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Recommended: Study of psychology
I plan to argue “To Room Nineteen” by Doris Lessing in the field of psychology and its effect on women’s lives, stating that the cause of suicide for Ms. Dubois is not because of the social judgments and perception negatively that affected Susan’s domestic responsibilities but rather the lack of emotion within her life and her relationship with her husband, because she could live up to the ideals valued by culture and beliefs but deep down she married for the benefit of others and no love in their relationship or with her children.Traditionally in the mid twentieth century, women held various duties that were crucial to keep their households intact. Most have sacrificed much of their freedom and independence to nourish their family. Women were …show more content…
Except that forgiveness is hardly the word.”(2761) She try to push this problem behind so that she would not have face the chaos of her marriage. “Charting the failure of communication and later decline of love.” (Janina Nordius) Matthew and Susan’s relationship begins to slowly deteriorate as lies and deceit plies in their marriage. These are all factors that gives to Susan’s aspiration for solitude, so that she can get away from all the tension and hassles. Susan’s pursuit for peacefulness and isolation is driving her mad since she is always surrounded by overwhelming commotion. Mrs. Parkes, the housekeeper, is constantly asking for Susan’s approval for everything that she does. Her hesitations and uncertainties especially aggravate Susan because she feels like people are always depending her on every little issue. “She was planning how to be somewhere where Mrs. Parkes would not come after her with a cup of tea, or a demand to be allowed to telephone (always irritating Susan did not care who she telephoned or how often), or just a nice talk about something.”(2765-2766) This is one of the reasons why Susan have an eager craving for loneliness. Also Sophie, the Rawlings’ household worker, replaced Susan’s position in the …show more content…
For instance, Susan has developed an imagery evil demon haunting her garden. The demon represents her suffering and misery inhibiting her to obtain her freedom. “He is lurking in the garden and sometimes even in the house, and he wants to get into me and to take me over.”(2768) Once she was in Fred’s hotel room, the demon was gone. But when Matthew discovered her going to Freud’s hotel and assumes that she has cheated on him, the demon returns to visit her. Also the snake in her garden characterizes her dual personality. “the illusion symbolized that her schizophrenic psyche had been on the verge of corruption.”(Wang and Wen) Susan’s psychological conditions worsen as she starts to visualize snakes lingering her garden. Still when she brushes her hair it makes hissing noises similar to a snake signifies her illness is getting more severe. In addition, the mirror in her room signifies that her schizophrenia symptoms are getting critical. “Yet that’s the reflection of a madwoman. How very strange!”(2771-2772) Her other self is representing her bitterness and resentment. These are distresses that Susan is experiencing because of pressure put upon
Susan and Mathew have a distant relationship because he focuses on patty the four-year-old home school education and almost loses Susan. Susan a teacher notice the interest her husband has in the child and is fears patty is too active with education and has less interaction with her peers also she pokes holes in her diaphragm to keep from having children. Nathan finally understands the obsessive behaviors he has over patty’s education and allows patty to be a child, therefore he focus more on his marriage. Lastly, they rekindle relationship and had another child. Susan and Nathan love one another, consequently, communication played enormous partake in their reconciliation.
Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relations as an individual to the world within and about her” (35). Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she...
... mold of a traditional woman throughout her entire life. She set new standards for women regarding relationships. She dared to get divorces, to leave an abusive man, to leave a cheating man, to have a lover, even to marry a much younger man, but more importantly she dared to write about these controversial topics. Readers may get a sense of Granny's bitterness toward men, but they cannot ignore her strength and independence. Porter was a part of the "era of exuberance" because she played her role in the evolution of women. The answer to the question posed at the beginning of this paper is the same question women of the early twentieth century began asking themselves. This question became a choice for them. Porter chose to be strong because of her ability to move on, and by the time she became Granny Weatherall she knew she had achieved what she had set out to do.
