The excerpt in which the turtle attempts to cross the road is far from the last time a car deliberately swerves to hit an animal on the highway. This constant motif of roadkill does serve a purpose in that they symbolize the helpless migrant workers being targeted when all they are trying to do is get by and survive. It is also important to remember that they are being purposely harmed by the ones that are most capable of helping them. The animals not
Annie Dillard’s Pilgrim at Tinker Creek features various creatures struggling to survive in the perilous habitats of Tinker Creek. From her own experiences living near the creek, she presents detailed descriptions of the deaths of different insects and animals, mainly due to attacks from other creatures of the same species. Throughout the distinct chapters of her book, she stalks and studies the creatures to construct an overarching theme of life. Dillard argues that in order for any creature to sustain its life, it must cause death to others, even if it means killing members of its own group. In an attempt to expose this horror of reality, Dillard astonishingly employs the muskrat, often thought as a peaceful creature found enjoying the calm water. By presenting the muskrat as a victim of its predators as well as a predator of its own species, Dillard reveals that even the most peace-loving creatures, like the muskrat, are both the objects and the subjects of death.
... they didn’t go. And lastly, she hears more noises until a hole is dug and it’s her old dog. She is happy to see her dog, but even the dog has forgotten her because he merely digs the whole to bury his bone as a hiding place. So, the main themes of loss interpreted in this poem are loss of love, loss of hope, loss of memory, loss of remembrance, and loss of importance.
In lines 125 and 126, the author illustrates this image onto the reader when the children cry, “ We look up for God, but tears have made us blind/ He is as speechless as stone Therefore, convinced their pleas are only in vain, “grief has made [the children] unbelieving” (131) as the only divine and almighty figure in their life is their master who condemns the children to an eternal slavery. Hence, Barrett Browning captures the tainted and broken essence of the children in order to make the established religion and her “brothers” (1) liable for the lack of religious faith in the
...ersion of the “bronze cock on a porphyry/pillar” serves to “convince/all the assembly” that the cry of the rooster is not only one of denial. The end of the poem serves to revert back to the backyard dawn the roosters initially announced. The point of view changed from the realm of the sculpture to focus on the gradual growth of nature from “underneath,” as the “low light” of the sun gilds the “broccoli, leaf by leaf.” The emphasis on militarism takes a back seat to Christian forgiveness, which then yields to nature. Bishop doesn’t endorse any one perspective of the rooster’s contradictory symbolic meanings thus preserving the disjunctive quality of the poem. The new order introduced by the sun is ambiguous and unstable as its faithfulness is likened to that of an “enemy, or friend” making the almost “inaudible” roosters withdraw along with their “senseless order”.
In the essay “The Death of the Moth,” Annie Dillard discusses her observation of a moth being burned in a candle. As she continues to witness the moth’s death, Dillard fiercely describes the flaming insect as “glowing within, like a building fire glimpsed through silhouette walls.” Through this, Dillard invites the reader into her thought process with the comparison of the moth and death. After the moth died, it continued to burn and give off a radiant glow. Dillard continues to observe the insect, saying it “began to act as a wick.” The moth’s ability to illuminate the surroundings and intensify the flame of the candle portrays the idea that death is not the end of the impact a being of life has on earth. Dillard continues her analogy by applying it to her own life, hoping that her “light” will continue to burn after her death. Dillard aspires that her existence will not shrivel up and crumble like the other moths do after they die, that she will continue to enlighten her readers even after she is dead. She wants her audience to be inspired by her writing, impacting them as she was impacted by the moth. Her change in tone throughout the essay suggests her acknowledgment of importance for all things of life no matter how large or small. Dillard discovers that something as small as a moth still
I felt much sadder when I read these words than Dickens’ paragraphs about angels. I think nowadays people are more inclined to pass over those sentiments and read on because, to us, they sound ridiculous and the symbolic nature of these words is lost.
J. Eckleburg’s cynical and divine, glass covered eyes staring upon from the billboard, like the Lord Himself judging each and every soul, makes the eyes troubling to the reader. In this passage, Fitzgerald maintains their mystery, giving the eyes no certain symbolic meaning. The eyes are simply unreadable, “brood on over the solemn dumping ground.” Perhaps the most reasonable reading of the eyes in this point of time is that they represent the eyes of the Lord, staring down at the moral decay of the 1920s.
It is universally acknowledged that all creatures on Earth fare by survival of the fittest. In the case of “Woodchucks” by Maxine Kumin and “Traveling Through the Dark”by William Stafford, the power dynamic of human and animal is illustrated. Each speaker encounters animals, and approaches their situation with a different attitude but identical decision. The speaker in “Woodchucks”, a farmer, is struggling with a Woodchuck infestation and resolves to shooting the woodchucks on the farm one by one. Meanwhile, the speaker in “Traveling Through the Dark” is conflicted about what should be done with a dead pregnant deer left on a empty road, and whether he should push her off the cliff to avoid any future accidents. In the two poems, each of the
The whole poem is about an event of a mother who takes her children to a park. While at the park, she runs into a man that she used to have feelings for and they begin to discuss how their lives have changed and the speaker’s children. The conversation between the two is short and is suggested by the statement, “But for the grace of god…” that the man thanks god that he is not involved with the hustle and bustle of being involved in the woman’s life. As the conversation ends and the man exits the park the woman states, “They have eaten me alive”. This statement gives the reader a greater understanding of what the woman goes through and what she has given up when she
The speaker describes life throughout the poem. She talks about how we are connected to nature and how we are distracted from it and how that could be destructive. She references the bible, and Jesus walking through the desert. I do not believe she is necessarily disrespecting the bible or telling people not to follow the bible, but I believe that people
According to West Bend Culture of Safety, in the United States, there are approximately 1.5 million deer related car accidents annually. Also, there are around 175-200 fatalities every year and 10,000 injuries caused by car-deer collisions. Not only are deer causing many accidents, but they are left lying in the road. Then drivers have to avoid hitting the carcasses which could cause further accidents. The consequences of road kill left on roads relates to the problem the speaker has to face in the poem by William E. Stafford, “Traveling Through the Dark”. The speaker encounters a dead pregnant doe that has been hit and left on a narrow, mountain road. He has a dilemma between whether to save the fawn or roll the doe
Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” is an epic gothic poem in the romantic period that emphasizes the importance of seeing the beauty in all of God’s creatures. The poem had some contributions by other writers at times, but Coleridge had the most influence on the poem as a whole. Coleridge’s mental illness and his inner struggles with guilt, depression, and “religious melancholy” come through as a constant theme throughout his poem. (White)