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project gender roles in fairy tales
gender In literature
gender discrimination in literature
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Next, both tales depict the submissiveness and naiveness of women, particularly adolescent, childbearing-aged women. For example, in Briar Rose, although a curse was cast on her in her toddlerhood, she was kept in the dark for her entire life and thus as she sees the woman spinning, and is mesmerized and fascinated (therefore, adding to the fact that a woman’s desire should be inherently domestic) and foolishly grabs the spindle setting the curse (Little Brier Rose). Additionally, in Briar Rose, her submissive qualities become very apparent as she awakes from her deep sleep by the kiss of the prince. Briar Rose instantly falls in love with the prince and agrees to marry him, all seemingly prior to them ever sharing a dialogue. Once again, however, Snow White portrays the stereotype to a much greater extent and is much …show more content…
The characters’ roles in the Grimm’s fairy tales such as Briar Rose and Snow White are consistently gender uniform. The princess, because of her submissive and naiveness, is stricken by misfortune and is left to suffer until a male character comes to solve the conflict. Additionally, the accessory characters in the tale are also gender uniform. Many tales contain the evil stepmother not the evil stepfather. In Snow White, it is the stepmother who is envious and abhorrent of her stepdaughter, which leads her to wish for her stepdaughter’s death. In contrast, in Briar Rose, the father carries out a massive demand: to destroy all spindles throughout the kingdom in his attempt to protect his beloved daughter. Therefore, it is the male figures who are depicted as the most caring and the best parents, where the female characters are depicted in a much more negative way. Even when a female character is initially positively presented, she often succumbs to a sudden catastrophe, such as death (Little Snow
...nes are generally portrayed as domestic figures or figures who need domestication…" While "… men are expected to become socially useful and fight for their goals." This contrast in traits encourages women to stay in the background while their male counterparts become proactive members of society. Another author, Bottigheimer demonstrates how the Grimms would slightly twist the words that "…weakened once strong female characters, demonized female power, imposed a male perspective on stories voicing women's discontents, and rendered heroines powerless…" The explanation that was found for the gender biased contexts was because of "…Wilhelm’s increasing reliance on misogynistic folk tales from the sixteenth and seventeenth centuries." so when they were published, they had a different tone that demonstrated more of the peasant values rather than those of the bourgeois.
Damsels in Address It is clearly evident that many fairy tales of childhood tend to shape the reader. Certain moral codes and ideals are tightly woven into the text of many fairy tales, promoting or denoting a character’s actions. In the Grimm’s fairy tales Cinderella, Brier Rose, and Rapunzel, the heroines of these tales exhibit strong behavioral codes, thus providing opportunity for the young female reader to relate to the damsel, or to model herself to behave in a similar fashion. In accordance with Marcia R. Lieberman’s essay, " ‘Some Day My Prince Will Come’: Female Acculturation Through the Fairy Tale," I agree with the assertion that positive traits in fairy tale indicate reward, while the negative characteristics bring misfortune. A heroine in a fairy tale is to be seen as a mentor, a model to easily portray what is right, and what is inherently wrong. For instance, a passive heroine proves to bring eventual reward through pain and suffering, while a female who is assertive, either mentally or physically, is shunned. Suggestions integrated throughout the text of the three tales provide strong evidence as to the desired morals and values of the society in which the tales were written. Through the examination of tales, their inherent messages surface. Children’s perceptions of fairytales can go a long way towards shaping social interactions among said children. Passivity is a major player in the personalities of Rapunzel, Cinderella, and Sleeping Beauty. Rapunzel relies completely on a determined prince to escape her imprisonment; Cinderella uses a fairy godmother to help her cause and Sleeping Beauty waits until Prince Charming wakes her. Children could see these characterizations of women and begin to intertwine them with their own budding personalities. Boys begin to see women as weak and Girls may interpret these behavior traits as indicative of their being the lesser part of relationships with men. Sexual roles, although not overtly discussed within the pages of fairytales, becomes the focus for these young people. Marcia Lieberman reiterates the idea of inherent roles stating, "a picture of sexual roles, behavior psychology, and a way of predicting outcome or fate according to sex"(Lieberman, 384). As they grow older, the children may begin to fall into the roles they discovered in the fairytales; boys begin ...