“I thought she would die right along with him,” (Flagg, 37). How would it feel to lose a sibling or close friend? Would one feel depressed and keep to themselves or would they emerge as a stronger person? In Tears of a Tiger, the author, Sharon Draper, exposes Andy as a depressed teenager who lost his best friend, Robert, in a car accident with the use of alcohol. The author of Fried Green Tomatoes at the Whistle Stop Café, Fannie Flagg, exhibits withdrawal through her character, Idgie, after she loses her brother, Buddy, in a train accident. Following the death of two people very close to Andy and Idgie, in two separate novels, the authors depict the two characters comparably.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men. In The Story of an Hour, the main character, Mrs. Louise Mallard, is a young woman with a heart condition who learns of her husband’s untimely death in a railroad disaster. Instinctively weeping, as any woman is expected to do upon learning of her husband’s death, she retires to her room to be left alone so she may collect her thoughts. However, the thoughts she collects are somewhat unexpected. Louise is conflicted with the feelings and emotions that are “approaching to possess her.”
During the nineteenth century, Edna Pontellier lived in a society that imposed strict roles and had high expectations on women. Frequently referred to as the “women sphere”
... to the domesticated woman urging her to care for her family providing food for the body but to also care for herself in providing food for her mind: A house is no home unless it contain food and fire for the mind as well as for the body” (602). Murray, also makes suggestion for reform, encouraging women not to abandon their familial roles, but, rather tend to their family’s domestic needs dynamically saying “while we are pursuing the needle, or the superintendency of the family, I repeat, that our minds are at full liberty for reflection; that imagination may exert itself in full vigor” (405). In saying this she encourages women not to be passive but to be active and dynamic in their supposed roles as women, to defy the notion of the archetypal woman who tends to her family and has nothing that pertains to her solely and enrich the mind and subsequently herself.
...ues women’s work becomes wrong. Yes, in today’s society one could argue further that a woman who stays at home and does not work is only reinforcing the stereotype and prolonging the inequality. However, this essay was not written to change the world. It simply strove to identify and prove the reasons behind a ruined sense of self worth that many women in the early 1900’s felt as a result of their work being demeaned. By reaching out to people’s emotional sides, McBride relayed her grandmother’s tale so that people could clearly feel the hurt and demotion that women of that time lived with in order to have them persuaded that the oppression of women in any manner and capacity is wrong.
...show us that the choices for women in marriage were both limited and limiting in their scope and consequences. As can be seen, it came down to a choice between honoring the private will of the self, versus, honoring the traditions and requirements of society as a whole. Women were subject to the conditions set down by the man of the house and because of the social inequality of women as a gender class; few fought the rope that tied them down to house, hearth, and husband, despite these dysfunctions. They simply resigned themselves to not having a choice.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
In the story, “The Yellow Wallpaper,” the role of a woman in society is one of domestic duties. Jeenie, the protagonist’s sister-in-law, is a great example of this. The protagonist is forbidden, by her husband, to “work” until she is well again, so Jeenie steps in and assumes her domestic identity of a woman and wife. The protagonist calls her “a perfect and enthusiastic housekeeper” and says she “hopes for no better profession” (Gilman 343). Jeenie clearly has no aspirations outside the confines of her domestic role. The protagonist herself worries she is letting her husband, John, down by not fulfilling her domestic duties. She says “it does weigh on me so not to do my duty in any way” (Gilman 342). Besides the domestic role, which she is unable to fulfill, the protagonist plays the helpless, fragile, role of a woman where she is deemed incapable of thinking for herself and is reduced to acting more or les...
In the story “To Room Nineteen” written by Doris Lessing the protagonists, Susan Rawlings, privacy was intruded which lead to her suicide. Before Susan married she had a comfortable life with a great career however she was forced to give that all up. In her commentary “In Room Nineteen-Why Did Susan Commit Suicide? Reconsidering Gender Relations from Doris Lessing’s Novel, Wang Ningchuan and Wen Yiping Write: “Marriage for Susan had become a turning point from equality to subordination. The first fault that Susan made after marriage was her voluntary dispossession of her private property, the flat. And then she renounced her job for being expectant. The both symbolized her unintelligent relinquish of material or economic independence, withdrawing her into an inferior or subordinate social position. Nominally, it is due to Susan's reconciliation toward marriage. Ontologically, the reconciliation was surrender to her gender identity, that it was natural for a marital woman not being an individual” (67). She would stay at home and take care of her children, yet she longed for them to grow up so she can have some time of her own. She would tell herself “Soon the twins would go to school, and they would be away from home from nine until four. These hours in Susan's eye; would be the preparation of Susan’s own slow ema...
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were