). The couple is later blessed with a daughter they name Gracie, and at the beginning the marriage seems to be a fairy tale out of a story book (Kazan, 2002). The fairy tale becomes a nightmare as time moves forwards for the couple,
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’