Throughout this analytical essay I will discuss, analyse and conclude the work of two contemporary modern dance pioneers, Alvin Ailey and Katherine Dunham. I will pay particular attention to the era 1935-1980 and focus on socio elements of this time period, using relevant literature to support my findings.
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
To begin with, Martha’s desperate effort was one of her strong strengths. When Martha began dance, many people murmured that Martha would fail because she was “quite a few years above the average age of all the other girls in the school” (28), “dumpy, [and] unprepossessing” (28). However, she astonished her dance teachers and others “with her determination to learn and her quick mastery of difficult exercises, gestures, and steps” (30). Martha usually spent her time on the studio alone all day and night, seeking for unique, exotic, and alluring movements of her own. Ted Shawn, Mar...
Victoria Marks’ most recent contemporary dance pieces all were fascinating, but the two that drew me in the most were “Men” and “Mothers And Daughters”. Both of these pieces made in the spring of 2014, focus on the idea of celebrating the life you have been given, leaving your mark on the world, and getting the most out of every opportunity you have to be with someone you care about. Victoria Marks is a dance professor at UCLA, who also choreographs dances for the stage, and films. “Marks’ recent work has considered the politics of citizenship, as well as the representation of both virtuosity and disability. These themes are part of her ongoing commitment to locating dance-making within the sphere of political meaning.” Marks in both films “Men” and “Mothers And Daughters” believes that , "Your Dancing ability does not matter because we are all differently-abled", which is why she used both trained and untrained actors to create these two pieces of art.
Even though dance first originated back in the 20th century when dancer Isadora Duncan broke away from the strict rules of ballet to create her own more natural form of dance. Through time and experimentation, many genres of dance has surfaced - whether from oppression or for theatrical purposes, each one has captured the eyes of it 's audience. From flashy, sequined clothes to light and flowy dresses; each form of dance has it 's own representation. As well as representation, each genre of dance has powerful emotion in it. These popular forms of dance can be classified into three categories: the pounding and rhythmic beats of Hip-hop, the powerful meanings of modern dance, and the wonderful elegance of ballet, the most thought-out.Everyone has watched in amazement as their high school dance
Alvin Ailey played a large role in the diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider variety of content that had otherwise not been popularized before. Not only did he draw his inspiration from the African culture, but he also amalgamated this with his personal experience growing up as a black child during times of segregation.
Different Dance Styles by Doris Humphrey and Maud Allen that Presented New Dances that Displayed Innovative Movements.
Katherine Dunham led a rich and full life not only as a dancer, but as someone who studied the people she loved, wrote extensively, and stood for causes that meant so much to her. Her legacy lives on not only in the great anthropological studies she did or the important political and social stances she took, but in the modern dance of today. Modern dance, or dance in general for that matter, wouldn’t be what it is today without her studies and influence.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Martha Graham was an American choreographer during the twentieth century, whose lifelong pursuit of expressing herself openly and honestly through movement led to many of the innovations we find today in modern dance. Her impact on the dance world is so monumental that it has been likened to that of Picasso’s on painting. Indeed, Graham’s endless search for new forms of expression and honesty through movement have many calling her the most important dancer of the twentieth century.