“Elisa stood in front of the wire fence watching the slow progress of the caravan. Her shoulders were straight, her head thrown back, her eyes half-closed, so that the scene came vaguely into them. Her lips moved silently, forming the words 'Good-bye—Good-bye.' Then she whisprered: 'That's a bright direction. There's a glowing there.'” (American Short Stories 321) John Steinback's story, The Chrysanthemums centers around a young woman named Elisa Allen and the struggle she faces with her individuality. The uniqueness of Steinback's story can be accreditted to his use of symbolism throughout his writing to create and prove the central theme of equality within genders. An analysis of the characterization, setting and theme of The Chrysanthemums, as well as John Steinback's internal experiences support his modernist veiwpoint.
Elisa Allen reveals two very different sides of herself in The Chrysanthemums- the person she forces herself to be outwardly and the person she inwardly craves to be. As the story opens, Elisa is very quiet with her husband, giving him brief responses that lack enthusiam. After exchanging a few words with her husband, consisting much of the word “good,” “she said: 'I'll have plenty of time to transplant some of these sets, I guess” (American Short Stories 315). Here, Elisa's responses are neither affirmitive nor a reflection of how she truly feels. Progressively, though, Steinback unveils an eager, overly-expressive Elisa as she encounters a stranger that come to visit her. With the pot fixer, Elisa shares her passion for growing chrysanthemums and expresses a personality trait that is in direct opposition with her otherwise passive attitude. “'It must be very nice,' she said. 'It must be very nice. I wish...
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...es away the most beautiful people; and, as a result, it is not often these characters bloom. Steinback expressed his modernist viewpoint through the story's many metaphorical resonances. The characters, setting, plot and theme of The Chysanthemums give a modern perspective on mid-century life, reminding us to abondon stereotypical views that bind people from embracing their gifts.
Works Cited
Steinback, John S. "The Chrysanthemums." American Short Stories. By Rebecca Burke. Logan, IA: Perfection Learning, 2012. 313-24. Web. 7 Mar. 2014.
Magill, Frank N., John Steinback, Micllichap, Joseph R., ed. Critical, Survery of Long Fiction: English Language Series. Pasadera: Salem Press, 1991. 3149-3162.
Magill, Frank N., John Steinback, Shuman, Baird. R., ed. Magill's Survey of American Literature: Volume 6. New York: Marshall. Cavendish Corporation, 1991. 1885-1899.
Most of the time there is a moment in life where one realizes they have lost all innocence and gained some compassion. “Marigolds” shows how one young girl transferred from a child to young adult through her life experiences. Throughout this story another young, but at the same time old in her prime, lady’s experiences are revealed: the author’s. In this short story, “Marigolds,” Eugenia Collier’s subconscious is unmasked through symbolism, diction, and Lizabeth’s actions.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
...tical Review of Long Fiction. Vol. III 4 vols. Pasadena, California: Salem Press, 1991, p 1273
Renner, Stanley. “The Real Woman Inside the Fence in ‘The Chrysanthemums’.” Modern Fiction Studies. Vol. 31. No.2. (Summer 1985). 305-317. print; reprinted in Short Story Criticisms. Vol.37. eds. Anja Barnard and Anna Sheets Nesbitt (Farmington Hills: The Gale Group, 2000). 333-339. print.
One day, when her husband Henry goes to work a traveling salesman stops by the house looking for some new work. There is a sense of slight flirtation at first, but that's just because Elisa is so excited to have conversation with someone else other than her husband. However, once he tries to reveal his sales pitch Elisa becomes irritated and short with the man. It wasn't until the salesman made mention of her chrysanthemum's that, " the irritation and resistance melted from Elisa...
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
"The Chrysanthemums" is a good depiction of most marriages in the early 1900's, the husband is the chief breadwinner and the wife is considered nothing more than a housewife. "The simple story outlines are enriched by irony and imagery which contrast the rich land and the sterile marriage, the fertile plants and Elisa's inner emptiness" (McCarthy 26). The story begins by introducing the setting: "The high grey-flannel fog of winter closed off the Salinas Valley from the sky and the rest of the world" (Steinbeck 115). This vivid illustration unconsciously gives the reader a look into the dominating theme. However, it is not until the climax of the story that the reader begins to notice Elisa's true pain and need for her own self-identity. The main protagonist i...
Renner, Stanley. "The Real Woman Inside The Fence In 'The Chrysanthemums.'" Modern Fiction Studies 31 (1985): 305-17.
In “The Chrysanthemums”, a short story by John Steinbeck, a woman named Elisa has an unfavorable encounter with a traveling repairman who takes advantage of Elisa’s charity to make a sale. As the plot progresses Elisa changes, and the eventual evolution in her understanding of her place in society is foreshadowed. Initially Elisa is seen tending to her garden with great devotion such that she is seen as capable and strong. Based on the fact that Steinbeck’s “The Chrysanthemums” was published in 1938, one can surmise that Steinbeck created Elisa to reflect the women of the time period. Elisa is faced with limits that she cannot overcome, such as limited choices in employment and a stigmatization of women that opt to take up interests considered
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
Magill, Frank N. Critical Survey of Short Fiction. Vol. 6. Pasadena, California: Salem Press, 1993.
Every part of each lead character’s personality and physicality are different, yet the two authors, almost a generation apart in age, wrote showing these characters facing a similar fight against a woman’s place in society. The narrator describes Louise Mallard in paragraph eight physically, as "young, with a fair, calm face, whose lines bespoke repression and even a certain strength" (Chopin 169). This depiction has an underlining meaning as repression bounded by society. This bias among men and women has tailored its restraints within her and has given her a stronger look. “The Story of an Hour” was written when women could not yet vote in the United States. The best status for her might have been to be married at that time. Steinbeck descripts Elisa Allen in pa...
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.