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How advertising plays a crucials in reflecting and reinforcing gender stereotyping
Influences of advertising regarding gender
How advertising plays a crucials in reflecting and reinforcing gender stereotyping
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Merskin’s article elaborates on a content analysis of advertisements in magazines pertaining to teenage audiences. The focus of the article was to expose the modern day framework in which the myth surrounding menstruation and periods is a historical and cultural contrast built from fundamental characteristics of taboo. What I really took away from the article was the fact that companies pushing these advertisements for women’s hygiene products are really interested in pushing ideals that change the way society views periods, such as the necessity to be discrete, just as much as they are interested in the sale of the products themselves. A clear contribution to this is the name of the products themselves, as they are considered hygiene products.
Jean Kilbourne’s “Two Way a Woman Can Get Hurt: Advertising and Violence” is a section of a book titled: “Deadly Persuasion: Why Women and Girls Must Fight the Addictive Power of Advertising” that was originally published in 1999. It is about the images of women that advertisements illustrate. The central claim or thesis of the document is that: “advertising helps to create a climate in which certain attitudes and values flourish and it plays a role in shaping people’s ideas” (paraphrase). The author wants people by all genders and young children to acknowledge a right attitude towards what is shown in the advertisements so that the standards of behavior will not be influenced. As a result, it enables the negative contribution from the advertisements to be limited or eliminated.
First, Kilbourne’s research should be praised tremendously for bringing to light the unhealthy impression of true beauty in today’s culture. Kilbourne challenges the audience to reconsider their viewpoints on advertising that is sublime with sexual language. The evolution of advertising and product placement has drastically changed the real meaning of being a woman. According to the movie, every American is exposed to hundreds and thousands of advertisements each day. Furthermore, the picture of an “ideal women” in magazines, commercials, and billboards are a product of numerous computer retouching and cosmetics. Media creates a false and unrealistic sense of how women should be viewing themselves. Instead of being praised for their femininity and prowess, women are turned into objects. This can be detrimental to a society filled with girls that are brainwashed to strive to achieve this unrealistic look of beauty.
I have examined and analyzed the COVERGIRL™ NatureLuxe advertisement that uses common feminine stereotypes. In this advertisement, COVERGIRL™, which runs in Seventeen magazines, targets women through their choices of colors, fonts, and images used. Certain stereotypes are used; such as, those who are more feminine tend to prefer lighter, happier colors, such as pink. Also, the use of a celebrity, who many young women look to as an icon, assists in the advertisement of the COVERGIRL™ product. COVERGIRL™, more than likely, is able to successfully market their lip-gloss product in the United States by using common gender stereotypes to show femininity and how those, mainly women, should be presented in today’s society.
It makes one wonder how society came to these ridiculous standards of beauty and the taboo of talking about women's bodies that still resonate today. I can personally attest to the uncomfortableness of the conversation of menstruation and developing bodies. My mother was taught, as her mother before and so on, that these conversations are to be kept in private and talked about quietly. In response to this, the power of men have an increasingly strong hold on the ideal physical beauty and how the changes of the body, such as menstruation, be in private and never spoke of. The Body Project gives a disturbing look at how women in the past few centuries and the present should act, look like, and keep hidden in response to what men think is most desirable. No matter how free women think they are, we are still under the control of men even if it is not directly. This book opens the conversation on the problems that are still plaguing women and how society needs to change to have a healthier environment for women to be comfortable in their
Have you ever wondered where the saying, ‘a picture says a thousand words’, come from? Well, I do not know who came up with this fantastic phrase, but nonetheless, I will be describing and analyzing two different magazine advertisements, trying to put in words what I think the advertisers wanted consumers to receive when those potential buyers viewed their ads. The two advertisements that I chose, Caress and Secret, try to encourage female consumers of all ages to purchase their hygiene products. Although both ads, Caress and Secret, appeal to the same gender with hygiene goods, they differ in design, text, and message. They attempt to please the female buyer with color, texture, and sexuality. This makes it prevalent, that the agents must grab the attention of possible buyers in order to sell their product. The advertisers must choose a variety of marketing strategies to the reach their targeted consumers.
Every day people flip through magazines. Some read every page to enhance their knowledge of the surrounding world, while others are just going through looking at the ads. Many do not think twice about what is being said or expressed through the words and pictures. If people did, however, they would see the truth. We tend to base our product purchases on one simple idea: company advertisements and how they persuade us into buying their products.
