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Features of post colonial literature theory
Features of postcolonial literature in contrast to colonial literature
Features of post colonial literature theory
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Africa My Africa by David Diop is an excellent example of a post-colonialism piece of work. After researching the author of the poem, I thoroughly understood and enjoyed the text more than just reading it over, without knowing his personal biographical information. David Diop is an African poet, who was born in France. His parents are of the West African descent (Poets.org). Diop emphasizes the problems of Africa that were brought about by colonialism, and shares a message to Africans to bring about change and freedom through his poem, Africa My Africa. Colonialism is the political, social, economic, and cultural domination of a territory and its people by a foreign power.
In the first four lines of the poem, Diop finds himself pondering about Africa. Since David was born and raised in France, he had not seen Africa before, but only heard about the land through family members. It was his grandmother who communicated images, and thoughts of Africa to David, as presented in the line “Africa of whom my grandmother sings” (Diop). The next verse “On the banks of the river bank” (Diop),...
Politics is the science that guides or influencing governmental policies. Politics plays important role in the daily life of everyone’s decision making all over history. The political leaders of Europe viewed the world as a stomping ground they took powers into their hand to take control over unconquered land. They believed that once they take over less advanced places they will be able to get richer by exploiting the uneducated and weaker people. According to an to an article from Africana Age called “The Colonization of Africa” by Ehiedu E. G. Iweriebor, “By 1900 much of Africa had been colonized by seven European powers—Britain, France, Germany, Belgium, Spain, Portugal, and Italy. After the conquest of African decentralized and centralized
In the essay “Why Africa? Why Art?” by Kwame Anthony Appiah, he talks about basically how Africa is thought to be an uncivilized barren and that’s the stereotypical thing that comes to most people’s mind when thinking about this continent. African art has to look a certain way to be able to be called “African.” It has to be made by a tribe, not just one person which is why he says that most African pieces are signed with a tribe name, not just one name. Appiah gives an example of these Asante gold weights that his mother had a collection of. Their use value was to weigh gold dust, which used to be the method of currency. They were made as a utilitarian product, not for art, but many people started to recognize the aesthetic value. He says, “…in appreciating and collecting these weights as art, we are doing something new with them…” These days art is defined to be a certain way and look a certain way. It can’t just be anything, it has to have an aesthetic value to be considered art and to fall into the “guidelines”.
...ion of imperialism has evolved. In both Heart of Darkness by Conrad, and The Poisonwood Bible by Kingsolver, Africa is invaded and altered to conform to the desires of more “civilized” people. While this oppression in the Congo never seems to cease, the natives are consistently able to overcome the obstacles, and the tyrants, and thus prove to be civilized in their own regard and as capable of development as the white nations. As Orleanna says herself: “Call it oppression, complicity, stupefaction, call it what you’d like…Africa swallowed the conqueror’s music and sang a new song of her own” (Kingsolver 385). Kingsolver illustrates that though individuals may always seek to control and alter the region, the inhabitants and victims of the tyranny and oppression live on and continue past it, making the state of the area almost as perpetual as the desire to control it.
Love can make anybody do the unthinkable whether good or bad. It can make any man or woman realize their potential, successes and even failures. That is particularly true when looking at the novel Crossing the Heart of Africa: The Odyssey of Love and Adventure written by Julian Smith. In this novel, Smith tells the stories of two men, Ewart Grogan and Julian himself who embarked on a journey to cross Africa each with a mission they wanted to accomplish. Amazingly, these true stories of these two men have been intertwined and bring out a brilliant documentation of the happenings in their lives during the adventure. Interestingly, these two journeys took place a century apart and were each meant to accomplish a different reason but all in the
The inception of the Pan-African movement was motivated by colonialism and racism faced by African people living in Europe, West Indies and North America in the nineteenth and twentieth century. Through this, leaders of African states originated this movement to unite people of African descent to fight against racism and colonialism (Schraeder, 2000:126). The Pan-African movement was initiated by significant figures such as William Dubois and Marcus Garvey. The concept of this movement started outside of Africa. Africa was later included into this movement as it became the continent of concern of the movements vision. The African demand for colonization to end erupted a war between Africa and its colonizers. This war indicated a certain awareness and importance of uniting people of Africa together which is the initial Pan-African vision. (Schraeder, 2000:127)
his own seemed to be inane and dull. Besides, Hugh’s childhood stories were so adventurous
Prior to the arrival of European traders, the continent of Africa had developed sophisticated society as it demonstrated its ability to maintain advanced civilizations, withhold three major empires, and gain wealth through trade. Although European traders did advance organized society in Africa, it would be false to say that prior to their arrival Africa was underdeveloped.
