In Primo Levi’s Survival In Auschwitz, an autobiographical account of the author’s holocaust experience, the concept of home takes on various forms and meanings. Levi writes about his experience as an Italian Jew in the holocaust. We learn about his journey to Auschwitz, his captivity and ultimate return home. This paper explores the idea of home throughout the work. As a concept, it symbolizes the past, future and a part of Levi’s identity. I also respond to the concept of home in Survival In Auschwitz by comparing it to my own idea and what home means to me – a place of stability and reflection that remains a constant in my changing life.
In Levis description of his journey to Auschwitz, home gradually becomes a symbol of the past. As a young Jewish chemist, participating in the anti fascist movement, Levi was arrested in Italy and eventually taken to the concentration camp, Auschwitz. As he is about to board the train to the camp, Levi claims “the happy memories of our homes, still so near in time and space [were] as painful as thrusts a sword” (Levi 10). At this point in L...
Six million Jews died during World War II by the Nazi army under Hitler who wanted to exterminate all Jews. In Night, Elie Wiesel, the author, recalls his horrifying journey through Auschwitz in the concentration camp. This memoir is based off of Elie’s first-hand experience in the camp as a fifteen year old boy from Sighet survives and lives to tell his story. The theme of this memoir is man's inhumanity to man. The cruel events that occurred to Elie and others during the Holocaust turned families and others against each other as they struggled to survive Hitler's and the Nazi Army’s inhumane treatment.
In his memoir “Night”, Elie Wiesel recalls his experience leading up to, in the middle of, and immediately following his forced servitude during the Holocaust. One of the most remarkable parts of Wiesel’s story is the dehumanization that occurs over the course of his imprisonment. In a system built to take away the identity of its subjects, Elie constantly grapples with his sense of self during the Holocaust and even finds himself lost by the end of the book. This loss of innocence and selfhood is a key element of Elie’s physical, emotional, and spiritual journey throughout the story.
In Sigmund Freud’s Civilization and Its Discontents and Primo Levi’s Survival in Auschwitz, both authors explore the source of human violence and aggression. Sigmund Freud’s book reacts to the state of Europe after World War I, while Primo Levi’s narrative is a first-hand account of his experiences during World War II. International and domestic tensions are high when both works are written; Sigmund Freud adopts a pessimistic tone throughout the work, while Primo Levi evolves from a despairing approach to a more optimistic view during his time at Auschwitz. To Sigmund Freud, savagery comes from the natural state of human beings, while Primo Levi infers violence is rooted in individual’s humanity being stripped away is.
Primo Levi’s tales of his labors in “Survival in Auschwitz” connected Marx’s ideas with work under extreme and unique circumstances. In the Lager, workers suffered extreme working conditions, were deskilled in labor, became one with the masses, and were dehumanized. Through Marx’s four estrangements (estrangement of man from the product of his labor, estrangement of man from the act of labor, estrangement of man from humanity, and the estrangement of man from man), it became evident the ways in which the Holocaust is a product of a heightened version of capitalist modernity.
...urvivors, how fortunate was he to be among them! Primo Levi’s voice in this novel is so emotionless, that one is forced to jettison all biases regarding the Holocaust until completion of the novel. He does not concern himself with how the reader will look at his role in the story he tells; it is his story, thus the reader need only read and formulate their own conclusions. Because his is the story that so many will never get the chance to tell. He comes off as the quiet submissive type, yet underneath this façade is a very perceptive and clever human being. In fact, the saying “still waters run deep” just about sums up Levi’s personality. Recalling what was just written of Levi’s personality, it was premature to say that pure luck was the only guiding force in Levi’s survival; some credit must be given to the individual also. So it is of utmost importance to mention that his determination to survive and to provide an accurate, albeit, detailed account of what he had endured was also a major factor in Primo Levi’s Survival in Auschwitz.
Concentration camps, such as the one in which Levi lived, were tools of national socialist ideology. It further empowered the Nazi?s to treat the Jews as subhuman (an ?inferior race?). Within in a short time after arriving at the camp, men were stripped of everything they had known throughout life. Families were immediately separated after the transport trains were unloaded, dividing the ?healthy? from the ?ill?. Levi learns that he is now called a ?Haftling? and is given a number (174517), which is tattooed on his forearm, replacing his actual name. ?The whole process of introduction to what was f...
The book, Survival in Auschwitz, was a very intense depiction of the events that occurred in the Nazi concentration camp called Auschwitz. Levi was captured, on December 13, 1943, at the age of twenty-four by the Fascist Militia, when he admitted to being an Italian citizen of Jewish race. Much of the first chapter is about the way that Levi was unaware of just how horrible the camps were actually going to be. He begins to experience these true horrors when he is taken aboard the train for the ride to Auschwitz. He is packed into a train car along with hundreds of other Jews who are deprived of food and water and left to freeze on the way to the death camp. It goes on to describe the daily events in the camp which was primarily using the Jews as a workforce that was basically slaves.
In Survival in Auschwitz, Primo Levi describes his time in the concentration camp. The depiction of Auschwitz, is gruesome and vile in the Nazi’s treatment of the captives being held, but especially in the treatment of its Jewish prisoners. A key proponent to the text is Levi’s will to live which is shown in various places in the text, however a thematic element to the will to live is the reference to Inferno by Dante. In particular, the Inferno aids Survival in Auschwitz in by adding another layer of context to the prisoner’s condition, which resembles hell, and Levi’s will to live paralleling the character, Dante.
