Streetcar Named Desire by Tennessee Williams
Tennessee Williams, an American playwright, has been known as the most prominent American southern dramatist. He won his first Pulitzer Prize with Streetcar Named Desire. In this play, Williams shows the need for belief in human value against the natural realistic world. He uses symbols to develop the characters and theme of illusion verses reality within Streetcar Named Desire. The two main characters are Blanche DuBois, an aristocrat southern belle, and Stanley Kowalski the "gaudy seed-bearer." Blanche lives in the superficial world she has made for herself while Stanley lives in the harsh realistic world. The confrontation between Blanche and Stanley is shown throughout the play and is so severe that one must be destroyed.
Williams uses specific names to describe his characters. The name Blanche comes from a French word meaning white and her last name Dubois meaning woods. This corresponds with Blanches character because she uses the French language to charm Mitch and to seem more intelligent. White being the color of purity suggests that she is pure and innocent although it will soon be shown that this is an illusion that she has engrossed in. She has come from Belle Reve, also of French descent meaning a beautiful dream, which is the plantation where she and Stella grew up. She has lost the plantation and in a since she has lost the dream she once had. The arrival at Stella's is her last hope to recapture this dream.
She is described as wearing white and having a moth like appearance. In literature a moth represents soul. So it is possible to see her entire voyage as the journey of her soul. She describes her voyage: "They tol...
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Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are distinctly different in temperament. In "A Streetcar Named Desire" Blanche exemplifies the stereotypical old south: educated, genteel, obsolete. Stanley is the new south: primitive, crude, ambitious. Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley. He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeats Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity.
Adversity can cause an individual to overcome their challenges and strengthen their identity, however, it can also have the opposite negative effect. Adversity can trigger an individual to lose their identity in their attempt to escape from their problems. In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche DuBois is unable to face adversity, which leads her to lose her individual identity during her attempt to escape reality. Blanche had experienced numerous hardships such as the deaths of many family members and the loss of her young husband, Allan. Instead of overcoming these challenges and becoming stronger, Blanche tried to run away from them.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
3. Kolin, Philip C. "”It's Only a Paper Moon": The Paper Ontologies in Tennessee Williams's A
Lastly, Southern culture inspired Tennessee Williams to write one of his most famous plays, A Streetcar Named Desire, as he based his major characters on people he knew or encountered. The character of Stanley Kowalski was based on a good friend of his whom he worked with at the International Shoe Company in the 1930's. He was also inspired by the image of a young woman who had just been stood up by the man she was planning to marry.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
Symbolism is greatly used in the play to emphasize Blanche’s mental instability, this is most evidently found in the use of colors and shading. The first example of this is in both her name Blanche Dubois, which in French means white and her last name woods, this translates to ‘white woods’ and the fact that she dresses entirely in white upon her arrival. The color white symbolizes, purity, health and virginity, which in spite of the irony, this is the image she attempts to exhibit. This is her trying to appear new and fresh. There is noticeable symbolism that metaphorically taints this white purity, such of that in scene five when Blanche spills coke on her white dress. She frantically tries to remove it, she wishes to remove this so it doesn’t stain her. Like she sees how her past has. The fact that she has slept with so many men and this spill shows how she is in fact corrupt and stained with her past. This symbolism is an early suspicion to her insanity and promiscuous past which is only unraveled later in the play. We as such may not intentionally see this from the start. Only the illusory image, which she tries to create for herself, suggests the...
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.