“I know no national boundary where the Negro is concerned. The whole world is my province until Africa is free” (Garvey). These words by Marcus Garvey perfectly illustrate the spirit of unification that characterized the attitude of many people of African Descent as a direct result of the callous treatment that Africa as a whole suffered at the hands of Europeans. Europe not only ravished Africa of a significant resource in the millions of lives that it stole and enslaved. Europe also pillaged the continent with the brutal institution of colonization. The manacles of colonization inspired great suffering in the lands and lives of Africans examples include Land exploitation, labor exploitation and most significantly exploiting the minds and spirits of Africans through inhumane treatment. The disabling affliction imposed upon Africa by the White race was the driving force behind the idea of a Pan-African awareness.
At the turn of the 20th century, African states had been colonized and were being used by the European nations with imperialistic ideals. With imperialism came the praise and promotion of the imperialistic ideas. However, unlike other times in history where a nation had taken over another, there was criticism written by some of the writers living in the imperialistic countries. Two of these writers were Joseph Conrad, who wrote Heart of Darkness, and George Orwell, who wrote “Shooting an Elephant”. Both of their pieces comments on the dark side of imperialism and the effects it has on the colonized states and the people of the states.
An Image of Africa Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]. Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe.
How Europe Underdeveloped Africa by Walter Rodney, was one of the most controversial books in the world at the time of its release. The book seeks to argue that European exploitation and involvement in Africa throughout history. This is the cause of current African underdevelopment, and the true path to the development is for Africa to completely sever her ties with the international capitalist economy. Rodney describes his goal in writing the book in the preface: “this book derives from a concern with the contemporary African situation. It delves into the past only because otherwise it would be impossible to understand how the present came into being and what the trends are for the near future” (vii). Rodney writes from a distinctly Marxist perspective by arguing that the inequalities inherent in European capitalism and required exploitation of certain countries in order to sustain capitalism.
While Collins does a succinct job of examining the economic and political factors that heightened colonization, he fails to hone in on the mental warfare that was an essential tool in creating African division and ultimately European conquest. Not only was the systematic dehumanization tactics crippling for the African society, but also, the system of racial hierarchy created the division essential for European success. The spillover effects of colonialism imparted detrimental affects on the African psyche, ultimately causing many, like Shanu, to, “become victims to the white man’s greed.”
...s, so as to hone the contrast between Africa's creation, colonisation and post-colonialism periods. In stanza one, Tagore explores the creation of Africa and cleverly establishes a setting so primal and yet so admirable. This is followed by drastic tone changes in the following stanzas which disturbingly make Africa a victim of imperialism, thereby imparting to readers just a morsel of the hardship of African history. The poem also clearly illustrates the hypocrisy of Western imperialism in the final stanza, where Tagore's juxtaposition of images and words amplify this idea. Eventually, we recognise that the only form of redemption for such Western nations is through a plea for forgiveness that will come when they experience their own downfall.
An overwhelming majority of African nations has reclaimed their independence from their European mother countries. This did not stop the Europeans from leaving a permanent mark on the continent however. European colonialism has shaped modern-day Africa, a considerable amount for the worse, but also some for the better. Including these positive and negative effects, colonialism has also touched much of Africa’s history and culture especially in recent years.
Colonialism is a situation whereby a dominant imperium or center carries on a relationship of control and influence over its colonies (Key Terms in Post-Colonial Theory, n.d.). In this drama, Aidoo not only tells a disobedient child’s story, but she actually reveals a very important historical moment in Ghanaian history through the personal tragedy of Anowa and Kofi Ako. Anowa in this drama represents Africa. Her destruction represents Africa’s fall which was as a result of the actions of selfish men (represented by Kofi Ako) who only cared about amassing wealth to the detriment of their fellow Africans’ wellbeing, thereby betraying Africa as a whole.... ...