Shrek, an enormous, disgusting green ogre falling in love with a beautiful princess (later turning into a nasty ogre) is a perfect example of a stereotypical fairytale, right? Well in the movie Shrek, the voice over in the trailer talks about a “hero” attempting to rescue a “fair princess” with the help of “his trusty companion." Besides the fact that the hero is a voluptuous green ogre and the companion is a donkey, everything fits in normally to the definition of a traditional fairytale (Diaz). Also according to Mary Kunimitsu, in fantasy films “There may be characters with magical or supernatural abilities such as witches, wizards, superheroes, mythical creatures, talking animals, and ghosts” (Kunimitsu). In Shrek, there are many of these different characters. Therefore, by explanation, a traditional fairytale with the beautiful princess getting saved by the prince and falling in love is exactly what happens in the movie Shrek, just with a twist. The voice over in the trailer for Shrek states it perfectly as he says “Shrek is a highly irreverent take on the classic fairytale” (Adamson). As an untraditional fairytale, and a parody, the movie Shrek poses the breaking of stereotypes of gender and film fairytales all the while keeping the criteria of a fairytale.
One of the main themes that I noticed when I was reading through the fairy tale texts was the theme of stereotypes. Firstly, what are stereotypes? Stereotypes are essentially an offensive generalization or an over exaggerated view that is used to categorize a group of people. I noticed that in two of the three texts that I have selected for this paper, the authors, Jakob Grimm and Wilhelm Grimm, tend to portray women as being very dependent on men. In addition, to being depicted as being very dependent, they were also shown to be weak and very naïve. My goal in this paper is to highlight the numerous accounts of stereotypes that are cast mainly upon women and sometimes men as well, whether it be fictional or non-fictional, through the use of two texts. These texts are “Cinderella” and “Snow White and the Seven Dwarfs”. For my third text I chose to use “Precious” by Nalo Hopkinson, because it challenges the stereotypical ideas presented of women.
This article discusses about feminist fairy-tale scholarship. The author’s main claim is that the study of feminism in fairy-tale is intricate due to its broad and diverse influences especially from 1970s to 2000s. It is certain that generally female has main or significant role in fairy-tales, however, its presentation influence gender identity not only on children, but also on females. The author provides support through citing other credible authors’ works and comparing those authors’ arguments. One of examples the author presents is how fairy-tales suggest women to behave certain ways such as submissive, naïve, and powerless, and at the end, there is always a handsome princess who rescue the main female character from dangers or desperate situations. Moreover, this induces women to believe that there would be a prince at certain time in their lives. The
The Grimm’s stories have strict criteria for good and evil. Good women are not the hero, they do not plan, nor do they get themselves out of bad situations; they are obtuse and wait until a Prince saves them. These qualities doom the female protagonists (and readers) to pursue the only destiny women have, and that is to be a wife and mother (Rowe, 1978). Cinderella is the heroine and the ideal good girl. She is unambiguously beautiful, kind, and compassionate. She does not complain or get angry. This is foreseen early in the Grimm’s Cinderella story:
It could be argued that in Disney’s first era of films women are seen as objects rather than human beings. As mentioned, the female protagonist awaits her fate from the prince to live a happy ending. This promotes that women do not need to fend for themselves due to someone coming to rescue them, enforcing a powerless stereotype. ‘Since women were leading the war effort at home and managing entire households and companies on their own, few would easily of readily identify with the passive damsel awaiting her prince’ (Stover, 2013, p.2). Snow White is a stereotypical homemaker, she caters to the dwarfs every need, never complaining and staying obedient. When put under a spell by the evil Queen, Prince Charming must kiss her in order to break the spell and free her from this life. The sa...
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Fairy Tales have been around for generations and generations. Our parents have told us these stories and we will eventually pass them down to ours. In this time of age the most common fairytales are Cinderella, Snow White, Sleeping Beauty, Beauty and The Beast and many more. Children idolize their favorite character and pretend to be them by mimicking everything they do in the stories. The character’s behavior is what is viewed as appropriate in society. These fairy tales show a girl and a boy fall in love and live “happily ever after”. The tales in many people’s eyes resemble a dream life that they would want to have of their own. However, have you ever really looked at what makes up a fairy tale? Many things are unrealistic but the most unflattering aspect of these tales is how women are depicted in them. Fairy tales give an unrealistic view to how women should look and behave in real life.