We see the ways that the popular media uses gender tensions everywhere. The truth is that sex sells, we know that. The challenge that advertisers face is: How to use it best. Some advertisers do this better than others and the ones that truly have an understanding of gender tensions will, in the end, sell the most. In my last paper, I explored how the company Abercrombie and Fitch uses gender tensions to sell their clothes. They have become among the masters in advertising and the business in booming. They cater to young adults and young adults only for one powerful reason: It is at this age in which the sexual tensions between male and female are greatest. Abercrombie and Fitch has found their niche.
In this essay I’ll be exploring various concepts of women and will deeply criticise the way women are seen and portrayed through advertising. My primary resource I’ll be referring to throughout this essay is a book called ‘Ways of seeing’ by John Berger, which highlights the role women during the early renaissance and onwards. In addition to this I will explore the various beliefs of women from a wide range of secondary resources, and will include references from books, websites, and various images to help clarify my statements.
We have all heard the rhyme “sticks and stones may break my bones, but words will never hurt me.” The #LikeAGirl ad campaign by Always attempts to challenge this age-old axiom. In this ad, Always uses a strong emotional appeal to empower pre and post-pubescent girls, to reclaim the phrase as a positive one, and to demonstrate exactly how amazing it is to be a girl. However, the audience of this ad isn’t limited to the consumers that it aims to market toward. Always also markets this ad toward parents that buy feminine hygiene products for their daughters. By exposing the latent sexism of this common barb, it sends a message to parents that they need to help to empower their daughters as well as teach their children that these comments can be hurtful. The successful combination of rhetorical devices proves that this ad campaign has hit it’s intended mark.
Early in the process of mass market consumers, manufacturers, distributors, and retailers realize significance of using their advertising to target women. Ads were designed and published to speak primarily for women. In the years preceding World War I, marketing techniques targeting women consumers became increasingly effective. Throughout history, women have always struggled for a recognized place in society. Despite the activities of the Suffragettes, support of the Labor Party and some members of the Liberal Party, women still had very few rights in 1900 and certainly no political rights. During the 1900’s women were still trapped in the “cult of domesticity” (Srivastava). A good illustration of the life of women early during those days can be seen in the advertisement O-cedar print ad year 1900 (fig. 1 below). This print ad speaks to house wives, saying that they have a wide variety of products to choose from. Ranging from a polish to protect her floor wood and furniture, dusting pads and mops that, according to their ad “reduce cleaning, dusting and polishing to almost nothing”. It is obvious that this advertisement reflects the stereotypical depictions of women as a “Happy Homemaker”, apron-clad and committed mothers portrayed in self promotional ads.
The concept of woman as property runs deeply in the history of advertising, and continues, despite many hopes that such ways of thinking are archaic and no longer apply to our society, especially after the feminist movement and constant fighting for equality. But no, women and their bodies continue to be hypersexualized in media and commodified for the masses to sell whatever they think will make the marginalized and alienated feel better about the damage society has done. This damage still exists and will continue to do so, unless these transgressions are acknowledged, and women’s bodies begin to be appreciated and respected. The question remains—can the markets do this? Can media be effective without utilizing what is considered to be social conventions to appeal to the
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
The portrayals of men in advertising began shifting towards a focus on sexual appeal in the 1980s, which is around the same that women in advertising were making this shift as well. According to Amy-Chinn, advertisements from 1985 conveyed the message that “men no longer just looked, they were also to be looked at” as seen in advertisements with men who were stripped down to their briefs (2). Additionally, advertisements like these were influencing society to view the male body “as an objectified commodity” (Mager and Helgeson 240). This shows how advertisements made an impact on societal views towards gender roles by portraying men as sex objects, similarly to women. By showcasing men and women in little clothing and provocative poses, advertisements influenced society to perceive men and women with more sexual
To sum up, it is often said that advertising is shaping women gender identity, and some have been argued that the statement is true, because of the higher amount of sexual references of women that advertisement show and the damages that occur on women’s personality and the public negative opinions of those women. As well, the negative effects that those kinds of advertisements cause to young generations and make them feel like they should simulate such things and are proud of what they are doing because famous actors are posting their pictures that way. Others deem this case as a personal freedom and absolutely unrelated to shaping women gender identity. On the contrast, they believe that, those sorts of advertisements are seriously teaching women how to stay healthy and be attractive, so they might have self-satisfaction after all.
Women are more likely than men to be presented at home in advertisements or associated with domestic products like body wash and makeup. For example, you won't see a man in a Maybelline commercial or a woman in a home depot commercial. Overall, there’s clear evidence that portrayals of men and women in advertising are not equal but instead show beliefs about appropriate gender roles and gender stereotypes. Whether these trends in advertising simply reflect the values of the time or actively shape them, it’s clear on how men and women are presented in