Mary Shelley's Frankenstein Employs Typical Features of the Gothic Tradition One of the most important aspects of any Gothic novel is setting. Mary Shelly's Frankenstein is an innovative and disturbing work that weaves a tale of passion, misery, dread, and remorse. Some would argue that Frankenstein is a classic Gothic novel. By a classically Gothic novel it is meant that the story employs a traditionally scary theme. This could include such things as dark and dreary castles set in isolated surroundings replete with dungeons.
It encompasses all aspects that are vital to Gothicism and executes all perfectly. Stoker adds the element of darkness which clearly intensifies the foreboding ambience and he reflects it on every aspect of the book. The theme of superstition and the supernatural that centres on the villain creates an air of ambiguity and uncertainty concerning Dracula. This uncertainty causes a fear in the reader which enhances the gothic genre of the novel. Finally, the same uncertainty that clouds the supernatural elements of the novel drift into the characters understanding of what is real and what is not.
Frankenstein is perceived as a horror story. When we analyse the monster, however, the story becomes much more complex. Discuss this statement with close reference to Shelley’s presentation of the monster in the novel. Frankenstein is a novel with great hidden depths and a whole new outlook on life itself. Frankenstein was written in 1818 by Mary Shelley.
Edward Scissorhands explores all of the traits that Frankenstein explores in the Gothic style, including the dark, eerie mood, and so called “scary” figure (Hogle, 210). These movies show how the original image of Dr. Frankenstein’s creation has changed over time, and how he can be altered into many different forms. Contrary to popular belief, Frankenstein’s creation is not a huge, green, evil monster with neck bolts. The monster is a very enduring character, and his different qualities are shown in Frankenweenie and Edward Scissorhands. Both of the following films dab in the Gothic style, and portray the different qualities from the novel Frankenstein.
There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told. The very first characteristic of a Gothic novel is its sinister setting. The opening sentence in Frankenstein sets the mood for the rest of the book. Shelley begins her novel with, "You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings" (p. 13).
The use of storms was to symbolize the presence of evil as well as the creation and destruction of a Monster. When Frankenstein's monster comes to life it can be said that one monster is born, and one monster is destroyed. The monster being destroyed is Dr. Frankens... ... middle of paper ... ...y even the family that he thought would accept him for who he was, due to his unknown kindness. Both films share a Byronic hero which endured multiple hardships, which in turn lead to their destruction. Although these two films have very different ideas and structure, while Mary Shelley's Frankenstein is dealing with a supernatural beast along with an intertwining love story, and Emily Brontë's Wuthering Heights is dealing with a plot of passion and love shown through the multiple love triangles throughout the film.
Gothic novels have many different characteristics: they evoke terror both physical and psychological, they have character that keep themselves isolated in time or space from contemporary l... ... middle of paper ... ... Shelley’s Frankenstein truly displays the true essence of what a Gothic novel should represent through the many different characteristics of a Gothic novel. Mary Shelley takes these few basic characteristic and transforms them into a true representation of a Gothic novel. The transformations of these basic Gothic characteristics are what allowed Mary Shelley to create her outstanding and prominent Gothic novel, Frankenstein. Works Cited “Gothic Novels.” The World Book Encyclopedia. Ed.
The Fulfillment of the Definition of Gothic Horror by Chapters 5 and 4 of Mary Shelley's Frankenstein 'Frankenstein' is a gothic novel, a type of novel most popular between 1760 and 1820. The main components of the gothic novel are mystery, horror, and the supernatural. The word 'gothic' itself has several meanings. It can mean harsh or cruel, referring to the barbaric Gothic tribes of the Middle Ages. However, gothic novels typically feature wild and remote settings, such as haunted castles or wind-blasted moors, and their plots involve violent or mysterious events.
This creates a sense of horror because it suggests that Frankenstein is obsessed with the subject. It isn't just a plain interest. After his mother died, he was very upset and angry. He wanted to create a living human being- bringing a dead body alive. He wanted to do something that no one else has done.
The lurid tone of the novel is maintained through the core elements of the Gothic horror genre. Often, a Gothic novel slyly portrays the authors “repressed anxieties” (Galens, “A Study Guide” 191). Research shows that Frankenstein “reflected [Shelley’s] deepest psychological fears and insecurities, such as her inability to prevent her children’s deaths, her distressed marriage to a man who showed no remorse for his daughters’ deaths, and her feelings of inadequacy as a writer” (Galens, “A Study Guide” 191). Different aspects of Shelley’s tragic life immensely influence numerous features of the plot of her most famous work, Frankenstein. The death surrounding Shelley pulls her into a deep depression where she envisions a life with resurrection (Galens, “A study Guide” 181; Schoene-Harwood