...ndency on the fairy godmother and the prince encourages a meek and inactive behaviour to achieve a rewarding future (Robbins, 104). Overall, Cinderella’s behaviour is “...weak, silent and passive...” (Trousdale & McMillan, 12) which is unacceptable for a modern western woman.
In the story “Ash Girl” the protagonist wanted to live up to her mothers dying wish of remaining “devout and good” (Grimm 23). Being labelled a “good girl” around that time meant that you followed the basic roles of a daughter, sister and wife. “Ash Girl’s” motives to escape her family by getting married was greatly influenced by her mothers last words. In contrast to, the protagonist in the story “Cinderella, or the litter glass slipper”. In this story, Cinderella is not influenced by a specific person, instead she just wants to get away from her family. Naturally, the only way she knows how to so is to get married. Another example of how literature takes the stereotypical idea and portrays men as the superior race is with the stepsisters in both stories. The stepsisters were just as obsessed with marriage as the protagonists, as they even fought over the same man. However, there are some differences with the steps that the stepsisters took in order to get married. For instance, the stepsisters in the story “Ash Girl” went as far as cutting off a part of their foot in order to trick the prince into a marriage. In the story “Cinderella, or the little glass slipper”, all three sisters did indeed try to get the attention of the prince so that one can become his bride. However, the story was different in the way that the protagonist did have some compassion towards her stepsisters. So when the prince chose her to become his wife, on her wedding day, she found suitable matches for her sisters to marry and to also attain their goal of
Few people can grow up within today's society without knowing the tale of Snow White. From the Grimm Brothers to Disney, it has been told and retold to children throughout the ages. However, what is often overlooked are the true meanings within the story. Fairytales typically have underlying messages that can be found written between the lines, generally in terms of the key themes. Snow White discusses the themes of envy and beauty, and shows how humans' obsessions can lead to their own downfall as well as the harm of others. When focusing on the relationship between Snow White and her step-mother the Queen, it is evident that the combination of these two themes results in a power struggle in which beauty is seen as a commodity and is the basis for the step-mother?s envy towards Snow White.
Ruth B. Bottigheimer is a folklorist, scholar, and author. At the moment, she works at Stony Brook University in New York and she is a professor in the department of Comparative Literature and Cultural Studies. As her writing the book Grimm’s Bad Girls and Bold Boys: The Moral and Social Vision of the Tales suggests, she has a fascination for fairy tales, primarily European fairy tales. This book is an in depth analysis of the stories represented in Grimm's Fairy Tales; however, Bottigheimer’s main argument seems to be focused on gender distinction in the stories. Bottigheimer seems to believe that women were discriminated more in this story as that was the social norm at the time. Various chapters throughout the book seem to focus on the argument that there is an inequality between men and women represented.
The article discusses the importance of feminine beauty throughout fairy tales, specifically the Brothers Grimm’s fairy tales. Women, especially those who are younger, are often described as “pretty,” “fair,” or beautiful in these fairy tales and that beauty is associated with usually white privileged women with high moral standards. These fairy tales, especially in prominent stories, send messages that not only tell you what beauty should look like, but also how it is rewarded. The example the article uses is from “Mother Holle” in which there is a beautiful girl and an ugly girl. The beautiful girl is portrayed as industrious
Cinderella’s mother passed away and her father remarried a woman who had two daughters from a previous marriage. A few weeks passed and a prince is holding a three day festival and all the beautiful young girls in the town were invited. Cinderella wanted to go but her evil stepmother gave her two impossible tasks to complete before she could attend the festival. Cinderella completes the two tasks with the help of her bird friends and her mother’s grave. Cinderella goes to the festival and she dances with the prince all three days. Finally, the prince has fallen in love with her and eventually they get married. Fairytales and Disney productions threaten gender politics and women’s role by portraying women in certain areas like domestic behaviors