Primo Levi’s Survival in Auschwitz is a vivid and eloquent memoir of a Holocaust survivor from the largest concentration camp under German control in World War II. The original title in Italian is Se questo e un uomo, which translate to If This is A Man, alluding to the theme of humanity. The overall tone is calm and observational; rather than to pursue the reader, it is “to furnish documentation for a quiet study if certain aspects of the human mind” (Levi 10). The memoir is a testimony of Levi and the other prisoners’ survival at the Nazis’ systematic destruction attempts at the prisoners’ humanity. It was a personal struggle for prisoners, for individual survival, and struggle to maintain their humanity.
Primo Levi’s narrative of the Holocaust explains the true struggle and chance for survival for the Jews in camps, specifically Auschwitz. Separately, Levi describes the true chance people had for survival in that they could have been selected to or in some cases boarded alone either the train car going to work or the train car going straight to the gas chambers. This is similar to the bombing of Hiroshima where some people could have been in the city, such as Saeki visiting her mother in which she could have died, or Kuribayashi being lucky enough in the distance away from the city. As Levi worked in the concentration camp of Auschwitz, he describes the struggle and dehumanization Jews had to go through to survive including tattooed numbers on their arms which labelled them, prisoners stealing soup or shoes to keep going. The major difference between the Hiroshima bombing and the Holocaust was the torture before an end versus an end before a torture. The Holocaust was either a two-minute torture in a gas
“Imagine now a man who is deprived of everyone he loves, and at the same time of his house, his habits, his clothes, in short, of everything he possesses: he will be a hollow man, reduced to suffering and needs, forgetful of dignity and restraint, for he who loses all often easily loses himself.” This short quote is taken from Primo Levi’s “Survival in Auschwitz”. It depicts a true story of Primo Levi during the Holocaust, who was relocated to an extermination camp after beginning a great life after college. Primo was captured with a resistant group from Italy. He used his college education and degree in chemistry to stay alive.
Imagery is used in the form of the other prisoners. “When we finish, everyone remains in his own corner and we do not dare lift our eyes to look at one another. There is nowhere to look in a mirror, but our appearance stands in front of us, reflected in a hundred livid faces, in a hundred miserable and sordid puppets” (68). Imagery is used in this quote to show the reader suffrage through the different emotions and the fears of each of the prisoners in this room. My next point, deals once again with the rising of the sun. "Today, the sun rose bright and clear for the first time from the horizon of mud. It is a Polish sun, cold, white, distant and only warms the skin, but when it dissolved the last mists of a murmur ran through our colorless number, and when even I felt its like warmth through my clothes, I understood how men can worship the sun." (117). This quote uses imagery in a way where Levi finally gets his first taste of freedom. The taste of freedom from the sun provides Levi with hope that he will make it through the winter alive. My final quote comes when Levi is freed, and is on a train through germany. "For the first time, we are aware that on both sides of the road, even here, the meadows are green, because, without a sun, a meadow is as if it were not green. The Buna is not. The Buna is desperately and essentially opaque and grey. This huge entanglement of iron, concrete, mud and stone is the negation of beauty." The Buna, was the largest concentration camp, and since it was blown up, Levi feels free and it’s a beautiful sight to see that nobody ever has to go back there
Thousands of people were sent to concentration camps during World War Two, including Primo Levi and Elie Wiesel. Many who were sent to the concentration camps did not survive but those who did tried to either forgot the horrific events that took place or went on to tell their personal experiences to the rest of the world. Elie Wiesel and Primo Levi wrote memoirs on their time spent in the camps of Auschwitz; these memoirs are called ‘Night’ and ‘Survival in Auschwitz’. These memoirs contain similarities of what it was like for a Jew to be in a concentration camp but also portray differences in how each endured the daily atrocities of that around them. Similarities between Elie Wiesel and Primo Levi’s memoirs can be seen in the proceedings that
Primo Levi, a survivor, gives account on his incarceration in the Monowitz- Buna concentration camp. Setting out with his arrest by the fascist militia in December of 1943, the text conforms to Primo Levi’s experience in the succeeding twelve months as an inmate in the National Socialists’ Monowitz- Buna concentration camp, seven kilometers east of Auschwitz. Upon arriving in the camp, the first-person narrator, Primo Levi, who holds a doctorate in chemistry, embarks a world that renders him astonished; simply by making literary notes to Dante’s Inferno can he manage to draw its contours. After the degrading intake procedures, he actualizes that the objective of the place to which they have been brought is the psychological and physical devastation of the inmates. The inmat...
Primo Levi was an Italian Jewish Anti-fascist who was arrested in 1943, during the Second World War. The memoir, “If this is a Man”, written immediately after Levi’s release from the Auschwitz concentration camp, not only provides the readers with Levi’s personal testimony of his experience in Auschwitz, but also invites the readers to consider the implications of life in the concentration camp for our understanding of human identity. In Levi’s own words, the memoir was written to provide “documentation for a quiet study of certain aspects of the human mind”. The lack of emotive words and the use of distant tone in Levi’s first person narration enable the readers to visualize the cold, harsh reality in Auschwitz without taking away the historical credibility. Levi’s use of poetic and literary devices such as listing, repetition, and symbolism in the removal of one’s personal identification; the use of rhetorical questions and the inclusion of foreign languages in the denial of basic human rights; the use of bestial metaphors and choice of vocabulary which directly compares the prisoner of Auschwitz to animals; and the use of extended metaphor and symbolism in the character Null Achtzehn all reveal the concept of dehumanization that was acted upon Jews and other minorities.